What is the so-called poetic commotion

What is the so-called poetic commotion

The first two lines of the poem take the poems of Li Bai and Du Fu as an example to make a point: "Li Du's poems have been passed down by ten thousand mouths, but so far they have not been fresh", the poems of Li Bai and Du Fu have been passed down through the ages, and no one can be comparable to them, however, it is such a great poem that so far they do not seem to be fresh anymore. It can be seen that "there are talented people in the rivers and mountains, and each of them has been in the limelight for hundreds of years", and the country has seen the emergence of sentient beings from generation to generation, and their respective influences are only a few hundred years old. The author believes that poetry should evolve with the times, and poets should seek change and innovation in their creations, rather than deliberately imitating and following in the footsteps of the ancients.

Wind and Sao actually referred to two books in ancient times: the Book of Poetry (since the best chapter of the Book of Poetry is the "State Wind", wind can be used to represent the Book of Poetry) and the Li Sao (离骚).

Later on, wind and sass became synonymous with learning, and "literati" could be called "saoke". If someone liked to show off his knowledge, then he was said to be "showing off".

Then later (probably in the Ming and Qing dynasties), the flirtation was even described by the literati to describe the woman, said a woman's sexuality is said to be "flirtatious". A woman is also known as a "show-off".

Feng Sao:

1. Wind refers to the "National Wind" in the Book of Songs, Sao refers to Qu Yuan's "Li Sao", and later referred to literature in general: Tang Zong and Song Zu, a little inferior to the wind and sass

2. Leadership in the literary world or leading in a certain way: leading the wind and sass

3.