Mind Magic Details

Mind magic: and the mind related to such as prophecy, reading the mind, control, induction, and other magical arts.

Basic introduction Chinese name ：Mind magic Foreign name ：Mind magic Type ：Magic belongs to ：Mind reading Basic introduction, legend allusion, prediction, Sankong art, process, poor prediction, classification, prophecy, read the mind, control, induction, Basic introduction Mind magic is simply to read the mind, perspective, prophecy, and other supernatural ability (E.S.P.) type of magic. Mind magic is related to the mind, and also uses the method of "mind". There are many common methods in mind magic, but of course the performer needs a lot of experience and knowledge, such as: suggestion techniques, muscle reading, NLP techniques, and even hypnosis. Their success rate has a lot to do with the difference in the audience's psychology, just as the same medicine may not cure two people's abdominal pain, these techniques only really try to "read" people's minds, and the most common process effect is to anticipate the results of the audience's desired behavior, and to reflect them through some graphs, numbers, or other media. The most basic and easiest to learn are the three car processes described in this article. Without any manipulation, it is possible to accomplish surprisingly accurate predictions. Legend Allusion There was once a legend in Europe: "A marshal who was about to go into battle said to his soldiers, "Go and get the most powerful horse in the city, so that I can have confidence in this battle. When he heard this, he told his soldiers to find three thousand-horse horses, one with a thin layer of gold on its hooves, one with a layer under its belly, and the last with a layer of gold on its chin. When the marshal saw the three horses, he did not know why. The strategist said: please choose one for yourself, if you choose the most powerful horse by intuition, the battle will be won. The result, of course, we all know that no matter which one the marshal chooses, it will be the "most powerful" one. Transferring this allusion to magic, we have the magician's accurate prediction. No matter which of the three objects the spectator chooses, the magician will be able to predict and control it within his magic. Three is a very magical number and it is not easy to really have complete control. The number begins with one, ends with ten, and becomes three. Three is very powerful indeed. The movie "God of Gamblers" has alluded to the fact that three is the most difficult to change. Magicians practicing, it is best to use a three-sided mirror, full shape degree view. In some mind magic, three must also be used to cause the prediction of time-space difference. Performing a three set of car processes requires three essential things. Those are: three objects for selection, a container containing the three objects, and a prediction pointing object. The prediction pointing object, an object provided by the magician to point to the spectator's choice, is preferably a non-see-through container that holds the magician's prediction for one of the choice objects. The predictions for the other two objects are made, one on the loading container and the last on one of the objects. In this way, we have perfect predictions for all three objects, and whichever one the spectator chooses, we have predicted it, one on the object itself, one on the container, and one on the predicted pointing object. PREDICTING THE THREE GONGS The first, simply accomplished three-card prediction, we may also call for the moment the Predicting the Three Gongs. Effect: The magician takes three playing cards from an envelope, in this case the 5 of spades, the 8 of hearts and the queen of diamonds, and takes out a vial and asks the spectator to place it on top of his favorite card. Whichever card the spectator chooses, the magician will be able to predict it accurately. Fixed action: As stated above, we need three things: three objects to choose from (the three cards), the container (the envelope), and the prediction pointing object (the vial). On the back of one of the cards we write the prediction, for example on the back of the 5 of spades: I have predicted that you will choose the 5 of spades, then on the container, that is on the back of the envelope, or elsewhere, I have predicted that you will choose the 8 of hearts, and lastly a small note: I have predicted that you will choose the Q of diamonds, and then we place the three cards in front of the spectator, taking care to hide any traces that might reveal the secret, and the performance can begin. All traces of the secret are hidden, and the show can begin. If the spectator chooses the five, we turn over the other two cards, and there is nothing behind them but the prediction written under the five; if the spectator chooses the eight, we don't touch the card, and turn over the envelope to complete the trick; if the spectator chooses the queen, we open the vial and take out the note. It is important to guide the spectator to place the prediction pointer on top of the card, otherwise one of the predictions will be invalidated. One more thing to note is that it is better to choose an opaque kind of container for the prediction pointers; once an actor mistakenly chose a transparent box in a performance, and the audience found out a little secret as a result. There is a prop that can tell you everything at a glance. Stick once performed a three-coin card prediction trick to me using this method, and magic lovers who know Stick can talk to Stick about everything about this set of props so it's clear. Process The second kind: Tom Ogden's romantic process, three postcard prediction.MaxMaven has performed it before. The exact effect is similar to the first flow, except that it's best to use three postcards of tourist attractions to add the romantic effect of predicting lines with an