Urgent! How does Shu Ting's poetry convey to us the concept of love for women in the new era?

To the Oak Tree" sings passionately and frankly about the poet's ideal of personality, which not only denies the old "green vines entangled in trees", "husband and wife" type of gender relations based on personal attachment, but at the same time, it also transcends the principle of mutual love that focuses on giving only by sacrificing oneself, which perfectly embodies the modern character of sexual love rich in humanistic spirit. At the same time, it also transcends the principle of mutual love, which focuses only on giving to each other, and perfectly embodies the modern character of sexual love that is rich in humanistic spirit: sincere and noble mutual love should be based on the premise of not giving up the independent position and personality of each other. This is a great transcendence of the concept of sexual love in the new era of personality to the predecessors. This kind of transcendence is even more valuable for women who have always been in a position of admiration and subordination. The poem's singing and exaltation of the ideal of love is built on top of an extremely thought-provoking and powerful negation. Standing shoulder to shoulder, each in an independent posture of deep love between the oak tree and the cottonwood, can be said to be our country love poetry in a set of new character symbolizes the image. Now, we once again look back on this poem, more appreciate its far-reaching meaning. If "To the Oak Tree" is a proud declaration of women's independence, "Goddess Peak" is a betrayal of the feudal concept of martyrdom, which requires women to remain faithful to their husbands. Located in the Wu Gorge of the Yangtze River, the Goddess Peak has always been praised by generations of writers as the embodiment of female chastity. But no one before Shu Ting had ever revealed the tragic nature of this myth from the perspective of female life. As the poet traveled by boat through the Witch's Gorge, facing the Goddess Peak, which has been praised for thousands of years, and remembering the beautiful legend that has been passed down from generation to generation, she voiced a profound doubt: "Can the heart really be turned into stone". In the poet's view, the Goddess into stone, missed the "countless times the moonlight of the Spring River", praised for the former rock-like steadfastness, but is "a beautiful dream left behind a beautiful sadness". Imposed on the Goddess Peak is the stereotyped feudal morality. In fact, the Goddess Peak is the female idol molded by the patriarchal society. The poet is infinitely sorry for the lost youth of the goddess. He cannot agree with the traditional culture that honors the virginity of the goddess, and thus "incites new betrayal" with the help of the "torrent of golden chrysanthemums and chaste virgins" along the riverbank: "Instead of exhibiting on the cliff for a thousand years/It is better to cry bitterly on the shoulder of my lover for a night". Instead of being exhibited on the cliff for a thousand years/It is better to cry on the shoulder of my lover for one night". This is the call of women in the new era based on the true nature of life. Though exhibiting on the cliff for a thousand years can be honored as a sacrifice to feudalism and male power, it is never possible to enjoy the joy of life. In the opinion of a living woman, it is far better to be a human being who enjoys the true experience of life than to be a stone idol to be saluted. In this poem, the ancient myth of preaching rituals is deconstructed, and female life, overflowing with youthfulness, becomes vivid, and in the rebellion against and spurning of the traditional concept of womanhood, the consciousness of modern womanhood is fully flaunted.

Shouting's promotion of women's consciousness is all-encompassing. If "To the Oak Tree" is a declaration of independence of women's personality, and "Goddess Peak" is a criticism of the traditional concept of women, then "Hui'an Women's Son" embodies a deep concern for the destiny of contemporary Chinese women.