There are several kinds of calligraphy strokes.

There are three kinds of calligraphy strokes.

1, the first brushwork is horizontal and vertical drawing, which is mostly used for seal script and regular script, but the action of drawing is like scraping fish scales, and the action of drawing vertically is like drawing horses.

2. The second brushwork is the lifting brushwork, which is the core brushwork, making full use of the elasticity of bristles to write colorful and varied China strokes.

3. The third brushwork is the turning point method, which is mainly used to write the turning point of strokes. The arc painting of seal script written by transformation method is more reflected in the writing process of running script cursive script.

The connotation of calligraphy mainly includes the following aspects:

1. Calligraphy refers to the art of expressing emotions with Four Treasures of the Study as a tool. The particularity of tools is an important aspect of the particularity of calligraphy art, and it is an important part of calligraphy techniques to fully embody the performance of tools with the help of Four Treasures of the Study. Without Four Treasures of the Study, there would be no calligraphy art.

2. Calligraphy art takes Chinese characters as the carrier. The particularity of Chinese characters is another important aspect of calligraphy particularity. China's calligraphy can not be separated from Chinese characters, and the form of Chinese character stippling and the collocation of radicals are the contents that writers pay more attention to. Different from other pinyin characters, Chinese characters are a combination of form, sound and meaning, which has strong formal significance.

The so-called "six books" of the ancients refer to six methods of pictographic, fingering, comprehending, pictophonetic, transliteration and borrowing of Chinese characters, which is of great guiding significance to the analysis of Chinese character structure.

3. The background of calligraphy art is China traditional culture. Calligraphy is rooted in China traditional culture, which is the background of its existence and development. The calligraphy theory we see today since the Han Dynasty has its own systematicness, integrity and orderliness.

Calligraphy theory, like other literary theories, includes not only the technique theory of calligraphy itself, but also the aesthetic theory of calligraphy, all of which shine with the wisdom of ancient China literati. For example, the theory of how to express the categories of "spirit, qi, bone, flesh and blood" in calligraphy, the theory of techniques such as brushwork, calligraphy and composition, and the theory of creation and evaluation all have their own systems.

4. Calligraphy art noumenon includes brushwork, word method, structure method, composition method, ink method, pen gesture and so on. Calligraphy brushwork is the core content of its techniques. The brushwork, also known as "using a pen", refers to the pen-lifting method with a front. Morphology, also known as "knot" and "structure", refers to the relationship of collocation, insertion, echo and avoidance. Composition, also known as "white cloth", refers to the overall layout of a word, including the handling of the relationship between words and lines. Ink method is the method of using ink, which refers to the treatment of thick and thin dry and wet ink.