Traditional Culture Encyclopedia - Traditional culture - Why does Chinese painting not focus on color, but on black and white?
Why does Chinese painting not focus on color, but on black and white?
I. Mineral pigments
1, Cinnabar
2, Cinnabar (extracted from the cinnabar, the top layer)
3, silver Zhu
4, Shi Huang
5, andrographis (also known as andrographolite)
6, Shi Qing (divided into the head, two, three, four green)
7, Shi Green (divided into the head, two, three, (four green)
8, ochre (divided into dark ochre, light ochre)
9, clam powder (shell grinding, although not a mineral, but classified in this category)
10, lead powder (easy to turn black, commonly used in lieu of titanium dioxide)
11, clay gold
12, clay silver
13, too white (zinc titanium dioxide, a mixture of zinc and titanium dioxide mill)
Two, plant pigments
1, flower green
2, garcinia cambogia (poisonous)
3, cochineal
4, magenta (imported, cochineal bugs in the extraction, although not plants but under this category)
Unlike gouache pigments are industrial pigments, can be mass-produced.
I think this is the cause of the creation of Chinese painting authors cherish color, so more ink to express, focusing on black and white, more prominent mood.
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