That's great. Appreciation of Excerpts from Notes on Letters from Home (570 words)

There are many wonderful plots in Home. For example, Being Sentenced brilliantly shows the hypocrisy and inevitable demise of feudal ethics. Ghost Storm shows the fearless fighting courage of young people, which makes people feel carefree. Zhong Ruiyu died during the dystocia of Bloody Disaster, which made Chueh-hsin suddenly understand that it was the whole system and the whole ethical code that took everything he hoped. The style of the novel is heavy and touching, revealing the bankruptcy of "not resisting". My favorite plot is "Feng Ming threw himself into the lake".

After hearing the news of her forced marriage, Ming-feng came to Chueh-hui's window at midnight, hoping to meet Chueh-hui and tell him about her pain and love. The details of Ming-feng's knocking on the window several times vividly describe the girl's painful and anxious mood, as well as his strong expectation and hope for Chueh-hui. When he entered the room, he saw Chueh-hui writing a manuscript. Ming-feng just wants to talk to him and tell him about it. But Chueh-hui was kept in the dark and told her that it would be two days before she could talk to her. Ming-feng has no hope, because she will die after this night. She doesn't hate Chueh-hui. Seeing that Chueh-hui was really busy, he left Chueh-hui in nostalgia and despair and walked to the lake. "She groped all the way, with great difficulty to reach the destination-the lake. ... she stood there blankly, thinking about many past events. His relationship with her reappeared in her mind scene by scene. ... why do people just trample on her, hurt her, don't give her a gentle look, don't give her a sympathetic heart, and no one even gives her a pity sigh! She accepted all disasters obediently, and she didn't complain. Later, she finally got comfort, got pure, male love, and found her hero. She is very satisfied. But his love could not save her, but added some painful memories to her.

His love once made her have many beautiful dreams, but now it throws her into the dark abyss. She loves life, she loves everything, but the facade of life has shut her up, leaving her only the degenerate road. When she thought of this, the road obviously stretched out in front of her eyes, and she looked at her body in horror. Although she can't see clearly in the dark, she knows that her body is innocent. ... she wants to jump into the clear lake, which is a good place to stay. When she dies, she will get an innocent body. She is going to jump into the lake. ... she loves him so much that she can't lose him. All she got in her life was his love. Doesn't she have the right to enjoy this? Why is everyone still alive, and she is leaving this world at such a young age? These questions swirled in her mind one after another. ... her death is not a loss to the world and the mansion, and people will soon forget her as if she never existed. "Is my life so lonely?" She thought, her heart was full of sadness that she had nowhere to talk. ... she totally understands. He can't go to her. There will always be a wall separating them. He belongs to another environment. He has his future, he has his career. She can't hold him, she can't stop him, she can't hold him around forever. She should give him up. His existence is more important than hers. She can't let him sacrifice everything to save her. She should have left. She should have disappeared from his life forever. With this in mind, she made up her mind. She felt a twinge of heartache again. She pressed her chest tightly.

She still sat there, looking at everything in the dark with nostalgia. She is still thinking. She can't stop thinking about him. She thought, a sad smile appeared on her face from time to time, but there were tears in her eyes. Finally, she stood up lazily and called twice in a very gentle and sad voice, "Third Young Master, Chueh-hui." Then jump into the lake. "Ming-feng's psychological description before she threw herself into the lake is very delicate, and her language is fresh and natural, lively and smooth, full of fiery passion. This description not only makes Ming-feng's feelings, emotions and psychological state in this specific environment jump from the page, but also gives people artistic enjoyment like prose poetry.

Home is immortal, but it also has some shortcomings. Its main shortcoming lies in the lack of artistic tempering from beginning to end. Narration and description in the novel are mixed together, and many dialogues are so eager to express their ideas that they lose the tone and charm of spoken English, which makes them read like listening to a speech. But these shortcomings can't hide its superiority. The beginning and end of this novel are quite ingenious. At the beginning of the novel, I wrote the mansion like a "black hole" in the snow: "The mansion whose gate is painted black stands side by side in the cold wind. Two stone lions, silent all the time, crouched at the door. The door is open, like a monster's mouth. There is a black hole in it, and no one can see anything in it. Each residence has gone through quite a long time, or changed several surnames. Every mansion has its own secrets. The black paint on the gate has fallen off and a new one has been painted. Although these changes have been made, their secrets remain confidential. " Finally, Chueh-hui left home like a bird, boarded a boat for Shanghai and looked at the autumn water heading east. He wrote, "The water just keeps flowing forward, and it will take him to an unknown big city. Everything new grows there. There is a new movement, a large group of people, and a few enthusiastic young friends who have not met by letter. This water, this blessed water, will take him from his home where he has lived for eighteen years to an unknown city and an unknown crowd. ... he lowered his eyes and looked back for the last time. He said "goodbye" softly, and still looked back at the green water flowing forward forever, without stopping for a moment. " The beginning and the end are artistic. After reading a complete book, people's thoughts flow with the water and can't leave the world in the book immediately. Chueh-hui's running away from home marked a complete break with the feudal family, which was a stormy wave in the torrent.

