What are the basic techniques of Chinese painting?

Some techniques in Chinese painting creation

Two. classify

First, the pen can be divided into freehand brushwork and writing according to the application techniques, mainly including conception, composition and pen and ink.

The second is to use pen, ink and color. Three are rubbing, wiping, lighting and dyeing.

Three. Specific classification:

1. The most important dyeing skill in meticulous painting. Dip one pen in color, dip the other pen in water, and drag the color away to form a gradient effect from thick to light.

2. Unified dyeing: In the process of meticulous painting, according to the needs of the light and shade of the picture, it is often necessary to render several leaves and petals in a unified way, emphasizing the overall light and shade and color system. This practice is called unified dyeing.

3. Mask: Re-mask a layer of color on the already colored picture and render it locally.

4. Lift-dyeing: When dyeing is nearly finished, brightening or deepening the picture with a certain color in a small area is called lift-dyeing.

5. Baking and coloring: Render a faint background color around the depicted object to set off or cover the object.

6. Dot dyeing: With a brushwork close to freehand brushwork, one stroke is dipped in different shades of color and dyed on the screen, which means smart. When dealing with backgrounds or small flowers, methods are often used.

7, swimming dyeing: dye a color around. When this method is used to draw the blush of a lady's cheek, it will also be used in the painting of fine brushwork peony.

8. Wake-up dyeing: After masking, the slightly dim picture is dyed with light dark color again to set off the background color and make the picture eye-catching.

9. Fuller: After the color setting is completed, sketch again along the edge of the object with ink lines or color lines.

10, waterline: one of the common techniques of meticulous painting. When encountering the edges or lines of an object in meticulous color setting, bright edges are often used to distinguish local colors or keep lines or reflect the thickness of the object. This bright edge is called waterline. At the same time, keeping the waterline can better reflect the unique decorative interest of meticulous Chinese painting.

1 1. Long-front pen is fully dipped in powder yellow (gamboge+white), or a little glue can be added, and the color concentration should be very high. At the same time, the pen center stands up and slowly points out the shape of the refill. When wet, the color will be about 1 mm higher than the paper. When it is dry, it will form a visual effect with high sides and concave middle, which is very stereoscopic.

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