Traditional Culture Encyclopedia - Traditional culture - The aesthetic characteristics of classical Chinese gardens, in what way?
The aesthetic characteristics of classical Chinese gardens, in what way?
Classical Chinese gardens are characterized by "endless hiding and spring", which are quiet and profound. It is unique in the world's gardens, attracting many scholars to analyze and explore. "Classical Chinese gardens are comprehensive works of art integrating architecture, gardens and flowers. It contains the birth idea of Taoist metaphysics, expresses the traditional concept of poetry and painting, and sends the nostalgia for nature. It gives people a sense of serenity, freshness and meaningful beauty. It has both the laws of general artistic beauty and its unique style.
I. Characteristics of the beauty of classical Chinese gardens
The general characteristics of classical Chinese gardens Classical Chinese gardens are created in accordance with the principles of garden art in a certain region, which not only retains the beauty of the natural elements, but also pays attention to the beauty of the observable, movable, livable and playable, and emphasizes the function of the spirit, and "beauty, goodness, and joy" is one of its essential aesthetic features. All these lead to the difference between garden art and other arts - holistic characteristics. Garden art integrates architecture, plants, rocks, water bodies, handicrafts, literature and other cultures. By shaping the overall environment, it creates a sense of beauty that harmonizes the senses of sight, sound, taste, smell and touch. It is a kind of artistic beauty created in a specific ecological environment according to the law of beauty and human's natural aesthetic concept, which reveals the essence of "unity of heaven and man". Therefore, in judging the beauty and ugliness of garden art works, the key is to grasp the works can achieve harmony between man and nature **** place.
Two. The beauty of classical Chinese gardens embodies the beauty of nature, the beauty of meaning, creating a garden art with oriental characteristics.
It is different from other art disciplines as well as from Western gardens, showing its unique life and charm.
Three. The natural beauty of "truth and falsehood" is influenced by traditional Chinese philosophy.
Lao Zhuang Confucianism's "things are like things", "heaven and earth have great beauty without words", "goodness is like water", "virtue is like a valley", "the world is like the world", "the world is like the world", "the world is like the world", "the world is like the world". Virtue is like water," "Virtue is like a valley," "Wisdom is like water, benevolence is like a mountain," and other ideas, forming the traditional Chinese idea of "the law is noble and true". From the Qin and Han Dynasty's "one pool and three mountains", Wei, Jin and North and South Dynasties' private gardens "if nature", Sui and Tang Dynasty's "urban mountains and forests", to Song and Ming Dynasty's "borrowing", to Manchu and Qing Dynasty's "borrowing", and then the "borrowing", the "borrowing", and then the "borrowing". ", and then to the Manchu Qing Dynasty's "dense mountains and forests," the pursuit of natural beauty, gradually revealed in the garden, the formation of nature, love of nature, grasp of nature, the development of natural beauty of the garden aesthetics.
Of course, as one of the main features of the beauty of classical Chinese gardens, it is not a mechanical reproduction of nature, but a highly concentrated reprocessing of art." "Taking nature and transcending it" focuses on the expression of its inner temperament and charm, truly reflecting nature. Such as spring, summer, fall and winter rocks. In the past, people used to say that spring mountains are like a smile, summer mountains are like drops, autumn mountains are like makeup, and winter mountains are like sleep. Stalagmite upright, meaning spring mountain; lake stone delicate, meaning summer mountain; yellow stone vertical hard; autumn mountain: basalt white, light as winter mountain. The method of stacking mountains and adjusting stones symbolizes the real mountain. It follows the system of four seasons and is original. It has the profound taste of learning from nature.
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