There are several perspectives in landscape painting.

There are three perspectives of landscape painting, namely sublime, profound and plain.

The method of "three distances" is a special perspective of China's landscape painting. It means that in a painting, there can be several different perspectives to show the height, distance and flatness of the scene.

Guo in the mid-Northern Song Dynasty said in Lin Zhi that the mountain has three distances: from the foot of the mountain to the top of the mountain, it is called high; Looking at the mountain from the front is far-reaching; Looking far from the near mountain is called the plain. China's landscape paintings often have "sublimity" in one painting, which makes you feel the majesty of the mountain peak, the urgency of the mountain and the immediacy; There is "far-reaching" that makes you feel that the mountains and rivers are complex and profound; Have "Pingyuan", broad vision and relaxed mentality.

To achieve this effect, it is necessary to break the limitation of focus perspective to observe the scenery, and use scattered perspectives such as looking up, looking down and looking up to describe the scenery in the painting.

China landscape painting:

China's landscape painting is called "landscape painting" for short. Chinese painting with landscape as the main description object. It was formed in Wei, Jin, Southern and Northern Dynasties, but it has not been completely separated from figure painting. Independent in the Sui and Tang Dynasties and mature in the Five Dynasties and the Northern Song Dynasty, it became an important branch of Chinese painting. Traditionally, it is divided into green landscape, golden landscape, ink landscape, light crimson landscape, small green landscape and boneless landscape according to painting style.

China's landscape paintings are the heaviest precipitation of China people's feelings. The mainland cultural consciousness of traveling around mountains and water, the inner cultivation consciousness of taking mountains as morality and water as nature, and the optical illusion consciousness at hand have always become the main axis of landscape painting interpretation. From landscape painting, we can concentrate on appreciating the artistic conception, style, charm and tone of Chinese painting. No painting discipline can give China people more emotions like landscape painting.