1980 > April 4, Ba Jin: "This torrent is always turbulent, it has never stopped once, and it is impossible to stop; Nothing can stop it. On its way, it has also sprayed all kinds of waves, including love, hate, joy and pain. All this has caused a rushing torrent, which is unstoppable and rushes to the only current. No one can know for sure what this only sea is and when it can flow into it. " Today, the torrent is still rushing, and there are still many unreasonable places in the social system. I hope this torrent can wash away the dregs of society and give us an ideal world.

Excerpt and appreciation of home notes (Part II) Home is the product of the times. It exposes the inherent disadvantages of traditional families in China from Gao Juehui's perspective, and criticizes the destruction of the so-called poetic homeland by the obedient education of autocratic parents to young people in old China. The old family took ethics as the key link, emphasized absolute obedience, and distorted the relationship between the elders and the younger generation into the relationship between master and servant. In the face of the superior elders, the younger generation can only obey, and under this relationship, individuals can't leave the extended family, unless their parents die, they can separate and set up another family, thus limiting their economic and personality independence. It is not difficult to understand the funny situation of people in their thirties slapping themselves in front of grandpa. This kind of big family is rare today, but this family concept is still deeply rooted. From today's emphasis on children's "obedience" to parents' control over their children's marriage, we can see the shadow of traditional parents.

Ironically, in the era when warlords were fighting, not to mention under the influence of new ideas, young people would rise up and oppose any form of imprisonment by extended families, which were already at the end of their rope and found their own way as soon as there was any movement. This has gone beyond the moral preaching of saints, and the majesty of parents and the concession of some people can be used to make fun of it.

Home occupies a very important position in the history of China literature, on the one hand, because of its social function rather than artistry, and on the other hand, because it has promoted the development of novel style. I won't say much about this.

Ba Jin mentioned that a large part of his "Home" is based on his own life, while Gao Juexin, the eldest brother in the book, is based on his beloved relatives. This role is really valuable and can be deeply explored. I even want to start writing. Chueh-hsin is a victim of the alternation of the old and the new. Chueh-hsin is not like an old-fashioned gentleman like his grandfather, or even a person who studied abroad like his uncle. He is at the forefront of the confrontation between old and new ideas. On the one hand, new ideas and new love make him high. On the other hand, his old family and life have seriously dragged him to the abyss. Chueh-hsin can only bear the burden of life and the responsibility of being a brother, husband and father, so his new ideas fade away day by day, and his love has to be hidden in the snow. He dare not think or love. So he can only think of "not resisting" and "bowing his head" to ease the contradiction of the extended family, but in this way he unconsciously fell into the quagmire of the extended family and gradually became a member of the extended family. The so-called relationship relaxation is nothing more than making concessions, being ordered to get married and being ordered to break up. But what the new youth really wants to get rid of is the authority of the elders that Chueh-hsin can't get rid of! So he can only be dismissed as a coward by his younger brother who wants to protect him, and even become an irreparable person.

"People who used to be puppets now let others be puppets." Chueh-hsin was swallowed up by the big family bit by bit, and even when he begged his younger brother to obey, he unconsciously became one of the forces that the big family oppressed the new generation. In this way, the new ideas of the past became poison to him.

As the article says, "such a person is hopeless, hopeless." Bringing them new ideas and opening their eyes to see the true face of the world will only increase their pain, just like letting a dead body stand up and watch it rot. "So he can only forget, in order to assume the responsibility of his eldest brother, but he has erased himself. His obliteration was for a family. The dead Chueh-hsin gave this family nutrition instead, so this family is not a home, but a cage. It was not until Ruiyu died that Chueh-hsin found his own bottom line and realized his dead soul, so he decided to give the child a healthy soul and protect Chueh-hui from leaving this home.

Chueh-hsin died, a sacrifice between Cousin Mei and Cao. Although he lost his soul, his body is still alive. Although his life was ruined, he didn't take other people's lives!

I talked about two people, one of whom is not the protagonist, so I have spent so many words. Maybe I have too much to say.

