5 comments on the Forbidden City 100.

The Forbidden City 100 Commentary 1

The documentary recorded this group of interesting people and their inheritance from generation to generation. The

The Forbidden City 100 Commentary 1

The documentary recorded this group of interesting people and their inheritance from generation to generation. The long-lost mentoring system still exists in the ancient crafts of the Forbidden City. More and more young people come here to have their own masters because of various opportunities after graduation. This is the temperature of inheritance. How do they adapt to this internal and external contrast? They are all of the same age, so they are interested in the interview ... it is because of them that they can have a new life.

No matter how new you are, you can still see the technology that has lasted for thousands of years in the documentary, simple and effective. It is particularly interesting to see these traditional ways in the high-tech era. Making paste, drying tree paint, using pig blood, blabla~ this is also the temperature of inheritance.

Limited by space, in just three episodes, there is no more capacity to tell people how to improve the repair technology, how to be more standardized and effective, what role modern technology plays, what the country and society need to do, and how each individual should face it. It would certainly be better if we could expand the space and make the exhibition more comprehensive. We also feel that the working environment looks simple and old. But from another angle, this free state, a little old but familiar furnishings and tools, is the memory of several generations, and may give people a sense of security and warmth? Every tool is full of inherited temperature. A few years later, the older generation retired, the backbone and more and more new forces rose, and the environment that followed would change accordingly.

However, I can feel that the documentary focuses more on the narrator, telling us what kind of job this is, who they are and what kind of life this mysterious palace has. Just looking at the title, you shouldn't think it's such a plain style. I like this emphasis and strong human touch very much. This in itself is a career that requires too much sincere feelings to engage in a lifetime. Cultural relics are life with temperature, which should require more people's persistence and enthusiasm.

As for the protection of cultural relics, there are of course many problems. How to make the restored working environment more standardized and advanced? Improper protection, insufficient funds, and most importantly, the lack of legal provisions have given many people an opportunity. How can we make the things left by our ancestors shoulder the mission of inheriting the Millennium culture and spirit forever? There is too much content and road to go. Of course, this is another story.

Documentary at least gave us an inspiration, a starting point, and let us know a group of persistent and calm interesting people. I also sincerely hope that on the road of protection, they can go more solid and perfect.

One palace gate, two worlds.

Comments on the Forbidden City 100 2

1406, Emperor Yongle of the Ming Dynasty began to build the Forbidden City. According to the records of Ming history, it took 15 years to complete. Since then, the Ming and Qing emperors have rebuilt and expanded many times, but the overall appearance has not changed much.

Twenty-four emperors lived in the Forbidden City. The first one was the Yongle Emperor Judy of the Ming Dynasty, and the last one was the Xuan Tong Emperor Puyi of the Qing Dynasty.

The Hall of Supreme Harmony, the Hall of Zhonghe and the Hall of Baohe are all built on a huge platform 8 meters wide, with a total area of about 85,000 square meters. Among them, the Hall of Supreme Harmony is the highest and most brilliant. Grand ceremonies will be held here for the emperor's accession to the throne, wedding, conferment and expedition. At that time, thousands of people shouted "Long live", and hundreds of ritual vessels were ringing with bells and drums, which was very human. The Zhonghe Hall behind the Hall of Supreme Harmony is the place where the emperor rests and sacrifices before attending major ceremonies, while the Baohe Hall in the northernmost part is the place where the emperor holds banquets and palace examinations.

The Forbidden City includes Gan Qing Palace, Jiaotai Palace and Kunning Palace, as well as the East Sixth Palace and West Sixth Palace on the east and west sides. This is the place where the emperor and his concubines lived, which is generally called three palaces and six courtyards. "In the north of the residential area, there is also a small and chic imperial garden, which is a place for the royal family to play. Emperors in Ming Dynasty and early Qing Dynasty lived in Gan Qing Palace, Empress lived in Kunning Palace, and Jiaotai Hall was the queen's activity place. In the middle and late Qing Dynasty, emperors and empresses moved to the West Sixth Palace and other places, the most famous of which was hall of mental cultivation. Since Yong Zhengdi, it has become the residence of emperors of all dynasties, and Empress Dowager Cixi has been here for more than 40 years.

