Calligraphy Tribe's Understanding of Ugly Books

Understanding of Ugly Books in Contemporary Calligraphy

There are many schools of contemporary calligraphy, such as,,, Tian, regular script, qigong and so on. However, ugly books represented by Ceng Xiang are quite controversial in contemporary calligraphy. Nowadays, I often see ugly books on the Internet. As for Mr. Ceng Xiang, I think he is a very influential figure in calligraphy. Some people criticize Mr. Ceng Xiang for distorting our China's words, which is very incorrect.

? The teacher once said that this is the lowest and most worthless judgment for those who only look at the calligraphy works. For example, if you write a stone carving on Weibei or even Cliff and sell it in the vegetable market, no one may buy it, but if you write a Chinese character, like a thousand-character script, like a European regular script, I'm sure someone will buy it. I think this is the folk art of calligraphy.

? There are two aspects to the evaluation of calligraphy, one is from the professional point of view, and the other is from the calligraphy cognition of folk art. I think Mr. Ceng Xiang is an important figure in our China calligraphy. Some people say that if you don't know Mr. Ceng Xiang's calligraphy, you don't know China's calligraphy art. We should study it deeply, instead of judging it at first sight. Ceng Xiang's cry is superficial. Ceng Xiang is a master who perfectly integrates China's calligraphy art with people's emotions. Don't look at him yelling. See if his writing is good or not. Cai Dali's teacher, Mr. Ceng Xiang, is an elite in today's calligraphy field, which played a considerable role in the calligraphy art in Beijing at that time.

? In ancient times, for some writers like Mi Fei and Wang Duo, when they were writing Big Grass and Wild Grass, when their emotional expression and revelation reached a peak, they would make a hullabaloo about.

? When you take a manuscript of one of Yan Zhenqing's works as a sacrifice to his nephew, you can have a look. It was when he was 49 years old that his nephew was killed and the country was in danger. You can see that he didn't write this work as a work. He smeared it. I'm sure he was yelling when he was writing this work.

? As the ancients said, for beginners, do you want to seek justice first? Is creation dangerous? I don't know if you want justice, seek danger after justice and then return to justice. This is also a direction of life. In fact, this is a natural phenomenon, a natural way of writing. At that time, Teacher Ceng Xiang asked why young people at that time could not see hope. Now, for these two people, such as Tian,, and, they are both beginners. It's always because they don't know what to do next. They only know how to be fair and forget how to pursue danger further. They have not experienced this process, and it is impossible for them to do it again. It can also be said that the artistic process has not been found.