Let's talk about my second cousin Chueh-min. I don't know if it's because of my aversion to the word "Chueh-min" or the confirmation of some facts. In a word, Chueh-min's beginning made me sick except the first sentence, as if he were a villain. Maybe the second penis in some movies is oily or "Chueh-min" reminds me of the oily role in that movie. In short, he has been wearing a pair of gold-rimmed glasses in my mind (I didn't read his description carefully until I said "that pair of gold-rimmed glasses", which surprised me), and he is very cunning and rogue. That letter made me understand his character ... everything after that seemed to be influenced by the initial impression, which puzzled me: the pity for big brother was false; Concern for Chueh-hui-boredom; Love for Qin-too radical. Only the last farewell made my understanding of him return to zero. That means I seem to be wrong. But who is he? I don't understand. I only understand that he is a person between Chueh-hsin and Chueh-hui, like a fence, leaning on both sides and having no opinion. I still think he will ruin the piano. Finally, his "awakening" made me feel a little relieved and saw his bright future.

Speaking of Chueh-min, I think of Qin. Maybe women's hairdressing is much better than men's now, and it is natural for female students to enter school, so subconsciously I don't think it's wrong. And I think Qin is also an excellent woman. As if in my eyes, the men described in "Home" are gradual, while women have a clear distinction between love and hate. An excellent new youth, wandering between the old and the new, her scale is my most satisfactory. She is not as experienced and "sensible" as Mingfeng and Ruiyu, but she gives people a lovely, naive and melancholy feeling. Chueh-min, I don't understand. What's more, I don't know how she and Chueh-hui feel. Ba Jin spent some time saying that Chueh-hui loved Qin before. I don't understand why he wrote this. Finally, I couldn't figure out what he and she said and did-what was their relationship? I think, with the growth of age and knowledge, I will solve it. This is much easier than reading Chueh-hui and Chueh-min.

Finally, talk about my big cousin Chueh-hsin. An old-fashioned person, a trendy person. I can understand what he did-shouldering heavy burdens and enduring humiliation. He seems a little too old-fashioned On the contrary, he is too bitter: he has lost the future-if I were you, I would do the same; Losing sincere love-reality will not happen, but I will do the same under the circumstances at that time; Losing loved ones-nothing to say; Losing someone he loves-making him feel more sorry for her; Lost my lover-the last straw, lost. There are really such bitter people in the world! My pity is surging again. My two disobedient brothers, if I were you, I really couldn't live. At this time, talking about "bowing down" and "not resisting" is not bad to live. At this time, he can still control housework. He is a great man, a great man. We can think about it, even if such a bitter person is conservative, who can say anything? Isn't it? Yes, I hate him for being so old-fashioned and inhuman, but apart from Chueh-min, if I have to choose between Chueh-hui and Chueh-hsin, I'd rather choose the latter.

Everyone thought I had finished talking about Chueh-hsin and the two men. Actually, I want to say three people.

Cousin Mei. I don't understand why she is the protagonist, why some people shed tears for her (I mean the readers), and why some people can't watch it because of her (perhaps it is a portrayal of TV dramas and Yue operas). As mentioned above, I really can't stand the second half, but I still watched Mei Jie's death with a peaceful heart, and didn't even have a "stir in my heart". Maybe Qian Meifen's looks and personality are not valued in my heart. Now that I think about it, I feel sorry for her, but why don't I feel anything? I see. Mr. Ba wrote so little about the time after Mei Jie's long marriage that I can't remember that painful experience. Leave me alone, leave Mei Jie alone, I really don't know what I'm going to say. ...

Grandma Ruiyu. This is someone who should talk. She is also a sensible person. She knows that ethics is absurd, but love is hypocritical, but it should be implemented. I think she and Chueh-hsin are really a couple. Her kindness, tolerance and calmness show us a beautiful family. I sometimes think, maybe Ming-feng, who has become a giant, will do the same. No, Ming-feng pays more attention to love, while she pays more attention to "human feelings". May I ask, does she really like Mei Jie? I don't think this would be the case. She just wants to help Chueh-hsin cure his heart disease. It is better for her to love Mei Jie than for Chueh-hsin to leave her time to care about Mei Jie. But this is a failure after all, but it just confirms the failure of the feudal dynasty. Her death really caused a stir in my heart. I don't want her to die, because it seems that this work says that good people are not rewarded. I see. In fact, what he wants to say is not to live under feudalism and resist ... But, for Chueh-hsin's sake, for his family's sake and for his readers 'sake, can he not write so miserably, just like Chueh-hui's "456 coffin"? I was really not moved by her death, but it was very sudden. Because the plot was too "conflicting" and didn't give people any chance to breathe, I was surprised to go back and watch it three times. My grandfather's death made me very sad. It accumulated here and finally broke out-making me stop studying.

