What are the characteristics of Tibetan dance?

What are the characteristics and essentials of Tibetan dance?

"Trembling", "opening", "smooth", "left" and "winding" are the same characteristics of different Tibetan dances, or the five elements of Tibetan dances, which constitute its aesthetic concept different from other brother dances.

In addition to the main features mentioned above, Tibetan dance generally has the same basic laws as "three steps and one change", "step back first", "handstand turn" and "four steps turn". On the basis of this * * * same law, there are various changes, coupled with the operation of gestures, the rhythm of waist and the difference of music, forming different dance styles.

The pace of Tibetan dance is very rich, which can be summarized as rubbing, dragging, stepping, kicking, pointing, tucking, kicking, sucking, jumping and twisting from the foot movements.

The gestures of Tibetan dance can be summarized as seven changes: pulling, leisurely, swinging, winding, pushing, rising and rising.

The techniques in Tibetan dance mainly include: tossing turn, planing turn, kicking turn, fruit harmonic turn, cross-legged turn, jumping turn, grinding turn, squatting turn, kneeling turn, twisting back and forth, stepping turn, inching turn, flat turn, small jump, dead jump, lying jump and so on.

What are the characteristics of Tibetan dance?

Tibetans can sing and dance well. There are many kinds and forms of Tibetan songs and dances, and their names are different in different regions. The folk song and dance Harmony is a group dance with songs as the main body and a combination of song and dance. Generally, men and women stand on one side, hand in hand in a circle, singing and dancing. Folk dances include Zhuo, Reba and Guozhuang. Qiang Mu is a Tibetan religious dance, accompanied by drums, cymbals, bronze horns and bone horns, and accompanied by lamas chanting. It is spectacular, profound and has a strong artistic appeal.

Reba: Reba is a Tibetan comprehensive performing art mainly inspired by chimes, including Heizi, Guozhuang, tap dancing, rap and acrobatics. According to legend, it was initiated by Milla Reba, a wandering monk in the 1 1 century, with a history of more than 900 years. When dancing, men hold bronze bells and women raise their hands and beat drums, and the dance changes from slow to fast. They often perform stunts such as "tumbling drums", "jumping on the body" and "turning on one leg". Artists engaged in this kind of performance are also called "Reba".

Tap dance: Tibetan tap dance, originally a court dance. When dancing, wear hard shoes, get out of the changing rhythm and express your inner feelings. Tap dancing is accompanied by flute, dulcimer, lyre, bell and Qin Yue. The rhythm changes from slow to fast, to * * *, and suddenly ends with an ending step.

Music Association: Music Association is a kind of Tibetan labor song and dance. At the same time of labor, the songs in the mouth cooperate with the tools in the hand and the rhythmic movements of the legs and feet, making labor a form of singing and dancing. When doing strong physical labor such as shoveling, tamping and stacking wheat, the songs in my mouth have a strong flavor of labor songs.

Tibetan opera: a comprehensive art widely popular in Tibetan areas, which expresses the story content in the form of song and dance. Tibetan is called "Ajram", which means "Sister Fairy". According to legend, it was created by Tang Dongjiebu, a Lama of the Kagyu Sect, at the beginning of the 0/5th century A.D./KLOC, to raise funds to build the iron cable bridge on the Yarlung Zangbo River. Traditional dramas are mostly based on folk stories, historical biographies and historical events, such as Princess Wencheng and prince nuosang. Performed on stage, interspersed with songs and dances, and other actors joined the chorus when singing. There are many changes in singing skills, and the dance movements are stretched. A drama is generally divided into three sections: ① the entrance ceremony, which is called "Dun" in Tibetan; (2) Drama, called "bear" in Tibetan; ③ The form of wishing at the end of the performance is called "Tashi" in Tibetan. The accompaniment is mainly drums and cymbals. Makeup and props are very simple, and they used to be performed in the square. After the democratic reform, the status of artists was improved, and the repertoire was reformed and developed.

Types and characteristics of Tibetan dance

The main types of Tibetan dance

1, Hucun-Situ Hucun, Marcand County, Aba Tibetan and Qiang Autonomous Prefecture, Sichuan Province is in a leading position, and Marcand is also known as the hometown of Hucun. In Tibetan, Pot Village means "Guo Zhuo", which means that the first Jiarong Pot Village Art Festival in July 2004 broke the Guinness World Record-the longest and most spectacular Pot Village team in the world. Mainly soft music, soft dance, props are mainly sleeves, participation and popular dance forms.

2. Heizai-Heizai Tibetan language is "harmony" and full of singing. Batang Heizai in Batang County, Ganzi Tibetan Autonomous Prefecture, Sichuan Province is in a leading position. Male dancers hold Tibetan harpsichords, while female dancers wear sleeves and Tibetan skirts. The dance is full of charm, reminiscent of the majestic snow-capped mountains.

