Lotus's paintings and calligraphy works

In the history of artistic painting in China, the fine lotus flowers are even more colorful. The most famous is "Lotus Out of the Water" by Wu Bing of the Southern Song Dynasty Painting Academy, which vividly and delicately depicts the fresh and refined style of lotus. There is also the "Lotus Yuanyang Map" by the painter Zhang Zizheng in the late Ming Dynasty; Chen Qing painted lotus flowers; Lotus and mandarin ducks in Ren Bonian in the Qing Dynasty: The Sand-dredging Birds by Ma Song Xingzu; Song Fan painted "Late Lotus Fruit Suotu"; Song people painted "Lotus Crab Map"; Song Feng has a picture of Taiyue Lotus Wind; Inheriting the Song people's "Children and grandchildren together". The simple point in lotus painting is "line drawing", which is a kind of painting method in Chinese painting. Generally, meticulous figures or flowers and birds should be crossed first, and then colored. There are also pure hook lines, that is, using brush strokes directly. Wu Daozi in the Tang Dynasty, for example, painted a pure hook line. He has a famous painting style, which is called "Five Dynasties as the Wind".

The complexity is meticulous and meticulous lotus techniques:

First, line drawing. Lotus petals, leaves and stems have long lines, which require accurate and full images and smooth lines when the lines are hooked up. Small lotus with medium and light ink hook petals. Heavy ink hook leaf. The lotus leaf on the back is completed by boneless method, and there is no need to hook the line.

Second, dye the background color. Dye flower heads and buds with a thin white mask. Yellow-green covered with small lotus flowers, the color is thinner. Cyanine ink stained the front leaves. The green stems of straw are covered with inverted leaves and mosaics.

Third, further characterization. The bud is green with painted petals and the bud is dark. Dark green covers the front leaves, and stone green coats the back leaves and stems. Garcinia cambogia and Zhu Zhu are smeared on the lotus wall. Yellow Guris, white pink pistil and small lotus seeds. Hook bar, not the front side.

Fourth, the boneless method completes the lotus leaf long grass behind. Local freehand brushwork, not limited by contour lines. The color depth in the pen changes vividly. When using color, first use cyanine as the base, and then apply it several times, starting from the veins of the lotus leaf, the color in the center of the leaf is heavy, and then gradually fade. Then dye the back with gamboge, and the leaves turn green immediately. Then dye the front with cyanine to see if the color is suitable. If you use lotus flowers, use eosin as a base, then dye them with rouge, and finally finish painting them, and then dye them with white powder on the back, they will look thick but not thin. To learn to draw lotus flowers, you can first observe and understand the different shapes and growth environment habits of various varieties of lotus flowers. As for painting, it depends on meticulous brushwork or freehand brushwork. Fine brushwork can practice lines first, and freehand brushwork can practice ink painting first. Tools: cooked rice paper, Chinese painting pigments, large, little white cloud, and other brush tools, sketch course manuscripts. Color: Eosin+Cinnabar or Zhu Zhu (on a pen, the pen head is heavy and the flower head is covered. The root of the pen is light and the handle is covered. ) leaf color and stem color: leaves and stems need inked manuscripts, and the advertising color can be green.

The lotus leaf is wrapped in nails-everyone wants to light a lotus lantern and wax it-knowing that there are fish in the lotus pond-killing two birds with a needle in the lotus bag-wrapping the eel in the lotus leaf with sharp edges-running away, hitting people with lotus stems-trying to (silk) break the lotus leaf to bear seeds-heart-to-heart lotus nuts in the water-overreaching.