Traditional Culture Encyclopedia - Traditional culture - Artistic Characteristics of Hao Lai Bao
Artistic Characteristics of Hao Lai Bao
"Hao Lai Bao" is a unique form of Mongolian folk art, which is a kind of rap art. It has a fixed tune and lyrics. Generally, it is sung by two people pulling the sihu or one person asking himself questions and answering questions. Rapists not only can pull the singing, but also have the inspiration of the scene, with the ability to sing along with the fabrication, national style, local characteristics of the stronger, and now in Xilinhot City, sometimes performed on the stage of the new "Hao Lai Bao" number of people varying, there are self-editing, self-pulling, self-acting, the canon mobilized to listen to the form of a variety of and good to see.
The performance characteristics are similar to those of the Han's "Hao Lai Bao" and "Lotus Flower Drops" (see "Lotus Flower Drops"). Originated from a singing section in the Uleghi, in more than 200 years of singing practice, constantly enriched and developed. Good Lai Bao singing form is divided into four kinds: ① swinging sea good Lai Bao, the number of participants in the singing is not determined, the content of a wide range; ② Wulegezhi good Lai Bao, a question-and-answer form, the content of historical knowledge, allusions, etc.; ③ Day Day Lacha good Lai Bao, for the form of the song, the contents of the satirical, humorous components more; ④ Hur Ren (Huqin) good Lai Bao, pull yourself up and sing, the contents of the main praises. Hao Lai Bao repertoire of varying lengths, the length of the length of the scalability is very large, the short is dozens of lines, the long is hundreds of lines, and even the two can be sung for several days, rhyme and harmony, rhythm, beautiful tunes, resonant and pleasant to the ear. It is accompanied by the four beards, and later developed to be accompanied by various instruments. The traditional repertoire includes "Princess Yandan", "Singing Renjin", "Drunkard", etc.; the new repertoire includes "Party and Mother", "Dialogue of the Two Lambs", etc.
The lyrics of Hao Lai Bao are the same as Mongolian poems, which are required to rhyme with the first line (four lines, two lines, or dozens of lines in the end), harmonize with the rhyme scheme, have a bright rhythm, and resonate pleasantly to the ear and can be sung over and over again. Folk artists often see the scene, make improvisation, is actually a kind of oral improvisation poetry. When the artists sing, they may use wooden sticks to strike, or accompany them with four beards to enhance their expressive power. It has dozens of tunes. The form is lively, the language is vivid, the tunes are beautiful, rich in local flavor and national flavor.
The music of Hao Lai Bao is rich and varied, the rhythm is light and lively, the lyrics are simple and beautiful, and the language is moving. Sung in Mongolian, the performers are male, accompanied by four hu (bass four hu or alto four hu), there is a single mouth, counterparts, group mouth three kinds of Hao Lai Bao.
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