The residence of the emperor is also called the Forbidden City. After the third emperor of the Ming Dynasty seized the throne, Judy decided to move the capital to Beijing and began to build the palace, which was completed in the 18th year of Yongle in the Ming Dynasty (1420). For more than 500 years, 24 emperors lived here and ruled the whole country. There are gates on the four walls of the Forbidden City, among which the Wumen Gate in the south and the Shenwu Gate in the north are now only for tourists to visit. The layout of the palace buildings in the city extends along the central axis to the east and west sides. Red walls and yellow tiles, colorful buildings and carved beams, resplendent and magnificent. The halls and terraces are patchwork and magnificent. In the south half of the city, there are three halls, namely, Taihe, Zhonghe and Baohe, as the center, supplemented by Wenhua and Wuying on both sides. It is the place where the emperor held a court meeting, which is called "the former court". In the northern half, there are three palaces, namely Gan Qing, Jiaotai and Kunning, and six palaces in the east and west, with the imperial garden as the center. There are temples in Fengxian and Huangji on the east, and hall of mental cultivation, Yuhua Pavilion and Cining Palace on the west, which are places where emperors and queens live, hold sacrifices and religious activities and handle daily affairs. It is called "the back bedroom". By visiting the Forbidden City, I learned about its history and architectural features.

Exquisite rocks are beautifully shaped and leisurely strolling in this garden. Give you a relaxed and happy feeling, so intoxicating. The military department was the place where important decisions were made in the Ming and Qing Dynasties. It is conceivable that the emperor made a decision to protect the national territory here. It has made great contributions to consolidating our national defense.

The architecture of the Forbidden City makes me feel that it is a perfect paradise on earth for the ruling class to live and work in the past dynasties.

The Forbidden City 100 Comment 3

Hello everyone! My name is Zhu Ruixian, and I am a tour guide in your. You can call me Zhu Dao. Today, we are going to visit the world heritage-the Forbidden City in Beijing.

As you can see, now, the three-story building standing above the steps is the Forbidden City. The Forbidden City, also known as the Forbidden City, is the imperial palace of the Ming and Qing Dynasties. The Forbidden City is the largest and most complete ancient wooden structure complex in the world, and it is also the largest and most complete ancient wooden structure complex in China. It was founded in the fourth year of Yongle in the Ming Dynasty (A.D. 1460) and completed in the fourteenth year. Twenty-four emperors successively ascended the throne. It has a long history, please watch it carefully. The Forbidden City, an unparalleled masterpiece of ancient architecture, covers an area of more than 720,000 square meters and has more than 9,000 palaces, all of which are made of wooden structures, yellow glazed tiles and blue-white stone foundations, decorated with brilliant colored paintings. These palaces are arranged along a north-south central axis and spread to both sides. North and south are symmetrical.

This central axis runs through the Forbidden City, Yongdingmen in the south, Drum Tower and Bell Tower in the north, and runs through the whole city. It is magnificent, carefully planned and extremely spectacular. Architects believe that the design and architecture of the Forbidden City is indeed an unparalleled masterpiece, and its plane layout, three-dimensional effect, grandeur and harmonious form can be said to be rare in the world. It marks the long cultural tradition of our motherland and shows the outstanding achievements of craftsmen in architecture more than 500 years ago. How's it going? I admire it!