unforeseen ending. An added advantage over the first process, based on Ogden's teaching, is that the prediction pointers can be omitted, and the prediction can be written down and put directly into the envelope containing the postcard. This is a modified method. Differential Prediction The third, mutated time-space differential prediction. This process has already been taught in detail in the forum, such as predicting three cards in the position cut by the spectator, and predicting the situation attributes of three things. I won't explain it in detail here. Although this is the simplest magic process, it is the origin of a great development in mind magic, the prediction of three cards is the foundation of mind magic, and should not be underestimated. The perfect performance of course also need to pay attention to a lot of details, such as the most critical is the mind magic once eternal, never in front of the same audience to perform a second time. And this type of magic tells us a very important conclusion, but also a very important method in the magic of the mind: magic prediction, either predict all, or guide the audience to choose your all. Classification Prophecy Prophecy magic, how to tell if a magic trick is prophecy magic. It exists in the following two elements: the event (the spectator's choice) and the prophecy vehicle (an envelope pull, a paper pull or whatever, which proves that the language is made in advance). For the event, it can be a lot, it can be a card or even an arbitrary word spoken by the spectator. The magician controls the scope of an event by various methods to be the spectator's choice of time to pair with the prophecy occurrence. As for the prophecy carrier, many may question my claim that the prophecy was made in advance, as there are indeed ways to make the prophecy after the spectator has made his or her choice. The prophecy carrier is to prove that the prophecy itself exists in advance, but, come to think of it, proving the existence of the prophecy itself doesn't require that the prophecy be opened to the audience because the actor doesn't tell the audience about the prophecy before letting the audience make a choice, so just letting the audience keep an envelope is just the way the audience experiences the prophecy as having been made in advance. Mind Reading Reading a mind gives the spectator the appearance that the magician is reading something from the spectator's mind. For example, a card that the spectator is thinking about is read out. This is a bit like a prophecy, but it is not the same as a prophecy. A prophecy gives the spectator a more assured and steady feeling, whereas the more direct a mind reading is, the more godlike it feels to the spectator. Mind-reading magic is also a great test of the magician's ability to perform, not to make up stories to make the audience feel that you are very funny, nor is it as serious as an old professor doing psychology experiments, but simply the seriousness of your attitude, so that the audience will feel this seriousness of yours. For example, one of derren's "direct mind-reading process", (there is English teaching in the forum) is very simple in secret, but it requires a lot of skills to perform it, which is not a matter of technique, but the expression of language and the grasp of opportunity. It is not a matter of technique, it is a matter of language and opportunity. This is something that requires experience and even more thinking. The best part of mind reading magic is that it shows the magician's ability to "go deep" into the audience's heart and inquire about something, which is much more direct in terms of the form of expression, which makes the mind-reading effect very strong, and at the same time, I'll use a not so good word, it's also very "premature ejaculation"! At the same time, it's, for want of a better word, premature. Because of this directness, the effect is too short, and this is the feeling we see in most of the mind-reading tricks, too short, and *** over (there are *** magic shows too!!!). It's too short. In fact, it is not, set a good scenario, good performance quality and fine technique, can complete a very good mind reading magic flow. And Derren Brown did that very well, and of course, so did max maven. I remember max performed a trick where he put objects from the audience into different large envelopes and then found out once and for all what belonged to which audience member and what objects were inside. It's not that hard to do in principle, but it's not that simple to perform well. Control is just one more category that I personally put it in. It's a little bit similar to hypnosis. For example, the spectator, after being "hypnotized", does some magic effects (e.g., recognizes all the blacks and reds just by the backs of the cards). Alternatively, the spectator may feel the pulse of another spectator or the magician stop (all of these can be done, with varying degrees of difficulty). Or the spectator may feel that his or her palm is moving, or that he or she can't see the words on the paper because of a mental shift, and so on. Most of these effects, which are difficult to do, use contemporary theories and techniques of mentalism, and many of them use the techniques of suggestion and some series of NLP techniques. Contemporary mind magic is very hot on these. Induction In addition to telepathy (such as our mind-reading and whatnot), there is also induction of things (object reading). An extremely famous induction process is Russian Roulette (it's the feeling of moving around and taking risks). An American mind magic reality show Phenomenon inside, there is a person called Eran Raven, he is very good at performing this type of flow (Eran:Today i'm gonna risk my life ....) The next day Eran:Today i won't risk my life, i'm gonna risk someone else's life, very breathless), sensing which gun is loaded, this kind of flow.