Is the celebrity calligraphy and painting collection framed or not?

Personal advice, or framing, for the following reasons.

First, China's calligraphy and Chinese painting are mainly created on raw silk or rice paper. Its material is thin and easy to break. From the actual needs of reinforcement, it is also necessary to frame and reinforce it to facilitate preservation and appreciation. (For example, many precious calligraphy, paintings, books, inscriptions, etc. It has been handed down from generation to generation. Although there are various reasons, the most crucial point is that they have been protected by paper, silk, silk and other materials. Therefore, without the mounting process, it is impossible to leave so many existing painter's ink marks in the world. )

Secondly, as the saying goes, "three points draw the heart, seven points frame"; Clothes make the man, and horses depend on the saddle. The same is true of paintings and calligraphy. Good mounting can not only protect the work, but also increase the visual aesthetic effect. Moreover, the traditional hand-mounted calligraphy and painting has a long preservation time, which is conducive to the uncovering and restoration of the works. If the work fails, it can also be remedied, such as color coding, ink spots, paper wrinkling, incomplete treatment and so on. At the same time, we should pay attention to the use of strokes of the original painting, which can make the color of the picture more moist, bright and harmonious. Can increase the artistic charm effect of the work. Hand-made rice paper, the silk is finely mounted, the back of the silk is calendered, and the paraffin wax is polished to keep the color bright, smooth and soft, and quite textured.

After the calligraphy and painting are mounted, they can be decorated at home and office, and can play a decorative role in adding flowers to the splendid scenery. Make the work more elegant and beautiful, and also make the work permanently preserved and treasured. Therefore, Mo Miao's calligraphy and painting can only be radiant and lifelike after mounting. It not only adds to the icing on the cake, but also improves the artistic effect of the work. Mr. Fu Baoshi once said in the article "The Difficulty of Mounting Paintings": "As a work of art, mounting is the most important level besides the artistic level of the picture."

Third, mounting can be said to be the "deep processing" of calligraphy and painting. Calligraphy and painting, due to the colloid effect of ink color, the picture is wrinkled and uneven, easy to break, and not convenient for viewing, circulation and collection. If it is not mounted, it will produce yellow spots for a long time, so that it will corrode and become moldy and become a "cake" that cannot be preserved. Therefore, if calligraphy and painting want to be preserved permanently, it must be mounted to make it flat, and then according to its color depth, composition complexity and frame width, it should be matched with corresponding silk and mounted into various frames to prolong the viewing time. If you don't hang it for appreciation, at least put the paper on your back and collect it.

In a word, China's paintings and calligraphy can't be regarded as complete works of art without mounting.

Introduction: The definition of mounting is to mount and beautify the calligraphy and Chinese painting works of ancient and modern paper and silk with all kinds of silk, brocade, paper and silk, or to protect and repair them. China's paintings and calligraphy are the unique quintessence of our country, and are recognized as the treasures of oriental art by all countries in the world. With the development of traditional painting and calligraphy art, painting and calligraphy decoration technology is also a unique traditional technology of the Chinese nation, with a history of 1700 years. Its emergence and development have played a special role in preserving splendid national cultural heritage and spreading human spiritual civilization. Mounting technology came into being with the history of China painting, so mounting art is also one of the precious artistic heritages in ancient China, with a long history and exquisite skills. It is with the art of painting and calligraphy mounting that China's artistic treasures of painting and calligraphy can be decorated and mounted, and can be treasured forever. It mainly includes the mounting decoration of silk calligraphy and painting, decontamination and repair of old calligraphy and painting, and so on. In the past, some people called these jobs "mounting", "mounting pool", "mounting", "mounting calligraphy and painting" and "mounting axis". As the saying goes, three-point painting and seven-point mounting show the importance of mounting. Once the painting and calligraphy are mounted, they have the feeling of Mo Miao and become a complete work, which makes people feel pleasing to the eye. The method is to mount the back of the painting and calligraphy works with paper, then wrap them with silk, silk and paper, or even support them, and then install them into axes or layouts. The finished product can be divided into roll, shaft, book and sheet according to its shape. The mounted calligraphy and paintings and inscriptions are easy to collect and decorate.