Let's keep watching. The most attractive buildings in the Forbidden City are three halls: Hall of Supreme Harmony, Hall of Zhonghe and Hall of Baohe. They are all built on an 8-meter-high white marble platform, which looks like the Fairy Que in Gong Qiong from a distance. The first hall, the Hall of Supreme Harmony, is the most magnificent building, commonly known as the "Golden King Hall", where the emperor held a grand ceremony. The hall is 28 meters high, 63 meters from east to west and 35 meters from north to south. There are 92 large columns, with a diameter of 1 m, of which 6 are painted dragon columns painted in pink gold around the throne. The throne is located on a 2-meter-high platform in the temple, with exquisite cranes, stoves and tripods in front and finely carved screens behind. The whole hall is resplendent and magnificent. Zhonghe Hall is the place where the emperor rested and practiced etiquette before going to the Hall of Supreme Harmony for a ceremony. Baohe Hall is the place where the emperor fetes foreign princes and ministers every New Year's Eve.

Tell you, to visit the Forbidden City, one is to appreciate the colorful architectural art; The second is to watch the precious cultural relics displayed indoors. The Palace Museum has a large collection of precious cultural relics. According to statistics, there are as many as 1 0,052,653 pieces, totaling 1 10,000 pieces, accounting for16 of the total national cultural relics, many of which are unique national treasures. In several palaces, art galleries, treasure halls, clock halls, etc. Has been established. Art lovers often can't bear to leave in front of these incomparable works of art for a long time. The Treasure Hall, located on the East Road of the Forbidden City, displays all kinds of rare treasures. For example, in the Qing Dynasty, a set of gold, silver, bead and cloud dragon armor was wrapped with 16 dragons, with vivid shapes and interspersed among clouds. The armor is made up of about 600,000 small steel sheets, each steel sheet is about 1mm thick, 4mm long and 1mm wide. 5 mm, drill small holes for threaded connection. It is said that it took more than 40,000 man-hours to make this suit of armor. Awesome!

The Forbidden City 100 Comments 4

I saw it the other day. This documentary mainly tells the story of some masters who focus on restoring cultural relics behind the Palace Museum. Their daily job is to deal with cultural relics, and some damaged cultural relics, large and small, are handed over to them as if they were alive. There are many cultural relics that have been silent for a long time in the warehouse of the Forbidden City, with a history of hundreds of years. In our view, they are ruined, but in their eyes, they are life and the imprint of the past.

On this day, the masters showed us the first cultural relic-a screen that has been dusty for 300 years. The screen is framed by rosewood, inlaid with mother-of-pearl, and inlaid with bronze birthday characters, showing dignity. Top experts in cultural relics restoration will complete the restoration in five months and present it in the main hall of the Forbidden City. There are 32 screens, which is a big deal. This is a birthday present for Kangxi's 60th birthday. His son and grandson made it for him. This colorful longevity screen is called longevity screen. The wood of screen 32 has shrunk, and the masters said that if the screen can't be changed in size, a strip should be added in the gap, so that it can be taken out at any time without changing the size. They have used almost all the maintenance departments of the Forbidden City, and only one screen can be completed in one week at the earliest. It will take at least half a year if it is to be completely repaired. Finally, they handed in their homework at the 90th anniversary celebration of the Forbidden City.

The masters also showed us the second cultural relic they restored-the bronze gilded country music water clock. This clock was made during the Qianlong period, and he especially liked collecting clocks. Missionaries came to China to study what the emperor liked and gave them to the emperor. The British Museum has not seen many large clocks and watches. This one has been dusty in the Forbidden City for a long time. Clocks and watches are an item that needs continuous maintenance. So Yuan Shikai drove Puyi out of the Forbidden City in the late Qing Dynasty, but the watchmaker stayed in the palace. Today, the restoration of clocks and watches is also an intangible cultural heritage. At present, only a pair of apprentices in the Forbidden City are court watchmakers. There are thousands of clocks and watches in the Forbidden City, which can't be repaired by one person for a lifetime. They need to be handed down from generation to generation. This is a lifelong career.

The masters also showed us the third restored cultural relic-the silverware of the Treasure Hall. Silverware is prone to oxidation and blackening, so it needs rust removal. Mata Yan Fei, who made a sensation in the world in the last century, was restored by their master. They are all top bronze restorers. They came to the Forbidden City to repair bronzes with the masters in the 1980s. Now they have almost repaired the bronzes. Their daily job is to repair silverware. The peak of Chinese bronzes is unparalleled, and its repair ability can be faked. They have to open seven doors in the morning and shout every morning and evening when they enter the door. People used to say it was haunted, but it was actually because there were many small animals. Kitten, weasel During this period, I was lucky enough to meet the descendants of the royal cat. The masters told us interesting stories about going to work every day.