Who is the third person? Is this Xu Qianru from the newspaper? Is Shu Zhen wrapped in little feet? Is Wan'er an aunt? Is it Dinko from the private residence? ..... No, it's Miss Gao that makes me sad. Why? I feel sick, unworthy and sad for him. In fact, the old man was angered by Ding Ke (I really forgot if it was him), and the second life he recovered after taking medicine was scared to death by the wizard. I don't feel sorry for the death of the old man. This is destiny. However, it was the rebellion of my children and grandchildren that broke my heart for my father, because the room was not harmonious all day. We all say that we put ourselves in others' shoes. Think about it. Who doesn't want to take care of their own home? Who doesn't love their children? Now, who doesn't want to watch Four Generations under One roof? The appearance of feudalism is indeed reflected in the lives of the elderly, but it is the "Ke" generation who are truly unforgettable and hate each other. They are really the products of this society. In the eyes of the so-called "trendy people", this is a sin. They are watching jokes and pranks. I know, that was before I wrote it. It was different before. I have been comforting myself with this sentence for so many days. However, how many people in the family really respect Mr. Gao from the heart? Who is the person in the word "gram"? When he was lying in a chair and thought, "He thought he was wrong for the first time," I actually thought it was Chueh-hui's idea. He is really wrong. But it's his fault that children and grandchildren are unfilial? The dying man speaks the truth. I know my grandfather's words and deeds are too serious. However, who won't be angry when your grandson runs away from home, and who won't symbolically say a few "cruel words"? On his deathbed, he told Chueh-hui and Chueh-min to "study hard" and get married. Whose heart is full of sadness? This is the so-called "feudalism"? This is the psychology of the elderly. ...

After writing for two hours, I breathed a sigh of relief. I'd like to rest for a moment. ...

Finally, after reading "Home" and talking about everyone, I wonder if you can discuss the deep meaning of "Home"? If my personality vision is too "short-tempered", would it be better to discuss this? I tried to do it.

There are two kinds of people in the article, one is represented by Chueh-hui and Gao, and the other is self-centered. They can't stand others doing things beyond their agreed scope, focusing on "me". There is another kind of people, represented by the Chueh-hsin couple, who put the overall situation first and try their best to satisfy everyone. They are mainly "you". So, who is the main one? After reading Home, I tend to give priority to "you". Don't you think this couple is "great"? Because from this point of view, it seems that the Chueh-hsin couple are always thinking of others, which is really "worrying about the world first" (that would be too big). Such people will make people broad in the center of anxiety, but they are easy to be talked about because of their heavy hearts. However, are such people better and greater than those who are desperate for family, friendship and love and are bent on pursuing the "new trend"? ! Yes, yes, they are tired, but isn't it better to be nice to others? Yes, they also have some shortcomings, but aren't they trying to change? They are also not "binding".

We often say that a housekeeper can't live without rice, oil, salt, sauce, vinegar and tea. We see that there are many descriptions of "forgetting" in Home: fighting outside, playing cards inside, and making them forget; Zhou soon forgot this tragic woman; As soon as Mrs. Qian saw Chueh-hsin, she forgot the past and shouted. Chueh-hui soon forgot about this woman ... Too many ... Why? Why does the word "forget" (except in the sense of "forget" of course) appear much less frequently before and after people who are mainly "you"? This is because they are attached to society, family and ... This is an exaggeration. Because when it comes to society, they are really a little far away. But this is what I want to say, the ultimate meaning of home. If "you" were not the world, would peacekeeping forces and the Red Cross still exist? If "you" were not the world, the Olympic Games would not attract attention; If you are not in this world, maybe this world is dead ... I often think that if everyone takes "you" as the world, then this world may be bad, but now there are too few such people, so that family and society are not harmonious and there are too many quarrels. If I think of others, maybe my family will be really harmonious and the world will be really beautiful. So, what does it matter what you have on your body and what you have on your heart? I'm trying. Home, as a torrent trilogy, really brought me such a torrent and such a fresh taste. ...

Anyway, I think home can be a good example and represent the society at that time. If we still look at it from the perspective of 70 years ago, we may understand it according to Mr. Ba Jin's original intention. However, because she didn't pierce people's hearts, it was just pain, which made people cherish their time more. Everything has two sides. After reading Home, I just felt so much, but I think these feelings are very meaningful and inspiring to me. There is a good saying, let's end with her: life is matured through constant twists and turns. I think reading is also an experience. ...

