Where does crosstalk performer Jing Li come from in China?

Jing Li, male, Allegro and crosstalk performer. He is good at JD.COM drum and double reed.

/kloc-Mr. Liang Houmin, a 0/5-year-old allegro artist, won the first prize in the Second National Allegro Art Competition. Later, I studied the art of storytelling under Mr. Jin Wensheng. Often performed tracks include Sword of Men and Women, Song Wudapu, Crosstalk Phase IV, Fenhe Bay and so on. In the "2005 Beijing Crosstalk Sketch Competition", he cooperated with him and won the first prize of the Crosstalk Professional Group with "I want happiness".

He is now a member of Chinese Quyi Artists Association and China Allegro Art Committee.

Birth: 1978, August 1, June 28th of the lunar calendar.

Jing Li is a crosstalk performer with great stage charm. At the age of 29, he is already a veteran of Deyun Society. When he appeared, the house was full. When the host mentions his name, the veteran crosstalk lovers will give a warm "alas".

Wang Shao (1978.8. 1) is a business administration major at Beijing University of Technology.

In 2007, 29-year-old Jing Li set off a cross talk craze in Beijing.

Cross talk is on fire now. Listening to traditional crosstalk in teahouses has become a fashion pursued by college students and white-collar workers. These crosstalk artists infected groups of people who came here. The atmosphere on stage and off stage is harmonious, and the tortuous experience of artists revitalizing traditional art has also attracted people's attention. Jing Li, a crosstalk performer from Beijing Deyun Society, is an artist with great stage charm. His fans call themselves "Jingmi", and he and his partner got a full house applause as soon as they appeared.

When I was 7 years old, I went to school by bus. Liu Baorui was shocked by four buildings.

It's hard to imagine that Jing Li is only 27 years old, not only because of his looks, but also because every gesture he makes smells like an "old gentleman". He speaks slowly and calmly, and everything he says is the old Beijing dialect. He himself explained that this is because he devoted himself to traditional cross talk since he was a child. Jing Li doesn't come from a family of Quyi, and his parents' occupation has nothing to do with this line of work, but the way the family takes care of the children is to record cross talk and tell stories for him, Jing Li Jr.-listen to God without crying or making trouble at will. At the age of seven, he took a bus with his mother and began to speak a stand-up comedy. His mother said, "Hey? Isn't this pearl jade white jade soup? You only remember so many words after listening to it three or four times? " Jing Li proudly said, "I can tell this whole paragraph", but his mother didn't believe it. So Jing Li told Liu Baorui's 40-minute "Zhuyu Yuye Soup" completely on the bus, and the words were clear and clear. Although he tampered with some uncommon words that were difficult for children to understand, he said "short words" as "half words", but the rhythm and charm were quite in place. The passengers in the car basically stopped talking and listened attentively to the child's stand-up comedy, which was amazing. Mother discovered Jing Li's attainments in this method, and immediately recorded this passage after returning home, which has been preserved until now. When Jing Li grew up, she couldn't help laughing when she heard this recording.

Learn Allegro by cycling.

Before entering high school, Jing Li listened to cross talk, allegro and storytelling by himself. To say that the stage experience is all kinds of ceremonies and get-togethers at school, teachers and classmates are his loyal listeners, and sometimes students often come to chat with him during lunch break.

Jing Li, who likes to study hard, embodies this rare spirit in his art and practices Allegro hard in TV programs. "I didn't know how the four small boards made a neat sound, so I glued them together so that I could make a synchronous sound with the TV." Talking about the experience of learning art, Jing Li relished, "I learned later that the reason is very simple, that is, if the indirect rope in Allegro is thicker, this problem will be solved."

15 years old, my mother was seconded to the vehicle management office, and she often met crosstalk performers to apply for a certificate. When she got home, she asked Li Jing if she wanted to visit a master. After hearing some rather loud names, Jing Li knew what she was doing and didn't show any special enthusiasm. And when one day my mother said that she met Mr. Liang Houmin, a famous allegro artist, she immediately decided to learn from Mr. Liang. At that time, he was going to study abroad with the school. It took several months to contact Mr. Liang after returning to China. I didn't expect the other party to change the number, and finally met Mr. Liang after many twists and turns. When I came to the master's house, I showed my talent to Mr. Liang for the first time and wrote an allegro by myself. Mr. Liang's evaluation is that although the child is not in the right posture and lacks skills, he is "solid in mind." From then on, Jing Li began to learn from his teacher.

