What does "through the mouth" mean in cross talk?

Through oral work. Categories according to the content of photographic sound performances. Refers to a program that mainly shows the actor's "oral" performance skills, and performs a long monologue in one go, giving people a beautiful hearing. Such as "geographical map" and "newspaper name". There are many such forms in cross talk, and there are also "mouth-to-mouth activities" in stand-up cross talk. For example, Jiang Baolin adapted the comic dialogue "Registration" into a stand-up comic dialogue performance. Pass is one of the performance skills of cross talk. It refers to the performance form that expresses an actor's basic speech skills and the beauty of language rhythm. The requirement of "transparency" is clear articulation, accurate pronunciation, fast but not chaotic, slow and continuous. A large section of "Jingkou" came to my face, and the language was washed and practiced, and it was easy to lift weights. For example, place names in geographical maps and dish names in newspaper names. The key to the performance of the "gateway" is to have the "beauty" of mountains and rivers, so that the audience can enjoy themselves, rather than simply showing off their teeth and blindly pursuing the speed of speech. The words "Hundred Fruits", "Hundred Flowers" and "Hundred Medicines" in the school books of the Jin Dynasty are just the names of "Hundred Fruits", "Hundred Flowers" and "Hundred Medicines" in one go with extremely fluent language, and "infiltration" also has the characteristics of this kind of communication. Because it is only a technology and cannot exist as a form alone, it must be labeled as "one-headed sinking" or "one-headed sinking". One view is that "gateway" is completely equivalent to "tangzi", which can be divided into "gateway" with characters' plots, such as "children" and "fools" in Eight Fan Screen Wind, and "gateway" that simply lists things, such as the names of dishes in newspapers and geographical maps. There is also a view that "gateway" is not completely equivalent to "jar" (see the entry "jar"). Tanko. One of the skills of crosstalk performance. Wang Peiyuan, a crosstalk performer, pointed out that "Guankou" and "Tangzi" are different, and they are lists of similar contents, while "Tangzi" describes the contents with a relatively fast rhythm. There is also a saying that "crossing the mouth" is dynamic in the performance style of cross talk; And "Tangzi" refers to the static text itself. In practice, there are many intersections. For example, the long monologues such as Children and Mang Man with eight fan screens have the characteristics of "penetration" and "wandering".