I haven't written such a long review, probably because I have been in my heart for too long.

Appreciation of Excerpts from Notes on Home (IV) I started reading Mr. Ba Jin's Home with the mentality of completing the task, but after reading it, I couldn't help admiring the powerful appeal between the lines of Mr. Ba Jin. When reading this book, I seem to have returned to China in the early 20th century. As a bystander, I saw all the joys and sorrows in the high-walled family.

China in the early 20th century was full of darkness, and society was full of disobedience and flattery. Home is no longer a safe haven for every foreign child. On the contrary, home has become an empty shell, a superficial shell filled with feudalism and countless sorrows of that generation.

Gao Juexin is the eldest son of Gaos. Until he read nearly half of the articles, he always felt that he was a cowardly puppet destroyed by feudal ethics and lost his own ideas and opinions. He was born an excellent teenager. When he was young, he was locked up by a private school teacher and loved by his parents at home. His parents are secretly glad to have such a "Xin Xin Er". He has excellent academic performance and a strong interest in chemistry. He once had his own opinions and ideas. He wants to study chemistry in Shanghai and Beijing, and even wants to study abroad. I can imagine his life without sudden marriage decisions and family changes.

However, fate can't only care for one person from beginning to end. Finally, under the pressure of losing his mother, he got an absurd marriage-her bride was decided by lot, without consideration or understanding, only absurdity and endless absurdity. But he finally accepted it, and probably his cowardly character began to develop from this time. Perhaps until Ruiyu was ordered to give birth outside the city, his heart did not produce the slightest spirit of resistance. Ruiyu finally separated from him forever. On the other side of the door, at the end of his wife's life, he and she were still separated by a door.

This is a tragic figure. His wife's death sobered him up a little. He helped Chueh-hui escape from the Gaos and gave him encouragement. I'm glad to see that he finally has his own ideas.

The other two brothers in Gao's family are really the opposite of Chueh-hsin's character. Chueh-hui was smart and brave, and was deeply influenced by the New Culture Movement. He likes his maid Ming-feng, and bravely says and does it, but no matter how brave he is, his life is inevitably eroded by stubborn feudal ethics. Ming-feng married Feng Leshan, an "executioner" who could be at the age of his father and just let him. As an inherent social tool and a victim of aristocratic family, Ming-feng finally chose death to avoid this disaster. Ming-feng is both pitiful and respectable. Even though she was black and blue, she would rather die than surrender.

After Ming-feng died, Chueh-hui was sad for a while before hiding it. He can't give up his ideal for affection. Their magazine has always been the goal of his efforts, and he gradually found himself in a fulfilling job.

Chueh-min is more persistent and calm than Chueh-hui. When he was asked to marry someone else's young lady, he ran to a friend's house and hid until the old man said he would never mention Chueh-min's marriage again. His love for Qin and his dislike of feudal ethics were also fully reflected in this incident.

Chueh-min and Chueh-hui are both advocates and disseminators of the New Culture Movement, and it is their generation that really rings the death knell of this family.

Other members of the gaos thought, such as, Kean and the annoying Mrs. Chen, have been playing tricks all day. First, they thought that the old man was scared to death on the grounds of exorcism, and then they let Ruiyu give birth outside the city on the grounds of avoiding the disaster of mass annihilation, which largely led to Ruiyu's death. Kean is sinister and determined to be extravagant. He not only eats, drinks, whores and gambles, but even cheats his wife into buying jewelry. They broke up with Mrs. Chen after Mr. Gao died. They represent the feudal ethics and the dark social system. Even if it is about to be destroyed, it will still give people the heaviest blow.

The whole gaos thought looks orderly, and the family members are polite and live in harmony, but they don't know that the surging tide behind the calm may wash away this empty shell building, a virtual home at any time. No one is really happy with the great wealth of Gaos thought.

The home described by Ba Jin is not only the high school in the novel, but also the home of that generation of feudal ethics on the verge of extinction.

Influenced by the New Culture Movement, the young people who are destined for each other inevitably collide with the stubborn old forces of the big family. At this time, what about the warmth of home? The home of that generation is no longer a haven, but a cage that everyone dare not avoid. Mr. Gao has been maintaining the prosperity of the Gaos all his life, and in the end, he is a superficial Sheng Xing.

But that generation, they didn't accept it, they bravely resisted and struggled, and finally created the backbone of a generation of Chinese nation!