Traditional Culture Encyclopedia - Traditional culture - Homesickness (Xi Murong's Modern Poetry) Detailed Data Collection
Homesickness (Xi Murong's Modern Poetry) Detailed Data Collection
After Homesickness, it was selected as the text in the third volume of junior high school Chinese published by People's Education Press and college Chinese published by Higher Education Press.
Title: Homesickness Creation Year: Early 1980s Style: Modern Poet Author: Xi Murong Source: Xi Murong's original collection of poems, creative background, literary appreciation, famous critics' comments, influence of works, author's brief introduction, and the original Song of Homesickness is a flute that always rings in Qingyuan on a moonlit night.
The face of my hometown is a vague disappointment, like waving goodbye in the fog.
Homesickness after parting is a tree without rings. It will never get old. This poem was written in the early 1980s. At that time, there was no public contact between Taiwan Province Province and the mainland. But many people in Taiwan Province Province, including overseas travelers, live overseas and have a heart for the mainland. Xi Murong's hometown is in Mongolian grassland. She was neither born nor brought up here. It was not until the 1980s that she had the opportunity to set foot in her hometown. Only in her dreams and in her poems can she be entrusted with her infinite homesickness. It is in this context that the poet inherited the eternal theme of homesickness in traditional culture and wrote this tender but sincere poem "Homesickness". There are many poems about homesickness in literary appreciation, but Xi Murong's Homesickness is fresh and touching, pure and frank. People who are far away from their hometown often miss their hometown, just as the voice and appearance of missing their loved ones are most likely to appear in front of them. The voice and appearance of hometown always haunt the wandering mind. Poets give poetry this most common and deepest yearning. The voice of hometown in the poem is the flute of Qingyuan, which always rings with the moon at night. How bright the moonlight is at home! . In the image of homesickness on a moonlit night in ancient poems, a beautiful and distant flute was added. In sharp contrast to Qingyuan's local accent, the appearance of hometown is "just a vague melancholy". This is the poet's accurate grasp of human emotions. In fact, we all have this experience. The more familiar, familiar and close people are, the more difficult it is to distinguish their faces at once. The vague feeling that seems to be in the clouds and fog affects people's feelings more. The best part is the last part. Seeing the moon is like hearing the voice of my hometown; I want to see my hometown clearly on the memory screen, but my hometown is vague. This is homesickness, homesickness touched by voice and smile, lingering dreams and lingering homesickness. How many people can't find an accurate and vivid way to express this wandering homesickness, but what many people can't express is expressed by poets. The phrase "homesickness is a tree without rings/never grows old" is a metaphor to express the melancholy and homesickness in the depths of the ocean, which fully shows that "homesickness" will never be lost because of people's aging, but will always be full of vitality. The appropriateness, naturalness, simplicity and beauty of the language make the whole poem have an idyllic artistic conception. Famous experts commented on the Fifth and Sixth National Committee Weeks of Chinese Writers Association: In a few words, they wrote the form and way of "homesickness". This is the advantage of Xi Murong's poetry. Her delicate feelings are always discovered and abstracted, especially "The Face of Hometown" and "Waving Farewell in the Fog". What is "homesickness"? The poet fished out a wonderful answer from his own experience world, which belongs only to poetry. It highlights the feelings that people who are immersed in homesickness generally feel, but it is difficult to express. This poem is easy to remember and touching. It can be seen that brevity and richness are also one of the reasons for the charm of poetry. Mao Han, a modern poet, said, "I don't know where to play the flute, and I want to recruit people all night." Since we can't get rid of the nostalgia and poetry of the ancients, we should simply start here and try to expand. And when A Tree Without Rings rises in the moonlight flute, a brand-new creation is completed. Contemporary writer Lu Mei: Hometown on paper, Homesickness in heart. In Xi Murong's poetry and prose, homesickness is a song that has been sung repeatedly: on the bank of the Yellow River and beside Yinshan Mountain, the grassland shines with thousands of miles of golden light. After his works influenced homesickness, he was selected into the third volume of junior high school Chinese in People's Education Edition and the texts of college Chinese in Higher Education Edition. Xi Murong, born in September, 1943. Chongqing, Sichuan. Originally from Chahar League, Inner Mongolia. Poetess. Pen names Xiao Rui, Mo Rong, Mullen, Hua Qian, Xi Lianbo, etc. 1949 moved to Hong Kong. 1954 from hongkong to Taiwan Province. /kloc-at the age of 0/4, he entered the art department of Taipei Normal University, officially began to learn painting, and at the same time began to write poems and essays. 1956 contributed to free youth and other publications. 1959 Joined the Art Department of Taiwan Province Normal University. After graduation, I taught at Ren 'ai Junior High School in Taipei. In September, 198 1, a collection of poems, Qilixiang, was published and reprinted one month later. Another book of poetry, Youth Without Complaints, has also become a bestseller. His main works include: painting poems, a collection of poems, Qi Li Xiang, Traces of Growth, Youth Without Complaints, There is a Song, and works of art, Exploration of the Soul, Concentric Collection and Writing for Happiness.
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