In what aspects is the diversified development of dance reflected in the new period?

Mainly reflected in the following aspects:

First, extensively carry out dance competitions.

In the 1950s and 1960s, the performance forms evolved into competitive prize-winning activities in the 1980s. For example, 1980, 1986, 1995, 1986, the first dance competition of the People's Liberation Army, 1977, 1987,/kloc-0. Ethnic minority dance competition1end of 990, ethnic folk music and dance competition 1986,1end of 992; The 5th National Art Academy "Li Tao Cup" Dance Competition 1985, 199 1, 1994,1997; 1985 and 1987 two national ballet competitions, as well as mass amateur dance competitions, children's dance creation competitions, regional and industry performance awards, five Chinese art festivals held from 1987 to 1997, and regular, thematic, art activities combining literature and trade in various regions.

Second, hold a personal dance.

1980 After Chen, it was the first time to hold a personal party for China dancers, such as Sun Xiezhang, Zhao Qing, Dao Meilan, Zi Huajun, Yao and Wang Jian, as well as Zhou Jie, Hu Jialu, Michelle Li, Zhang Runhua, Zhang Ping, Song Qingji, Zhou Guixin, Li Zhongmei and Wang Jian. At the same time, 1987 celebrated the 50th anniversary of Jia Zuoguang's dance art, and 1990 celebrated the 40th anniversary of Chen Qiaocong's dance. Since then, more than 30 dancers, including Oden Gerile, Shen Peiyi, Zhuo Ma, Yu Wei, Shasha Ayi, Dilinar and Li Yulan, have held a series of individual dance evenings, which showed their different artistic styles and the maturity of China dancers, which also marked the height of the development of contemporary dance culture in China.

Third, the rise of modern dance in China.

The pioneers, Dai and Dai of China's new dance all started from the study and creation of modern dance, but it was difficult for modern dance to be accepted by the public and developed at that time. As a result, they turned to create national dances that combined with modern life. In 1950s, due to the international situation and over-emphasis on national characteristics, western modern dance was regarded as heresy and rejected. In the 1960s, Guo Mingda, who returned from studying modern dance in America, was of little use. It was not until the early 1980s that he began to spread the systematic theory of modern dance, which gave birth to the rise of modern dance in China. In this case, the publication of The Hope of Huachao has attracted the attention of the society. Later, Wang Liancheng came back from the United States and spread the skills of modern dance more concretely. Hu Jialu of Shanghai, through tenacious creative practice, has found his own way of modern dance in China and created a number of modern dance works with a distinct sense of form. At the same time, the emergence of excellent modern dance, such as Ruan, Ruan's Fate and Chao, has made modern dance accepted by more people. 1987 Modern Dance Class of Guangdong Dance School was established. Three years later, a number of modern dance works emerged. Its graduates, Qin Liming and Qiao Yang, won the first prize of 1990 Paris International Modern Dance Competition for their works "Tai Chi Impression" and "Passing Sound". This is a channel to learn western modern dance and develop China modern dance. In fact, there is a free channel for modern dance in China, that is, China's dance creation itself has always emphasized the realistic theme, which is the necessity of the birth of modern dance in China. To reflect the new life and thoughts, we must create new dance concepts and new dance vocabulary, so a number of modern dances in China stand out, such as Waves, Silent Songs, Soul of the Yellow River, Phoenix in My Heart and Germination.

Fourth, active military dance creation.

There are three dance armies in China, one is a dance troupe from the central government to provinces, municipalities and autonomous regions to regions and counties; One is the army of amateur ballroom dancing activities of the broad masses, that is, workers from all walks of life; There are also 40 professional song and dance teams from the headquarters of China People's Liberation Army and major military regions, and a main force consisting of 1000 dancers. Military dance creation has always been combative, contemporary and highly creative. From creative ideas and works to choreography, the quality of actors is often at the forefront of contemporary dance development. Starting from March Dance, dances such as Tibetan Cavalry, Flying over Luding Bridge, Hard Years, Langya Mountain, Laundry Song and Harvest Song in 1950s and 1960s were popular all over the country. At the end of 1970s, Cutting the String and Wedding at the Execution Ground created a new style of military dance. In the 1980s, the theme of military dance creation was wider, the forms were more diverse, and the talents were more prominent. Such as "Jinshan War Drum", "Dunhuang Painted Sculpture" and "Zhaojun Out of the fortress" and other classical dances; Modern dances such as Hope, Prison Song and Soul of the Yellow River; "goodbye! Military dances with military themes such as Mom, Eight Bitches Throwing into the River, Boys and Girls Stepping on Smoke, Little Sailor, Soldier, Female Soldier, Biography and Deere; Folk dances such as Bunny and Hope in the Field; Innovative dance masterpieces such as Haiyan, Xiaoxi, Hehai and Mushroom Picking are all choreographed and performed by the army.

The Serialized Development of verb (abbreviation of verb) Dance

In the 1980s, in line with the highly integrated and systematic development fashion in the world, dance naturally showed its overall strength with serialized creation. In addition to the serial choreography of individual dances, there are four major dances, namely, imitation of Tang music and dance, Tang Chang 'an music and dance, chime music and dance, and nine songs, followed by Qing Palace, Han Style, Xiaoshao music and dance, Tonggu music and dance, and Yunmen Dajuan. A series of songs and dances with local customs were also introduced, such as Youjiang customs in Guangxi, Wuxi customs in Huaihua, Hunan, Bashu songs and dances in Sichuan and Ghost Country customs in Fuling. In addition, Yunnan's Footprints of Love and Shanghai's Golden Dance and Silver Jewelry were staged. Since the 1990s, almost all Taiwanese songs and dances have featured series, such as Ganjiang in Jiangxi, Rhododendron in Sanxiang in Hunan, Mountain Dance in Guizhou, Kyushu Crescent in Ningxia, Black Land in Heilongjiang, Red Soil in Yunnan, Our Mountain in Chongqing, and so on. And 1987' s "Be Loved by Children in the Yellow River" in Shanxi, followed by "One Side of the Yellow River" and 1992' s elaborate program in Yunnan have pushed contemporary folk dance to a new height.