High school study is very tense, but for the sake of "the board in my heart", Jing Li rides a bike to Mr. Liang's home for 40 minutes every day after school. Mr. Liang is busy with performance affairs and can only give him guidance for an hour. "As long as I listen to that one hour of kung fu, I can't learn at all, and I don't have time to practice. I can only think for myself on the way home by bike. This is a 40-minute journey. As soon as I get home, I will practice my homework for a while and learn something new the next day. Mr Liang also praised Jing Li's cleverness and diligence. When educating his teachers and brothers, he often said, "I thought that when Li was in this period, the plenary session would be held in a week." "

The process of learning from teachers is very hard. Jing Li knew this from an early age, but he did well in school. Jing Li Middle School is a key middle school in the city. His dream is to be admitted to the law department of Peking University, but the college entrance examination failed to reach Peking University by two points. This is the first small blow in Li Jing's life. After going to college, he put more energy into studying art and acting. Mr. Liang thinks that Jing Li's kung fu is solid and ready to go.

Squeeze one's head to attend a class reunion.

During his college years, Jing Li's academic performance was also excellent. His major is management. In his senior year, he won the first prize in the National Allegro Competition, which made Jing Li make the most important decision in his life: to give up his college major and specialize in Quyi. When he graduated, many promising job opportunities waved to him, and Jing Li was unmoved, waiting for the notice from the army art troupe he was expecting. However, the road of life has always been smooth sailing, and he encountered an unprecedented dark period. The notice of this unit is two years. In the past two years, he can only participate in some small theaters and teahouses. What he often faces is that there are several spectators under the stage, and the burden is shaken out and the audience does not respond. It's not that the actors are not proficient in learning, but that there is really no atmosphere. Even if the funny burden is so old, the audience is embarrassed to laugh. "The most depressing thing is that you can't get the audience's * * * songs. If I feel uncomfortable, I can make a big fuss on the stage. If the audience is unhappy, can't I entertain myself? " In this case, the artist's inner loneliness is indescribable, and many unbearable young actors choose to change careers. Jing Li once again gave up his job as a radio director and continued to work hard in this field.

College students have their own orientation. Some people just seize the opportunity that Jing Li once gave up, and these jobs are very beautiful in the eyes of ordinary people. At the reunion, poor Jing Li was very unhappy when he saw his classmates laughing and laughing. Young and energetic, Jing Li walked alone in his unique way. "The classmates in our class have deep feelings. Although I was miserable at that time, I would still go to every party and grit my teeth. " Man struggles upwards, but in fact, the heights are too cold; Water flows downwards, in fact, a hundred rivers flow downwards. Maybe people just need to have the mentality of going up and the mind of water flowing down.

So far, Jing Li is not a formal teacher in the field of cross talk. He inherited the tradition in an eclectic way, learned from others, devoted himself to studying the essence of crosstalk masters, and discussed crosstalk techniques with his predecessors. It is worth mentioning Mr. Li Lishan, who is very helpful to Jing Li in traditional cross talk. Jing Li often spends four hours driving across Beijing to discuss crosstalk skills at Mr. Li's home.

Crosstalk is an oral art, and the skills handed down by old artists in past dynasties are regarded as classics. From the late Qing Dynasty to the present, the old gentlemen have extracted all the skills that can form burdens and jokes in China language. No matter how new the current crosstalk is, the burden is also in the old crosstalk, but few people have summed up the rules. Mr Li Lishan has done such a job. He summed up the essence of traditional cross talk into 28 words, each of which was explained by a four-character poem. Clever Jing Li saw these 28 poems, and suddenly became enlightened. Coupled with his years of deductive accumulation, he had a thorough understanding of cross talk. Jing Li said that he is still in the inheritance stage in the cross talk field, and he will innovate on the basis of inheritance. Jing Li does not regret his college life, which has cultivated his various qualities and provided a high platform for personal development. "If there is a graduate class in Quyi in the future, I want to continue studying."

