Traditional Culture Encyclopedia - Traditional culture - How to understand the embodiment of reality and reality in art design

How to understand the embodiment of reality and reality in art design

Art design aesthetics is a positive value orientation activity or value realization activity. It is a series of thinking activities such as observation, perception, connection, imagination, understanding and judgment of beautiful things and phenomena. Its connotation is to understand the beauty of things or works of art, and artistic aesthetics needs to have certain aesthetic ability. Artistic synaesthesia is a very important link in aesthetic ability. Artistic synaesthesia is like a "bridge" in the process of artistic creation and appreciation, which makes the arts communicate and transform with each other. It enables people's senses such as vision, hearing, smell and touch to communicate and transform with each other, and also enables art to interact, communicate and inspire each other. It plays an important role as a bridge for all kinds of arts, even for mastery.

Understand artistic synaesthesia

The greatest feature of art is mutual needs, and the essence of artistic aesthetics is to grasp artistic synaesthesia. From the perspective of aesthetic apperception, artistic synaesthesia is an aesthetic power with apperception as its basic psychological function and emotion as its psychological power, which expresses the personality, mood and emotion of the creative subject. Therefore, artistic synaesthesia should be an artistic creation ability. For an artist, the stronger the artistic synaesthesia ability, the more sensitive he can grasp the characteristics of the image and understand the artistic synaesthesia points between feelings, thus depicting the truth of art and creating unlimited artistic imagination space; For art recipients, the stronger their artistic synaesthesia ability, the more they can communicate with the author in the process of acceptance, understand the meaning of the author's creation, and thus construct their own artistic personality. Therefore, the improvement of artistic synaesthesia ability is an important symbol and embodiment of the improvement of aesthetic ability.

Artistic synaesthesia, also known as synaesthesia, empathy or synaesthesia, refers to the psychological process of aesthetic experience's transfer, transformation, infiltration and communication from perception and representation to image in the flow of various artistic symbols. It is the exchange and borrowing of different feelings and the result of the accumulation of practical experience in social life; Using synaesthesia can break through people's thinking mode, deepen artistic thinking, turn intangible into tangible, abstract into concrete, and create vivid and touching artistic image and artistic realm: synaesthesia has two ways: "feeling intuition association" and "emotion attitude association". In artistic aesthetics, artistic synaesthesia is one of the keys to make artistic symbols flow and produce high-level aesthetic experience.

People's sense of the world depends on the five senses of eyes, ears, nose, tongue and body, forming five senses of sight, hearing, smell, taste and touch. From the perspective of synaesthesia, these five senses are interrelated, interpenetrating and interrelated. Synaesthesia is of great value in aesthetic education. It requires people not only to observe its form, but also to see its spirit, that is, to see the inner spirit from the external image and to realize its profound meaning from the emotional ups and downs. So I don't think the development of a single sense can form a real artistic ability. In aesthetic cultivation, we should fully mobilize a variety of senses, that is, enrich the aesthetic experience of the soul with "synaesthesia" and build a bridge of aesthetic communication between various arts with artistic synaesthesia. Artistic synaesthesia not only occurs in the sensory layer, but also is a more advanced psychological activity. At the same time, we should pay attention to the unique role of apperception in unifying and integrating human consciousness. Synaesthesia is the transfer of scattered sensory stimuli into a whole set, and various stimuli are interrelated under the overall action. The comprehensive function of apperception is based on association and association, which produces the concept of set and causes two kinds of apperception analysis: one is called imagination and the other is called understanding. It is the connection and association in apperception that produces the concept of collective cognition.

Aesthetic characteristics of art

In literature and art, according to the different media means and ways of shaping images in various artistic forms, they are called plastic arts, performing arts, language arts and comprehensive arts respectively. Literature is a language art, and in artistic aesthetics, artistic aesthetic characteristics are the basis of synaesthesia. Artists and appreciators must find a breakthrough in various artistic aesthetic characteristics and establish contact, so that synaesthesia can flow naturally in various arts. Therefore, if we use artistic synaesthesia to appreciate beauty, we must understand the aesthetic characteristics of various arts. Here is a brief analysis of the aesthetic characteristics of various arts:

First, the aesthetic characteristics of plastic arts. Plastic arts refers to the use of certain materials (such as pigments, silk, cloth, paper). Stone, metal, wood, bamboo, etc. ), an art form that expresses social life and artists' feelings by shaping visible static images. It includes painting, sculpture, photography, architecture, arts and crafts and other specific art forms. Its main aesthetic characteristics are intuition and concreteness; Eternity in an instant; Differences in spatial expression; Formal beauty of cohesion.

(1) Intuitive concreteness means that plastic arts have the characteristics of using material media to express concrete artistic images in space. Plastic arts use material media to create concrete artistic images and directly attract people's visual senses. This kind of direct and concrete image contains rich artistic implication, which directly presents the concrete visible or tangible image to the audience and causes the audience's intuitive aesthetic feeling. Plastic arts can also transform some intangible things that are difficult to express in real life into concrete visual images that can be intuitive.

(2) The eternity of an instant means that plastic arts have the characteristic of choosing a specific moment to express eternal meaning. Plastic arts is a kind of static art, it is difficult to reproduce the movement and development process of things, but it can capture, select, refine and fix the most expressive and meaningful moments in the development process of things, "moving in the static state" and expressing "eternity" with "moments". For example, photography, the instantaneous expression of photographic images, often seize the moment before the climax, leaving people with unlimited imagination.

(3) The difference of spatial expression means that all categories of plastic arts have different characteristics in spatial expression. For example, Chinese and western paintings use different perspective methods to create an illusory three-dimensional space on a two-dimensional plane. Western oil paintings use "focus perspective" and Chinese paintings use "scattered perspective".

(4) Cohesive formal beauty means that plastic arts have the characteristics of condensed and aggregated formal beauty in artistic image. The law of formal beauty is universal to all categories of plastic arts, so using the law of formal beauty to deal with material media can integrate artistic symbols condensed with formal beauty. Various laws of formal beauty (such as symmetry, balance, rhythm, rhythm, contrast, proportion, master and slave, scale, light and shade, truth and falsehood, diversity and unity, etc.). ) condensed into various forms of beauty in the concrete application of various arts. For example, the symmetry of proportion, the change of rhythm, the contrast between light and shade, the unity of diversity, the coexistence of reality and reality, etc. , are the concentrated embodiment of the law of formal beauty in various art categories.

Art classification is not absolute and unconditional. On the contrary, the boundaries between various art categories are not absolute and conditional. They have differences, connections and mutual convergence in aesthetic feelings, means of expression and mutual development. Their aesthetic characteristics also have a lot in common. To realize the aesthetic experience of artistic synaesthesia, we must firmly grasp the similarities and differences between various arts, and make these aesthetic characteristics communicate with each other in the aesthetic feelings of various arts through the exchange and borrowing between feelings.