Traditional Culture Encyclopedia - Traditional culture - The ink color of Chinese painting is divided into
The ink color of Chinese painting is divided into
Chinese painting, referred to as "Chinese painting". It is one of the traditional plastic arts in China. From the perspective of art history, the capitals before the Republic of China were collectively called ancient paintings. Traditional Chinese painting has no clear name in ancient times, and it is generally called Danqing, which has its own system in the world art field.
Chinese painting embodies the ancients' understanding of nature, society, politics, philosophy, religion, morality, literature and art in content and artistic creation. It is a traditional painting form in China, mainly using brush, soft pen or finger, and painting on silk or rice paper with traditional Chinese painting color and pen and ink. It is one of the four great arts of piano, chess, calligraphy and painting.
Extended data:
Mr. Li Wendi, a contemporary painter in China, president of Beijing Wenzhen Painting Academy and member of China Artists Association, has been insisting on "freehand brushwork" painting for decades, expressing the richest images with the simplest colors.
Mr Li Wendi was born in Beijing East Liulichang from 65438 to 0947. Deeply influenced and nourished by the hometown of calligraphy, he loved China art from an early age. When I was a teenager, I participated in the "China Children's Art Competition" and won the first prize in one fell swoop. My talent for painting stands out.
In his youth, influenced by the painting styles of China's great freehand brushwork masters Xu Beihong, Zhang Daqian and Li Kuchan, Li Wendi loved eagles, egrets, starlings, magpies, lotus flowers, grapes, pines and cypresses, willows and other flowers and birds, and his freehand brushwork skills began to show.
In the 1970s, Li Wendi learned from Mr. Kangning, a famous contemporary flower and bird master in China, and obtained a biography of his mentor, while constantly exploring and innovating. Flowers and plants attract butterflies and bees in his works, and birds are vividly portrayed in the article.
Li Wendi especially likes the kind of lotus that is muddy but not dirty. Lotus is colorful, white crane is pure and beautiful. Especially he has a soft spot for eagles. In his works, the eagle standing on the top of the mountain moves in silence, and the eagle that spreads its wings and hits the air gains benefits from the movement. The ink color is moist, and the brushwork is clumsy or clever, which is not contrary and intriguing.
When he entered the Academy of Painting for further study in middle age, Li Wendi further adhered to his "freehand brushwork" principle on the basis of eclecticism. Although the colors are simple, the images are endless.
Today, his freehand brushwork flowers and birds are colorful and have different shapes, which seems to show off the gods, flowers and plants are affectionate and birds are vocal. With the accumulation of years, he became more and more obsessed with ink painting with simple colors, washing away lead and floating colors, and scenes emerged one after another. His works have been jointly exhibited in Japan, South Korea, Southeast Asia, Mexico and other places, and gained a high reputation.
Mr Li Wendi's life motto is "human life has an end, but my art has no end". I will continue to seek progress and let the world share the joy of painting with me. "
People's Network-Ink is simple and infinite-A record of painter Li Wendi
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