The Development Course of Jieyang Chaozhou Opera Troupe

—— Introduction of Jieyang Chaozhou Opera Troupe

Jieyang has beautiful mountains and rivers, giving birth to many talented people and beautiful women; It has a long history. How many cultural elites have been precipitated. The fertile soil with simple folk customs and rich culture has become one of the most distinctive traditional cultures in Chaozhou Opera-Chaoshan.

From the introduction of Southern Opera in the Song and Yuan Dynasties to the integration with Chaoshan culture, to the middle of the Ming Dynasty, Ye Ye became a Chaozhou Opera with a unique style, and Jieyang, an ancient city, was always the central stage. Cai Bojie is a handwritten rain play in Peng Jiajing's Tomb in the City, which is a clear evidence of the active style of the festival drama in Ming Dynasty. During the Guangxu period of Qing Dynasty, there were dozens of Jieyi classes and many artists, so it was called "drama county". At the beginning of this century, a group of artists went to Nanyang as artists and made contributions to the cause of exotic Chaozhou opera. A large number of famous artists became the artistic backbone of Guangdong Chao Theatre, which was established in 1950s.

In the early days of the founding of New China, rain and dew made Jieyang Opera more prosperous, with more than 300 amateur troupes beating gongs and drums. Jieyang Dance Troupe was formerly the state-run Yu Chunxiang Chaozhou Opera Troupe. The elite of Jiyi Art unveiled the gong.

Yu Chunxiang Chaozhou Opera Troupe, rooted and grew up in rich drama soil. Active in the Chaoshan Chaozhou Opera stage, wherever he went, he was very popular, with beautiful voice and excellent reputation. He also performed in the province with the excellent repertoires created by our group, such as Crossing Longjing, Wang Mi Shi, Advancing Together and Binding the Black Dragon, which won the reputation of Guangdong. Hong Kong Ta Kung Pao once published a full page of Wang Fuzhi's stills and commentary.

After decades of spring and autumn, Yu Chunxiang Chaozhou Opera Troupe has experienced the tempering of stage and wind and rain. 1985 merged with other professional performing groups in Zhong Yi to form Jieyang Chaozhou Opera Troupe.

Eliminating worries, protecting education and exposing Chaozhou Opera Troupe. Strong artistic strength; The elite are all rich people. The troupe has a group of experienced and enterprising screenwriters, directors, composers, orchestration, choreographers and costume designers. Screenwriters pay attention to ideas and characters and deliberately seek novelty; Singing design not only emphasizes the traditional charm, but also emphasizes the needs of characters and emotions, and strives for beauty. Seeking beauty; Dance beauty, clothing design emphasizes the characteristics of the times, plot atmosphere, color harmony, elegant poetry; The actors are neat and orderly: old students Huang, Lin Guibo, Lin Roujia, Hua Xiaoli (not appearing, specially invited) Ni, Hong; Xiao Sheng Xu Shue, Lin Shuzhuang, Yu Shaofang; Lao Dan Lin Ailuan; Old ugly Chen and Chen; Jason Wu Tu Sanmei and Yuan Meitong; Peanut, Sun Weizhong, etc. Are famous for their excellent music and sound. The band lineup was neat and the performers received rave reviews. Among them, drummers Cai, Zheng Shuhao, lead singer and Yangqin Xu all graduated from Shantou Opera School with rich experience. Skilled and deeply appreciated by the audience.

Over the years, a number of outstanding plays, such as Ding Richang, Moon Sword with Tears and Gone with the Wind, have appeared one after another, and participated in national, provincial and municipal performances. Winning awards again and again. More than 30 plays, such as Three Examinations of Father and Son, The Wolf with Jade Face Wrapped, Breaking Ma Po, Autumn Rain in Xiaoxiang, Chen Lin Saving the Prince and Guo Huai Bao, have been well received by the audience and have been staged for a long time. 1985 performed in Shenzhen for the first overseas Chinese, Hong Kong and Macao compatriots association in Jieyang, with unprecedented pomp. 1988 was invited to perform in Huizhou, and the venue was full. 1989, Ding Richang, a historical drama created by Chen Honghui and Chen Zuohong, tells the tragic story of Ding Richang, a Guangdong politician in the late Qing Dynasty, who founded Jiangnan Manufacturing Bureau to seek national self-improvement. It has profound ideological connotation, vivid characters, novel art forms and vivid story. Going to Guangzhou to participate in the performance of the third Guangdong Art Festival was a great success, killing four birds with one stone. The following year, recommended by Chinese Dramatists Association, he went to Beijing to participate in the second China Drama Festival. "The Tide Moving the Palace Wall" won the excellent drama award and the excellent performance award, and it is a household name in Beijing. He Jingzhi and Rong Gaotang, leaders of relevant departments of the central government, leaders of the Chinese Dramatists Association, Wu Xue and Liu Housheng, and famous dramatists Ma and others watched the performance and took the stage to congratulate the performance on its success. More than 20 domestic and foreign news media such as CCTV, People's Daily, Beijing Daily and Xinhua News Agency reported and published commentary articles. He spoke highly of the ideological connotation, artistic characteristics and successful performance of the play. CCTV live video. And created a precedent for Chaozhou opera to be broadcast on CCTV.