Father and son hold up the crosstalk meeting

During his performance in your, Jing Li met many other disciples, including Degang Guo. Degang Guo began to hold a cross talk conference on 1996, which is the predecessor of the current Deyun Society. From Jingwei Library, Zhonghe, Guangde Building, Watson Flyover, and now the music of Flyover, Jing Li has experienced all the ups and downs, from only a few spectators to standing at the door and calling people in on snowy days.

At the most difficult time, there were only three actors in the crosstalk meeting, Degang Guo, Zhang Wenshun and Jing Li, who was very young. Three people held up a cross talk, and they also held on. First, Mr. Zhang talked about stand-up comedy for an hour, stand-up comedy for an hour and Allegro for 40 minutes. Guo and Zhang played opposite each other, and then they worked in groups of three.

At that time, they performed every day, with only four or five audiences, three of whom were regular audiences, which required that the workload of actors should not be heavy, cross talk should be easy to handle, and the requirements for Allegro were very high. In more than a month, Jing Li told the whole story of more than 40 Allegro books he knew. "Recalling the experience at that time, although it was very difficult, it also laid a solid foundation for future performances."

It is conceivable that such a performance can make ends meet and even lose money. However, the hardships of life did not shake his belief at all. Talking about those days, Li Jing said flatly, "I go by bike, so I don't have to pay for riding once, even if I have a meal." What pains him most is to take Allegro to the streets to attract the audience. An unprecedented embarrassing situation appeared in the performance of a cross talk conference. There is only one audience, one on the stage and one off the stage. The actors of Deyun Society decided to go out and sing Allegro at the gate of the theater. This killed Jing Li, not because he froze in the cold, nor because he couldn't put down his shelf, but because of his feelings for Allegro. He studied Allegro with Mr. Liang since childhood, and gave up his bright future after graduating from college, specializing in Quyi performance. Allegro is a sacred art in his mind, but now it is going to be reduced to playing the board in the street to cater to passers-by, which makes him feel sad for the first time. "Sometimes I deliberately don't take Allegro, pretend to forget to take it, let them play, or I take something else instead." This seems to ease the inner bitterness a little.

Today, Jing Li is known as the little leader of the Beggars' Sect in Beijing because of his singing skills. It is probably hard for his fans to imagine that this little leader once really sang in the street like a beggar's guild. Nowadays, Deyun Society is unprecedentedly popular. They have been performing in a small theater for many years, and finally proved that traditional cross talk still has an audience, and most of them are young audiences. Now it is hard to get a ticket for the performance of Tianqiaole Tea Garden every weekend, and the venue is full. It is necessary to reserve seats one week in advance. June 5438+1October 65438+February, 2006, Deyun Society's New Year Crosstalk was held in the People's Liberation Army Opera House. At 30, 50 yuan's ticket was sold to 300 yuan by scalpers, and the stage became a sea of joy. When the host mentioned that there was no king in Beijing, the ticket lovers of the old Tianqiao gave a cry "alas" in due course.

It's obviously different to attend the reunion now. Some students contacted him to perform, some contacted him for an interview, and more often they asked him to book tickets for the performance of Deyun Society.

Not long ago, He and his partner won the championship of crosstalk professional group with excellent performance in the invitational competition of crosstalk sketches held by Beijing TV Station, showing their profound crosstalk skills and stage charm to TV viewers. When asked what is the most significant feedback effect after winning the prize, Li said that it is mainly reflected in the increase of performance services. Just like the fans rushing backstage for his autograph for the first time, I feel as if I saw the light in my heart, and there is nothing wrong with this road.

Jing Li's classic quotations:

1. It's so exciting

This has almost become synonymous with him. No matter who says this, everyone will think of the lovely Xiao Wang.

2. Why do you always say this sentence?

An innocent expression, helpless.

Besides, I will slap you.

Have a tendency to violence

You can't do this.

How should I know?

It's all on my cheek.

Oh, I don't know. Allegro? !

"Is that what I smell when I talk?"

Stop joking!

The stress of "here we go again"