3. Ganzi tapping in Ganzi County, Ganzi Tibetan Autonomous Prefecture, Sichuan Province is called "opposite flower" in Tibetan. Dancers wear Tibetan leather boots and walk beautifully according to the rhythm of music, similar to Irish tap dance.

4, Reba-mainly spread in Tibet, with wandering artists as the background, male dancers holding Tibetan tombs, female dancers holding Tibetan drums, using a series of techniques to interpret the whole dance, demanding.

In fact, there are many kinds of Tibetan dances, and each dance has many subdivisions.

Characteristics and advantages of Tibetan dance

Folk dance generally refers to a kind of dance form which is produced and spread among the people, restricted by folk culture, improvised but relatively stable in style, with self-entertainment as its main function. Folk dances in different regions, countries and nationalities are influenced by living environment, customs, lifestyle, national character, cultural traditions, religious beliefs and other factors, as well as the age and gender of performers.

Tibetan Dance, Features and Benefits

Folk dance generally refers to a kind of dance form which is produced and spread among the people, restricted by folk culture, improvised but relatively stable in style, with self-entertainment as its main function. Folk dances in different regions, countries and nationalities are influenced by living environment, customs, lifestyle, national character, cultural traditions, religious beliefs and other factors, as well as the age and gender of performers.

Types and characteristics of Tibetan dance

1. Category: 1. "Zhuohe" in rural areas (singing and dancing in circles) fights with feet, and sings and exults from arm to arm; 2. There is "heap harmony" (commonly known as tap dance), which focuses on the change of rhythm and thinking under the feet, and is enthusiastic and cheerful; 3. There is a "bag horse" with songs as the main tone (singing and dancing in the inner court), which combines singing and dancing and is melodious and elegant; 4. There is a festival of stepping on the ground, and the combination of "tie", "dun" and "step" is a powerful "harmony" (forest dance); 5. There is a kind of "Guo Zhuo" (formerly known as Guo Zhuang) in agricultural and pastoral areas, which pays attention to emotional expression and dances beautifully and boldly; 6. There is a round stretch, long sleeves waving, * * * shocking, turbulent river agitation, emphasizing technical movements and fanatical expression; 7. "Semazhuo" (the great inspiration behind) and "Zhuohe" (the waist inspiration in front) fly around with feather hammers and swallow mountains and rivers; 8. There is a self-contained Tibetan opera figure dance and labor that stimulates labor enthusiasm, as well as a pantomime series dance "Qiangmu" (commonly known as French dance), a rare antique court music dance with western flavor "Gail" (for Yunle Dance) and so on. Generally speaking, it can be summarized into four series and categories, namely, folk, religion, opera and court. Folk dance has harmony between fruit, pile, fruit and health. Religious dances are divided into Qiang, Gaba and Gonggar. Traditional Chinese operas and dances include Ram, Gesar and Xi Rongzhongzi. Gongting dance includes the dance (Gael) and so on. In multi-variety dance, even the same folk dance form has different jumping methods and performance procedures in different places, showing the multi-style characteristics of the same dance form. 2. Features: From the dynamic law, there are both "dancing boots" and "dancing sleeves"; In rhythm, there are both "downwind" and "sudden wind", both the strong sound of "point" and the circular flow of "line", which show the multi-style characteristics of the same nation in different forms. Therefore, it is not a compliment to call the snow-capped Tibetan areas "the sea of singing and dancing", which is a true portrayal of the long history and splendid culture of the * * * nation. Although there are many kinds of Tibetan dances, they can be roughly divided into four series and categories: folk, religious, traditional opera and court. Folk dance has harmony between fruit, pile, fruit and health. Religious dances are divided into Qiang, Gaba and Gonggar. Traditional Chinese operas and dances include Ram, Gesar and Xi Rongzhongzi. Gongting dance includes the dance (Gael) and so on. In multi-variety dance, even the same folk dance form has different jumping methods and performance procedures in different places, showing the multi-style characteristics of the same dance form. The basic movement characteristics of Tibetan dance are "trembling", "opening", "sliding", "left" and "circle". In addition, there are some basic rules in the dance rhythm, such as "three steps and one change", "step back", "handstand turn" and "four steps turn". On the basis of this * * * same law, there are various changes, and with the differences in gestures, waist rhythm and music, different styles are formed. For example, the rhythm of Tibetan dance is very rich, which can be summarized as "rubbing", "dragging", "stepping", "pointing", "rubbing", "kicking", "sucking", "jumping" and "twisting" from the foot movements. The gestures of Tibetan dance can also be summarized as the changes of "pulling", "leisurely", "throwing", "circling", "pushing", "rising" and "raising". The techniques in Tibetan dance mainly include: tossing, kicking, fruit harmonic, cross-legged, jumping, grinding, kneeling, twisting back and forth, twisting back and forth, stepping over, clicking, turning flat, jumping small, jumping dead, lying in the big lake, turning flat and jumping tiger. I hope I can help you. Oh O(∩_∩)O~

What are the characteristics of Tibetan dance?

