Cultural inheritance of calligraphy

This problem is too big. You can refer to:

one

The inheritance and development of China's calligraphy from the contemporary perspective, also known as "China's calligraphy", is mainly divided into "soft pen calligraphy" and "hard pen calligraphy", which is a unique traditional art and culture in China. Calligraphy in a narrow sense refers to the methods and rules of writing Chinese characters with a brush, including writing, calligraphy, stippling, structure, layout (distribution, line order, composition) and so on. Calligraphy in a broad sense refers to the writing rules of language symbols. When Chinese civilization was still in its infancy, the art of calligraphy, as a budding state, was born in the cradle of Chinese mother. In the early stage of civilization evolution, the transformation of China ancient civilization from the ignorance of tying ropes to the cultural civilization of creating characters in Cangjie was rooted in the amazing wisdom and spiritual roots of calligraphy art, and Cang Xie's "learning from others' strengths and melting into characters" made Cang Xie have a unique vision of nature. This is called "hieroglyphics according to categories", and Shuo Wen Jie Zi sums up the ancient Chinese word-making methods in China into six kinds, which are called "Six Books". That is, pictographs, indicating things, knowing things, pictographs, passing notes, borrowing words, pictographs reproduce nature, record nature and transmit natural information like pictures. This pictographic beauty is the germination and spiritual source of China's artistic beauty of calligraphy, and it is also the great creation of the calligraphy beauty of our ancestors. How to pass it on? To inherit the excellent tradition of calligraphy art, we must first inherit the innovative spirit and achievements of the sages, which is the crystallization of the wisdom of the sages' calligraphy art. It is biased, abnormal and undesirable to copy the traditional "traditional aestheticism" or "pop" that is divorced from the excellent tradition. The development law and innovative achievements of calligraphy explored by the sages are the soul of traditional calligraphy. Without innovation, there is no tradition. Excellent tradition is the crystallization of innovation, and innovation is the development of tradition. Only by deeply understanding the development law of traditional calligraphy art can we feel that innovation is the essence of revealing the enduring development law of traditional calligraphy art. Calligraphy art has been popular for thousands of years and has a deep foundation in adapting to social development and meeting social needs. Therefore, in the contemporary vision, the development of calligraphy must be innovative. Calligraphy art needs innovation. We should have a good understanding of the relationship between tradition and innovation, grasp the pulse of the times, and strengthen the combination of inside and outside books by exploring fonts and changing pens. It must be emphasized that it is necessary to put an end to the "skill" treatment of blind graffiti and not to deliberately draw words to pursue simplicity. Words are written, not "made". If you can't even write basic regular script well, you can only innovate. It can only be an ink block that stimulates people's vision. Innovation only needs to show one's temperament frankly. For example, Li Bai said, "Clear water produces hibiscus, which is naturally carved." This is the real "back to basics". To promote the art of calligraphy, we must respect history, keep pace with the times, and learn from the past and learn from nature. Which ancient man hasn't been a modern man? Which modern man will not become an ancient man in the end? The profound calligraphy art has eternal vitality because of its endless supply. Calligraphy is an art with great vitality. Now and in the future, with the rapid development of high-tech technology and the wide application of computers, office automation can't replace calligraphy in the end. Only people can show the art of calligraphy to the fullest. Pen and ink should keep pace with the times, and all factions should strive for novelty and beauty. It is the inevitable trend of the development of calligraphy art in 2 1 century. 2 1 century is a period of economic and cultural exchanges and development between the East and the West. The innovation and reform of calligraphy art should conform to the characteristics and aesthetic pursuit of the new historical trend. However, the breakthrough and innovation of China's calligraphy is difficult and needs a long and gradual process. You can't rush for success, you can't be impetuous, and you can't be unconventional at will. Otherwise, it will be counterproductive. The beauty of learning calligraphy lies in people. Calligraphers must have the foundation of bad literature, scientific practice and ideas, and more importantly, test the pursuit of practice. Adhere to the personality style of "natural interest" and "true meaning" and oppose the utilitarianism of aesthetic function. Pay special attention to character, temperament, literature and calligraphy. Calligraphy emphasizes the beauty of form and quality, while books value people.

two

The vitality of calligraphy is long-lasting and vigorous.