Sixth, the rise of academic dance.

1978, based on the Beijing Dance School opened in 1954, Beijing Dance Academy was established, which immediately became an important base for higher dance education in contemporary China. Its scientific and standardized dance teaching materials and first-class school buildings often amaze colleagues from all over the world; It has a strong teaching staff, widely employs experts from all over the world to teach, and has trained a batch of dance professionals who are engaged in performance, choreography and education. Through hard creative performance practice, they have produced a number of excellent academic dance repertoires, which have considerable influence at home and abroad. China's academic dance has formed a standardized system in the process of continuous integration of ancient and modern Chinese and foreign achievements, and then it has been absorbed, integrated, developed and perfected on the basis of the standardized system. Therefore, it is not rigid, but scientific and standardized, paying attention to technical methods, having solid professional basic skills, passion for thinking and innovation, and determination to innovate, showing youthful vigor, artistic aura and vitality of life. In the early stage, he created masterpieces such as Moonlit Night on a Spring River, Lotus Lantern and Mermaid. Some excellent new dances appeared in 1980s, such as Mulan Gui, Newly Married, Rivers, Can Chun, Fierce Winter, Yellow River and so on. The Great Wall, directed by Fan Dongkai and Zhang Jianmin, shocked people with its concise and orderly choreography and majestic momentum. Through a series of dances, such as "I am Huang Heren", "What a Strong Wind", "Yellow Loess" and "Dedicated to Parents", Zhang Jigang embarked on a new road of folk dance development in the 1990s. The creation of dance dramas such as "Sacrificing Mountains and Rivers", "Monument Without Words" and "Qin Shihuang" shows the new exploration of symphonic dance dramas and new styles by the fourth generation of contemporary China dance directors. In addition, the Music and Dance Department of Minzu University of China and the Dance Department of China People's Liberation Army Art College have trained groups of high-tech dancers for ethnic minorities and troops. In the new period of dance creation, the graduates of these two universities play an important role. Although their styles are different, they have the same system, standardized performances and creative spirit of meticulous originality and deliberate innovation, which have made their own contributions to improving the cultural level of contemporary dance.

Seven, song and dance parties are often televised.

From the late 1980s to the 1990s, there were fewer and fewer theatrical performances at song and dance parties, and commemorative celebrations and festival parties became more and more prosperous. Song and dance are indispensable for holiday parties, and they are often played on TV. The singing and dancing evenings of TV stations are becoming more and more colorful, which enlivens people's cultural life. Every year, CCTV's Spring Festival Gala has become a grand art festival for Chinese all over the world, in which singing and dancing are an important part. The Spring Festival Gala of CCTV, the special performance of the Ministry of Culture, and the Spring Festival Gala of the army and the Ministry of Civil Affairs are also held and broadcast every year. There are also provinces, cities and even regions that organize Spring Festival Galas individually or jointly. In addition, there are large-scale performance parties every year, such as National Day, August 1st Army Day, May 1st Labor Day, March 8th Women's Day, Children's Day and so on, as well as the opening ceremony of film and television festivals, various awards parties and the opening ceremony of various large-scale sports meetings in Beijing, Changchun, Shanghai and Sichuan. Singing and dancing are also essential. At the same time, dance plays an increasingly important role in songs. Even acrobatics and sketches are increasingly infused with dance elements. Dance brings joy and beauty to people, and some parties increasingly take singing and dancing as their basic choice.

Eight, tourism songs and dances are in the ascendant.

Modern tourism has increasingly become an important part of people's lives and has become a global social phenomenon. Tourism has also developed into the largest industry in the world today. Tourism promotes social and economic development, and at the same time promotes friendly exchanges and cultural exchanges among people all over the world, and tourism songs and dances also rise. First of all, in some star-rated hotels, hotels and theaters, there are song and dance performances for tourists. For example, xi People's Theatre often has ancient music and dance performances by Shaanxi Song and Dance Theatre or Xi An Song Song and Dance Troupe, Beijing Song and Dance Troupe performs at Beijing Hotel Theatre, and Qufu Confucius Temple performs Music and Dance in Sacrifice to Confucius and Music and Dance in Sacrifice to Xiao Shao ... Secondly, since the 1990s, a number of artificial landscapes have been built in various places, such as the miniature landscape of splendid china built in Shenzhen. The window of the world was built in 1994, and there are also Beijing Grand View Garden, World Park, Qufu Liuyi City, Kunming Ethnic Village and Zhuhai Yuanming New Garden. Most of these artificial landscapes have corresponding song and dance performances. In the 1990s, with the continuous development of tourism, among all kinds of tourist attractions built around the country, tourist song and dance performances also flourished. The parade and national song and dance performance in Shenzhen Folk Culture Village and the large-scale song and dance performance of Wuzhou Art Troupe belong to the window of the world, and the combination of theater and square has made outstanding contributions to the development of tourism song and dance in China.