Next, the masters explained to us the three colors of the Tang Dynasty: ancient ceramics, three colors mean colorful, and horses with three colors of the Tang Dynasty are funerary objects, and horses are very popular in the Tang Dynasty. Observe very carefully. If there are too many fragments, you need to create your own imagination, refer to the previous picture. If there are too many arguments, don't do it again, just like where the west puts Venus' arm. If there are too many disputes, put them on hold. There are 350,000 pieces of ceramics in the Forbidden City, which need constant repair every day.

Repairing cultural relics in the Forbidden City is actually the maintenance master telling us about their daily life, how they joined this big family and how they struggled for more than ten years, which makes me relish. The masters said that their repair room strictly controls the electricity consumption, and it is not allowed to boil water. Only enough water can be pumped every day, because chloride ions will corrode cultural relics. They had to sacrifice themselves to protect cultural relics.

This documentary is divided into three episodes, which are explained by the masters. Suddenly became interested in cultural relics. In the past, my parents and I often went to museums in tourist destinations, and basically we just glanced at them. When we see bottles and cans, we also see which one looks good. That's all. I don't quite understand the deeper meaning, but now I have a deeper respect for the restorer. They are really calm people, and their temper can't be too bad, otherwise they can't stay in the Forbidden City all their lives. Going out early and returning late, we can see what these restorers think are unearthed cultural relics, and we can see what they are by what they leave behind. You have glue, dust, glue. They have been practicing for a lifetime, and decades have passed day by day, seeing through the Forbidden City every day all year round. I'm used to it.

The Forbidden City 100 Comments 5

Do not add an entity if it is not necessary.

There is a kind of movie, you can't watch it unless you calm down. I study cultural relics in the Forbidden City and belong to this kind of documentary. If I label this film, I think it is the belief of craftsman spirit, craftsman spirit, ingenuity spirit, Zen and craftsman spirit.

If your heart is full of noise and you see such trivial daily clips, no exquisite editing, no dazzling special effects and no pleasant soundtrack, you can't help but press the fast forward button. During the day, the body is busy with life, and at night the soul needs a place to live. In the dead of night, it is most suitable for a person to watch this film.

You came to the Forbidden City with your camera and watched these craftsmen in the quadrangle work hard for decades. Cultural relics restoration craftsmen start their day by enjoying the sunshine, pedaling bicycles and stepping on the feet of the imperial city, and start their own craft work in this city where history and modernity are integrated, the most primitive and oldest place. Because of a cultural relic, it traveled to another era. Dialogue between calligraphy and painting, talented people in Tang and Song Dynasties, porcelain appreciation in Ming and Qing Dynasties. Every time a work is restored, it seems to be recording and restoring that history. I believe that every craftsman has faith in his heart. This is a belief in culture, awe of tradition, and a sense of mission and responsibility for every work. Every time a work is completed, craftsmen will feel great satisfaction and joy in their hearts. This heartfelt joy is irreplaceable by many external things.

The master who repaired the clock smiled in the exhibition hall, and the picture has been lingering in my mind. It is a kind of heartfelt happiness. I wonder how long it's been since I laughed like this.

Not for any fame and fortune, the focus of that moment is only to enrich your heart. This reminds me of the "initial heart" described in "The Heart of the Zen Master". Pay attention to the present and savor what you are doing. My understanding of the initial state is that it transcends the limitations of time and space, truly lives in the present instead of feeling a feeling of living in the present, and is a real state of no self and "no self". As for Zen, I have only read this book at present, and I have already felt the art of Zen and the peace and tranquility it brings me.

Do not add entities unless necessary.

Continue to practice on the long road of life.