"Calligraphy is a flowing art, and the most valuable part is the emotion that the writer pours into it. Although computer plays an important role in social development, it can never replace human emotions. From this perspective, calligraphy, as an art sublimated from practical tools, is irreplaceable by computer words. " Ouyang Zhongshi, a famous calligrapher in China and a professor at Capital Normal University, said.

China's calligraphy art not only has the beauty of lines as abstract art, but also shows its artistic value with its unique connotation and implication. "Basically, Chinese people have a * * evaluation of the pros and cons of calligraphy." Zhao, a professor at the School of Humanities, Beijing University of Posts and Telecommunications, believes that "calligraphy is full of vitality because it organically integrates life and art."

"Many people think that there is a crisis in the inheritance of calligraphy, mainly because the younger generation of calligraphy lovers have not reached the height of the older generation of calligraphers." Shi Baping, an online game designer, believes that calligraphy requires not only skillful skills but also cultural accumulation. Therefore, it is easier to be a calligrapher than a master.

Calligraphy, as a form of competition, only rose in the late 1970s. Zeng Laide, executive director of the Calligraphy Creation Research Institute of the National Academy of Painting, said: "Although there are many disadvantages in various forms of calligraphy competitions, it is of positive significance to the development of contemporary calligraphy. But calligraphy education must start with traditional classics, not just for exhibitions and competitions. "

Establishment of Calligraphy Education System

Driven by Ouyang Zhongshi and other calligraphy educators, Capital Normal University took the lead in establishing a complete calligraphy education system in China, from junior college to undergraduate course to master's degree, doctor's degree and postdoctoral degree, and established China Calligraphy Culture Research Institute. When talking about the calligraphy education system, Ouyang Zhongshi emphasized: "The most important thing in the education of high-end talents in the calligraphy field is cultural connotation. The center of calligraphy education is not skills, but calligraphy cultivation and the spread of calligraphy culture. Writing should reflect the spirit of the times. "

Qiu Zhenzhong, a professor at the Central Academy of Fine Arts, said: "The goal of the education system is to train a group of senior professionals engaged in academic research and calligraphy creation."

Calligraphy majors are roughly divided into normal classes and fine arts classes. The importance of normal calligraphy lies not only in calligraphy itself, but also in the fact that educators are teachers, which directly affects students' understanding of Chinese character culture. The original intention of this major is to emphasize standardization. However, the art calligraphy major must adhere to the road of artistic calligraphy, emphasize individualized development and rise to the height of culture.

Calligraphy culture is still passed down.

Zhao pointed out that the shortcomings of traditional calligraphy education are long periodicity and poor science. Therefore, the scientific research of calligraphy education is urgent, and we should not rely solely on copying copybooks to learn. Instead, we should seek scientific methods and establish a scientific education system. By studying the aesthetic law of Chinese characters, we can find out the proportional relationship among its parts, so that calligraphy education can be scientific, regular and systematic, and the time limit of calligraphy education can be greatly shortened. Only by solving the problem of learning calligraphy for too long can we open a new window of calligraphy inheritance.

Qiu Zhenzhong believes that the calligraphy culture in the new era will receive sustained attention. In recent 10 years, the whole society has shown concern and yearning for national culture, which is conducive to the development of traditional culture, especially calligraphy culture. Some young calligraphers have also begun to explore calligraphy in the new era. These non-traditional works are mainly "ink and wash line art" under the influence of western modern art, and this popular trend is the concrete embodiment of the cultural compatibility of Chinese characters.

Today, apart from school education and traditional ways of communication, there are many brand-new cultural phenomena, such as "alternative calligraphy", "flipping calligraphy" and "Martian writing". Ouyang Zhongshi said: "We should respect everyone's thoughts and learn from others' strengths. History will naturally retain the essence. " In addition, "Chinese style" works that highlight traditional culture in popular culture are increasingly accepted by the public.