The ethnic group of Tibetan dancers is a nation that believes in Tibetan Buddhism and is also a nation that can sing and dance well. In the numerous festivals bred by the long national history, it is almost impossible to find a way of not offering sacrifices to gods and entertaining people, thus pushing the festive atmosphere to the most * * * precedent.

Types of Tibetan Dance

There is a rural "fruit harmony" (circle singing and dancing), full of enthusiasm and joy; There is a step for the festival, which emphasizes the change of rhythm and thinking under the feet, and the warm and cheerful "harmony" (commonly known as tap dancing); There is a "bag horse" (inner court song and dance) with songs and dances combined with melodious and elegant songs; There is a step on the ground for festivals, and "tie", "pier" and "tower" are combined into a powerful "harmony" (forest circle dance); There is a kind of "Guo Zhuo" (formerly known as Guo Zhuang Dance) in agricultural and pastoral areas, which pays attention to emotional expression and dances beautifully and boldly. There is a kind of "hot bar" clock, which is round and stretched, with long sleeves, crisp, rough and exciting, emphasizing technical movements and expressing fanaticism; There are "Semazhuo" (the great inspiration behind) and "Zhuohe" (the waist inspiration in front) flying over with feather hammers and swallowing mountains and rivers; There is a self-contained Tibetan opera figure dance with the plot performance; There is a mime series dance "Qiang Mu" (commonly known as "jump") that accompanies labor and stimulates labor enthusiasm; And the rare, antique and western-style court music and dance "Gail" (for cloud music and dance)

Characteristics, Styles and Forms of Tibetan Dance

There is no way to systematically explain the characteristics, styles and forms of Tibetan dance. The most basic thing is that Tibetan compatriots live on the plateau, so their bodies will sink. If you want to learn Tibetan dance well, you should first practice shaking your knees more.

What are the basic rhythm characteristics of Tibetan dance?

The knee has continuous, small, fast and elastic vibration and continuous and flexible flexion and extension, which forms the movement law of Tibetan folk dance "you can't move without bending, but you must bend before moving" This "bending" requires not only trembling knees, but also relaxing hips. Because of this rhythmic feature, Tibetan folk dance has active lower limbs and relaxed upper limbs, forming a top-down rhythmic feature, which makes the dance feel elegant and calm.

Characteristics of Tibetan dance steps

Tibetans can sing and dance well. There are many kinds and forms of Tibetan songs and dances, and their names are different in different regions. The folk song and dance Harmony is a group dance with songs as the main body and a combination of song and dance. Generally, men and women stand on one side, hand in hand in a circle, singing and dancing. Folk dances include Zhuo, Reba and Guozhuang. Qiangmu is a religious dance of Tibetans. There are drums, cymbals, bronze horns and bone horns accompanied by lamas chanting. It is spectacular, profound and has a strong artistic appeal. Reba: Reba is a Tibetan comprehensive performing art mainly inspired by chimes, including Heizi, Guozhuang, tap dancing, rap and acrobatics. According to legend, it was initiated by Milla Reba, a wandering monk in the 1 1 century, with a history of more than 900 years. When dancing, men hold bronze bells and women raise their hands and beat drums, and the dance changes from slow to fast. They often perform stunts such as "tumbling drums", "jumping on the body" and "turning on one leg". Artists engaged in this kind of performance are also called "Reba". Tap dance: Tibetan tap dance, originally a court dance. When dancing, wear hard shoes, get out of the changing rhythm and express your inner feelings. Tap dancing is accompanied by flute, dulcimer, lyre, bell and Qin Yue. The rhythm changes from slow to fast, to * * *, and suddenly ends with an ending step. Music Association: Music Association is a kind of Tibetan labor song and dance. At the same time of labor, the songs in the mouth cooperate with the tools in the hand and the rhythmic movements of the legs and feet, making labor a form of singing and dancing. When doing strong physical labor such as shoveling, tamping and stacking wheat, the songs in my mouth have a strong flavor of labor songs. Tibetan opera: a comprehensive art widely popular in Tibetan areas, which expresses the story content in the form of song and dance. Tibetan is called "Ajram", which means "Sister Fairy". According to legend, it was created by Tang Dongjiebu, a Lama of the Kagyu Sect, at the beginning of the 0/5th century A.D./KLOC, to raise funds to build the iron cable bridge on the Yarlung Zangbo River. Traditional dramas are mostly based on folk stories, historical biographies and historical events, such as Princess Wencheng and prince nuosang. Performed on stage, interspersed with songs and dances, and other actors joined the chorus when singing. There are many changes in singing skills, and the dance movements are stretched. A drama is generally divided into three sections: ① the entrance ceremony, which is called "Dun" in Tibetan; (2) Drama, called "bear" in Tibetan; ③ The form of wishing at the end of the performance is called "Tashi" in Tibetan. The accompaniment is mainly drums and cymbals. Makeup and props are very simple, and they used to be performed in the square. After the democratic reform, the status of artists was improved, and the repertoire was reformed and developed.