What are the characteristics of Tibetan dance?

The main characteristics of Tibetan dance:

1, rich in content and wide in subject matter.

The "Blue-faced Tibetan Opera" developed on the basis of the White-faced Tibetan Opera is not only rich in content and wide in subject matter, but also inherits and retains the folk dance forms such as Buma, which existed in the Guge Dynasty. The folk square dance entered the stylized Tibetan opera, and at the same time quoted the folk music loved by the Tibetan people, which made the Tibetan opera spread among the Tibetan people for a long time.

2. Characteristics of faith

In order to conform to the characteristics of Tibetan polytheism, people have created a programmed dance that uses various gods masks and contains a lot of Tibetan folk dance elements in the sacrificial ceremony. This kind of sacrificial dance was adopted by the later popular Tibetan Buddhism Yellow Sect, and it was called "Qiang Mu".

Popular in Tibet, Inner Mongolia, Gansu, Qinghai, Sichuan and other provinces that believe in Yellow Religion. Qiang Mu's dance is mostly a mixture of animal dance and musical instrument dance. There were few songs during the performance, and the atmosphere was solemn.

3. "Jumping God" activity

Every major religious festival, the Lama Temple will hold a "jumping god" activity. In the sound of suona, python, trombone and cymbals, performers wear masks, hold musical instruments or weapons, dress up as gods, and March around the field to kick off.

Then, they successively performed "the dance of evil gods", "the dance of skeletons", "the dance of cattle gods", "the dance of deer gods", "the dance of rejoicing gods" and "the dance of protecting the dharma gods", and each dance had a certain religious content.

Between dances, there are wrestling and fighting performed by lamas to entertain the audience. Sometimes, they also perform Buddhist stories, such as "Give my life to feed the tiger" and "Dance of the immortal star" and "Dance of the crane", which show kindness and longevity.

The characteristics of Tibetan dance: "quiver", "opening", "sliding", "left" and "winding" are the same characteristics of different Tibetan dances, or the five elements of Tibetan dance, which constitute its aesthetic concept different from other fraternal national dances. The rhythm of Tibetan dance is very rich, which can be summarized from the foot movements.

There are 12 basic steps, such as rubbing, dragging, stepping, tripping, pointing, squeezing, planing, kicking, sucking, jumping and twisting. ?

The gestures of Tibetan dance can be summarized as seven changes: pulling, leisurely, swinging, winding, pushing, rising and rising. Heizai: It belongs to Adagio in Tibetan. The rhythm is like a top, and the body slows down.

Requirements and exercises of basic movements:

1, Qi Mei shook hands with him.

Specification and essentials: hands droop, wrists and elbows bend when moving, driven by wrists, and hands shake alternately on the chest. Draw a circle clockwise with your right hand and counterclockwise with your left hand. This action can be divided into big, medium and small. Smaller than abdomen and chest; The height of sway is higher than that of Qi Mei; Larger than the front top.

Step 2 shake the lid

Specification and essentials: shake with one hand, bend your wrist with the other hand, and wipe with your palm, so that the upper arc flows from side to side through the upper arc. One-handed skin flap is also common in the waist and front of abdomen.

Step 3 row your hips forward

Specifications and essentials: hands droop, and the left and right hands draw circles from the inside out to the front of the buttocks. Draw a circle on the plane with your right hand clockwise and your left hand counterclockwise. Hip forward rowers shake hands with Qi Mei regularly.

Step 4 wave back and forth

Specification and essentials: Hands hanging to the side, swinging back and forth for 45 degrees, wrist active.

5. wave your hand horizontally

Specifications and essentials: two hands hang down beside you, mostly swinging sideways with one hand, with the wrist actively driving the forearm and the big arm accompanying.

6. Plane wave

Specification and essentials: Hands hanging to the side, one hand up to the side, driven by the wrist, accompanied by the arm, swinging from outside to inside on the chest horizontal plane.

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