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The poetic Jiangnan will always be a meaningful and ethereal ink painting. It has always been the darling of countless literati, and it is also a resort for countless talented people and beautiful women. So it is always inseparable from the lofty sentiments of pen and ink.

Jiangnan is really like a hearty ink painting. Beautiful mountains and clear waters, winding paths leading to secluded places, clear water and heavy mountains. Splashing ink and breaking ink exudes a faint fragrance, which appropriately shows the grandeur of mountains and rivers. The pen front shows a rich accumulation of cultural heritage. Nevertheless, Jiangnan does not need the embellishment and rendering of ink and wash, because it is natural and sultry.

Chinese style is like charming Jiangnan, fresh, simple, gentle and subtle, with a unique hazy beauty. Chinese style is a category of popular music in China, and it is the product of a high degree of combination of music and literature, so as an avid music lover and literature lover, I love it even more.

There is no high or low, on the contrary, it is very popular.

The inextricable connection between music and literature can be traced back to a long time ago. First, Tang poetry. Most Tang poems can be sung by music, but few people really pay attention to the integration of Tang poems and music. Yuefu poetry attaches great importance to the combination of literature and music, and some tunes have been preserved to this day. By the time I got to Song Ci, my connection with music was stronger. The phrase, "How many people know what Nalan is thinking?" shows the high singing rate of many excellent ci poems. Liu Yong's ci is also representative. At that time, many civilians would recite his ci. The word "Ci" is called "Ci" because it has become "lyrical". The development of literary style to Yuanqu is probably inseparable from music. Among them, Sanqu is influenced by folk songs, and its rhyme is more musical. And there will be a lot of lyrics in the play. Song Yuan's song "Farewell" has also been adapted into Japanese and Korean pop songs.

Under the influence of this series of literary styles, in modern times, music and literature gave birth to this epoch-making art form.

I love Chinese style, its beautiful lyrics, beautiful words, its distant melody and lingering sound. Just like classical poetry and prose, Chinese style pursues not only external beauty and aesthetic feeling, but also sincere, natural, implicit and hazy feelings. Its feelings are not squeezed out for the lyrics, but after repeated brewing, precipitation and wandering. It combines beautiful artistic conception with delicate feelings like flowing water through tunes and lyrics. Words overflowing with ink are only their external strength, and elegant and transparent emotions are their introverted souls.

China's classical culture is often ignored by everyone. In fact, although the times are developing, the ancient culture still has a lot of value today. Such as literary value. The Chinese style gives full play to the value of Chinese studies.

Vae can be described as a general of Chinese style music. The lyrics of many of his songs are wonderful, with long and pleasant tunes and fresh and pleasant voices. Skilled falsetto and transliteration explain the Chinese style vividly. A song "On a Clear Rain", "Wood Carving Flows Gold/Time Ripples" and "I Wander on Earth/Can't Find Your Paradise/Can't Forget It" is sad, not Nalan, but better than Nalan, full of sadness; A song "Luzhou Moon", "Luzhou Moonlight/sprinkled on your heart/under the moon, you are no longer what you used to be/too much bitterness/unspeakable sadness/sigh. At that time, it was just ordinary", and the sincere and touching homesickness jumped from the paper; A song "Remembering Nanshan" is full of seclusion feelings, accompanied by the lyrics of "a leaf in a boat/going into the scenery with the wind/watching the river fishing/turning into the depths of the bamboo forest/a small bamboo stump/a monk starting to repeat/sending paper money in the evening breeze/who adds new pain". Multi-level feelings reflect the emotional richness of Vae.

It can be seen that many people say that Chinese style has nothing to write about and nothing to moan about. These songs are saturated with sincere feelings.

The Chinese style in Jay Chou is also very good. The classic "Chrysanthemum Terrace" is inspired by the poem "The city is full of golden flowers". The lyrics of "Chrysanthemum is all over the floor/your smile turns yellow/the flowers are heartbroken/my heart is dripping quietly" are well-known, and the falsetto part is sad and moving. Many Chinese teachers like blue and white porcelain, which personifies the unique cultural heritage of China. "The sky is blue, I'm waiting for you." I cherish and love the classical culture of China. Vincent fang's writing style is really full of Chinese style.

Many people say that the Chinese style is just copying the ancients, and there is nothing to say. I think this is an obvious misunderstanding. Those images that are the same as those of ancient poets are not the patent of the ancients. Everything in the world, including the sunset and the moon, belongs to everyone and every aesthete, but the feeling belongs to them, but even the feeling sometimes "empathizes". This is Song * * *, right? Moreover, Chinese style songs recreated the literary images used by the ancients and turned them into their own. Can this be considered plagiarism? Translation does not mean quoting, and even if it is quoted, it should not be accused of plagiarism. Didn't the ancients also use classics? Don't people often use quotations nowadays? Plagiarism is a manifestation of lack of basic artistic literacy (including literature and music).

The ancients said that there were poems in the belly. Only in this way can the Chinese style exude a smart temperament from the inside out.

Chinese style bears the great and immortal mission of the exchange between ancient culture and modern culture in China, and embodies solid literary foundation and outstanding musical talent. Chinese style tells us that classical literature can't be lost.

Classical literature and modern music hand in hand gave birth to "Chinese style". It can be said that this is an unprecedented perfect match; It is an amazing combination of two swords in the history of human cultural development; It is simply a new cultural wave that makes the gods cry!

Literature and music complement each other, relying on Chinese style!