How many clips are there in Liang Zhu? Please attach the story analysis and music situation of each clip. )

Composed in 1959, the music content comes from an ancient and beautiful folklore: in the middle of 4th century AD, in Zhujiazhuang village in the south of China, Zhu Yingtai, the daughter of a clever and educated volunteer, broke through the shackles of feudal tradition and disguised herself as a man to study in Hangzhou. There, she established a deep friendship with Liang Chubo, a kind, simple and poor young scholar. Zhu confided his love for many years to Liang with all kinds of wonderful metaphors, but he sincerely didn't understand it. A year later, Liang learned that Zhu was a woman and immediately proposed to Zhu. It turns out that Zhu has already been betrothed. He is the son of Ma Taishou, a rich boy. As the marriage was not free, Liang died of grief and indignation soon. After receiving this unfortunate news, Zhu Yingtai came to Liang's grave and complained of feudal ethics with blood and tears.

This lyrical symphony, full of colorful life, has made bold innovations and successful attempts in nationalization and popularization, and has been warmly welcomed at home and abroad. What the masses call "our own symphony" was praised as "a class and a nation is maturing in art" at the third literary conference of 1960. gaohu concerto, oratorio and stage play were adapted by Hong Kong artists, and the beautiful and moving ice dance was adapted by American dancers. In the early 1980s, "Butterfly" flew over the Taiwan Province Strait and was sold in Taiwan Province record factory, which was very popular. Taiwan Province journals also published monographs and comments, which attracted great attention from people from all walks of life. Because the film circulation is more than 10 thousand and 20 thousand, Hong Kong record company.

(1) Presentation Department

Against the background of soft string vibrato, the flute played a beautiful and moving cadenza like a bird's song. Then, the oboe introduced the theme in a soft and lyrical way, showing a picture of fine weather, bright spring and pink and green flowers blooming by the grass bridge.

In the main part, the violin solo begins with a soft and simple A string and plays a poetic love theme in a clear high-pitched area. After repeating it on the rich G string, the music turns to a fine tune, and the cello and solo violin form a unique tone reply (middle section). After that, the band played the theme of love, which fully demonstrated Liang Zhu's sincere and pure friendship and mutual affection.

After the solo violin connects the paragraphs freely and colorful, the music enters the auxiliary part. This theme, which is adapted from Yue Opera, is in sharp contrast with the theme of love by violin solo (including repeated variations).

The first parenthesis is the change and development of the theme motivation of the part, which is imitated by woodwind instruments and solo violins, symphonies and solo violins.

The second spot is more relaxed and lively. Solo violins imitate guzheng, harp and strings imitate pipa. The author skillfully absorbed the performance skills of China national musical instruments and enriched the expressive force of the symphony. This piece of music vividly depicts the scene of Zhu Liang's three-year-old classmates playing, chasing and fighting with relaxed rhythm, beating melody and lively mood. Together with the soft and lyrical love theme, it reflects Liang Zhu's friendship and learning from different angles.

The ending part, developed from the theme of love, is lyrical and slow (B key, 2/4 beat), and now it is intermittent, showing Zhu Yingtai's unspeakable embarrassment. With string vibrato as the background, "Liang" and "Zhu" answered each other, with light harmony and orchestration, vividly depicting the picture of eighteen parting, long pavilion and reluctant to part.

(2) Development Department

Suddenly, the music went dark. The gruesome gong, timpani and frightened violin brought us to this tragic struggle.

Anti-Marriage Brass Music plays the cruel theme of feudal forces with a harsh rhythm and gloomy tone. (F sound, 4/4 beat) The solo violin describes the grief and panic of Yingtai with the rhythm of China traditional opera. Then the band played the whole Allegro powerfully, setting off the violin's decisive rebellious tone. It successfully depicts the unyielding spirit of resistance between Britain and Taiwan. Later, the above two tones formed two contradictory aspects. They constantly appeared in different tonality, and finally reached the climax of the struggle-a strong anti-marriage scene. When the band has been playing, it seems to be full of yearning and longing for a happy life, but the realistic answer is the pressure of feudal forces represented by copper pipes.

Loutaishe B key, 4/4 beat, lingering sound, like crying; The answer between violin and piano is timely, which shows the mutual affection between Liang Zhu.

Ai Ling accused the music of plummeting, the rhythm of rapid syncopation of strings was passionate and decisive, and the solos played by the band and the allegro scattered boards appeared alternately. Here, tambourines are added, and Peking Opera and Yue Opera are used to challenge the board (tight pulling and slow singing), which profoundly shows the scene that Yingtai accused feudal ethics in front of the grave. Here, the violin pa adopts more playing techniques of national musical instruments, such as harmony, orchestration and overall treatment. Depicting Yingtai's image and sad mood very deeply, she cried all the way, heartbroken, and sometimes whispered and burst into tears. When the music developed to change the beat (from double beat to triple beat), Yingtai made a final complaint to heaven with her young life. Then gongs and drums rang, Yingtai threw herself at the grave, and the music reached its climax.

(3) Reproduction Department

The beautiful cadenza of the flute "Becoming a Butterfly" combined with the step-by-step sliding performance of the harp brings people into the realm of immortals. On the background of silent strings, the first violin and solo violin have joined the silence successively, recreating the unforgettable love theme. Then, the colored piano gently played five-tone ups and downs in the high-pitched area, and repeatedly tuned, as if Liang Zhu were dancing in the sky and singing their loyal love.

Rainbow Wan Li bloom.

Butterflies in the flowers are in pairs.

Thousands of years cannot be separated from generations.

The Butterfly Lovers