Perspective of Chinese painting

The perspective of Chinese painting is as follows:

In the perspective method of Chinese painting, the painter's observation point is not fixed in one place, nor is it limited by a fixed horizon, but he moves his foothold to observe as needed, and everything seen from different viewpoints can be organized into his own picture. This perspective.

This is the so-called "dispersed perspective", also called "moving perspective". China's landscape paintings can show the vast realm of "thousands of miles away", which is the result of using this unique perspective method.

Chinese painting, referred to as "Chinese painting".

Chinese painting is a traditional form of painting in China, which uses brush strokes dipped in water, ink and color on silk or paper. Tools and materials include brush, ink, Chinese painting pigments, rice paper, silk and so on. Themes can be divided into figures, landscapes, flowers and birds. From the perspective of art history, the capitals before the Republic of China were collectively called ancient paintings.

Traditional Chinese painting has no clear name in ancient times, and it is generally called Danqing, which has its own system in the world art field. Chinese painting, as one of the four major arts of piano, chess, calligraphy and painting, embodies the ancient people's understanding of nature, society, politics, philosophy, religion, morality, literature and nature.

Chinese painting has a long history. Painted on silk before the Song Dynasty, the materials were expensive. Therefore, the theme of Chinese painting is mostly portraits or life records of court nobles. It was not until the Song Dynasty that the improvement and popularization of paper materials and the rise of literati painting diversified the themes and techniques of Chinese painting, and the poems on paintings were the beginning of the homology of painting and calligraphy.

After the Ming Dynasty, painting spread to the public and became a part of citizens' life, and genre painting came into being. At the end of the Qing Dynasty, the west wind spread eastward, painting materials were diversified, and western painting elements were added, which developed in many aspects.