How to write the word "Jing" (calligraphy) best?

The word "Beijing" is used in different environmental meanings and written in completely different ways. What kind of thoughts and feelings are "Jing" and what kind of thoughts and feelings are used to shape the image of calligraphy, which is the realistic artistic significance given to calligraphy by contemporary calligraphy artists. The image, thought and emotion of calligraphy are integrated, and the beauty of form and content is unified, which is an unprecedented change and promotion of China's calligraphy art thought.

Beijing with United Struggle-The writing adopts vigorous strokes and the Chinese character structure, showing the attitude of United struggle and striving for strength, integrating image, thought and emotion, and showing the charm of calligraphy!

Take off in Beijing —— Writing adopts cursive style, dive structure and vigorous brushwork, such as athletes' starting, such as plane taking off, and the image, thoughts and emotions are integrated into one, showing the artistic conception of taking off and going up.

The vast and magnificent Beijing-the style of writing is running script, the structure is broad and dignified, the brushwork is bold and vigorous, the image is solemn and heroic, and the images, thoughts and emotions are integrated into one, showing a vast and magnificent artistic conception.

Beautiful and happy Beijing-writing in cursive script, with curved strokes, soft jumping shapes, smooth lines, dignified and delicate structure, like flying swallows and ribbons, shows a beautiful and happy artistic conception.

In short, in the administrative calligraphy thought, the image, thought and emotion of calligraphy are integrated, and the beauty of form and content are unified. This is art and good calligraphy. Zheng Zhiming believes that calligraphy is a spiritual externalization project that integrates "poetry, painting and singing". Writing good characters is only the first step and foundation to art. China's 5,000-year-old calligraphy failed to integrate the beauty of content, which is only a manifestation of the early development of calligraphy. The unity of formal beauty and content beauty is the inevitable result of the development of calligraphy and the advanced stage of the development of China's calligraphy. What content should be adhered to in calligraphy creation in Ming Dynasty? We should use the brushwork style with corresponding ideological and emotional significance to create, integrate the art of "poetry, painting, dancing and singing" and the emotional brushwork elements of "joys and sorrows", and use various creative techniques such as symbol, implication, exaggeration, metonymy, freehand brushwork and montage to express the connotation and artistic conception of calligraphy. The image, thought and emotion of calligraphy are integrated, and the beauty of form and content is unified, which requires higher creation and expression. Higher artistic taste and greater development space truly reflect the profoundness of China's calligraphy art, which is unprecedented in the 5,000-year history of calligraphy in China, and opens a new era of China's calligraphy art..

Brief introduction to the ruling art of Ming dynasty

Zheng Zhiming, male, Han nationality,No. 196 1, native of Haining, Jiaxing, Zhejiang, bachelor degree, teacher. When I was eight years old, I learned calligraphy from terns, and studied under Wang Xizhi, Su Shi, Huang Tingjian and Mi Fei. And integrate it into Zhang Menglong's tablet, and gradually form a vigorous and handsome calligraphy style, which can change according to different thoughts and feelings. Originated "meaningful calligraphy" and advocated the unity of calligraphy image, thought and emotion, and the unity of formal beauty and content beauty. Calligraphy creation, according to the meaning of content, highlights the image, ideology and aesthetics of calligraphy, with higher requirements for creation, more forms of expression, deeper artistic conception, higher artistic taste and greater room for development. Successfully held a calligraphy exhibition with the integration of formal beauty and content beauty, which filled the gap between formal beauty and content beauty of calligraphy. It is the first calligrapher in China to study and practice the integration of formal beauty and content beauty of calligraphy, the first calligrapher to create a calligraphy image by integrating the art of "poetry, painting and singing" and emotional elements of "emotions", the first calligrapher to introduce symbols, implications, exaggeration, metonymy, freehand brushwork and montage to express the artistic conception of calligraphy, and the integration of formal beauty and content beauty of contemporary China calligraphy.