The relationship between the virtuality and stage performance of traditional Chinese opera and China traditional culture.

The virtuality and stage performance of traditional Chinese opera originated from the traditional culture of China, and the development of traditional Chinese opera and stage performance added more details to the traditional culture. The two are complementary.

China opera has a strong Chinese style and Chinese style, that is, it has a strong national character. It conforms to the aesthetic psychology, habits and ideals of China people. It has a popular and popular character and a high-level aesthetic value. China opera, like China's traditional Chinese painting, expresses life with freehand brushwork.

There are a lot of plots, events, details, people, scenery and so on. In China's operas, they are extracted from life, but they deviate greatly from the prototype of life in operas and form a unique form of opera expression.

China traditional opera not only conforms to our nation's aesthetic tradition in form, but also is based on our long-term accumulated national psychological stereotype in content. The themes of China's traditional operas are taken from historical stories, historical romance novels, folklore or current affairs rumors, and the ideas expressed are mostly "promoting the good and punishing the evil", praising the truth, the good and the beautiful, and lashing the false, the ugly and the evil.

Just as any kind of art must have its own specific laws, drama must also follow certain rules, that is, it must exist and develop according to the law of the formation of its own artistic style. China's unique artistic style of traditional opera itself is the inevitable product of China traditional culture and China traditional aesthetic psychology. The stylization of traditional Chinese opera is not a formulaic and solidified model.

Judging from the development history of China traditional operas, all successful actors have made breakthroughs and innovations in the original performances in the process of creating characters.

Extended data:

Synthesis, virtuality and formality are the main artistic features of China traditional operas. These characteristics, which condensed the essence of China's traditional culture, formed a unique view of drama, and made China's operas shine with unique artistic brilliance on the stage of world drama culture.

Various artistic factors are closely combined with the performing arts, and all the functions of opera are realized through the performance of actors. Among them, the organic composition of singing, reading, doing and beating on the actors is the most concentrated and prominent embodiment of the comprehensiveness of China traditional operas.

In addition to performing programs, traditional Chinese opera has certain programs in script form, role, music singing, makeup and clothing. Excellent artists can break through some limitations of the program and create their own personalized normative art. The program is a model of beauty.

The virtuality of China's operas is first manifested in the flexibility of dealing with the stage time and space, and the facial makeup of operas is also a virtual way. The virtuality of China's traditional operas is not only caused by the limitations of the original stage and backward dance techniques, but also the product of the accumulation of national traditional aesthetic thoughts that pursue likeness and vividness.

Baidu Encyclopedia-China Opera