What is Shallow Reddish Landscape Painting

Shallow-red landscape painting is a kind of colorless technique in Chinese landscape painting, i.e., all landscape paintings rendered with light red and green colors are collectively called shallow-red landscape. The method is to outline the structure of the outline with the ink line of changing intensity and wetness, and then apply light ochre (or mix a little vermilion) to dye the rocks and trees at the structure, and finally render it with the light reddish-greenish color to be completed.

Light-red landscape painting is a common type of Chinese painting, which is mostly used to express the scenery of late autumn and early spring and the sunset. It is characterized by elegance, quietness and lightness, and is bright and clear. Light-red landscape painting, with trees, stones, clouds and water as the main content of expression, using brush and ink as the framework, coloring with light ochre.

"Light-red" is the foundation of other kinds of landscape paintings, and it is also one of the most difficult painting methods in traditional painting. Therefore it is very important to understand, learn and study it.

Painter's Representative Editor

Wang Yuanqi (1642-1715) was a Qing dynasty person, with the character Maojing, the name of Lutai and Shi Shi Daoren, a native of Taicang, Jiangsu Province, and the grandson of Wang Shimin. In the ninth year of the Kangxi period (1670), he was awarded a bachelor's degree and served as a minister in the Ministry of Revenue, and was known as Wang Shinong. Painting for the inner court, the forty-fourth year of the Kangxi Emperor and Sun Yuezheng, Song Junye and other compilation of "Peiwenzhai painting and calligraphy", fifty-six years presided over the painting of the "longevity of the ceremony" for the Kangxi Emperor's birthday. Specializes in painting landscapes, inherited the family method, learn the four schools, to Huang Gongwang as the school, like to use the dry brush burnt ink, layer by layer chapped, pen calm, claiming that the end of the pen with a mortar and pestle. Advocates of good painting when not raw and not cooked between, from their own ideas, not subject to the constraints of ancient law, cooked not sweet, raw not astringent, light and thick, solid and clear, the atmosphere of the scroll is full of paper and ink outside. The original Qi both bear Dong Qichang timely and sensitive learning, but also by the Qing dynasty supreme ruler of the favor, landscape pattern face influence later generations, disciples quite a lot, the formation of Lou Dong school, and Wang Shimin, Wang Jian, Wang Album, collectively known as the "four kings", plus Wu Li, Yun Shouping, also known as the "qing six". After ascending to the first rank, he concentrated on painting. He was able to follow his ancestor's method of painting landscapes, and was especially unique in Huang Gongwang's light-red coloring. Cooked not sweet, raw not astringent, light and thick, solid and clear, the atmosphere of the scroll is full of broussonetia. When Wang Jian saw this, he said to Shimin: (We two should give up a headland.) Min said: (Yuan quarter of the four first push Zijiu (Huang Gongwang), get its God only Dong Sibai (Qichang), get its shape I dare not let, if the God shape all

Yu Ding Wang Yuanqi art chrysanthemum images

Get, my grandchildren and their populace?) I'm not sure if I can do it, but I'm not sure if I can do it, but I can do it. When Yushan Wang to clear pen, famous at home and abroad, the original Qi is to the high and open character of the sudden over the. Guests have cited aluminum painting for the question said: (too ripe.) The re-lifting of Chashibiao for the question said: (too raw.) The cover is not too raw and not too familiar. I tasted the self-titled Autumn Mountains and Clear Sharpness Figure Volume Briefly Yun: (not in the ancient method, not in my hand, and not out of the ancient method outside my hand. The pen end of the vajra pestle, in the shedding of habits.) View of this language to its can be seen. Kangxi dynasty original Qi to paintings for the inner court, appraisal of ancient and modern paintings, forty-four years (1705) Mew Bachelor of service, transferred to the service of reading bachelor, straight South Study, as Peiwenzhai calligraphy and painting spectrum compilation officer. He was known as one of the "Four Kings", together with Shimin, Wang Jian, and Wang. According to the original Qi Dong Qichang and Timmin's learning, by the favor of the supreme ruler of the Qing Dynasty, wantonly landscape, leader of the group, the influence of later generations, the formation of Lou Dong school, around the Qing Dynasty three hundred years of painting, become the orthodox school of stalwart figures. Unfortunately, all his life only know the model Huang Gongwang, blunt ink, pattern of mediocrity, thus resulting in the same old, the same old, no longer fresh weather. This is one of the major reasons for the decline of landscape painting in the Qing Dynasty. He died at the age of seventy-four. He wrote a series of books on landscape painting, including "Rainy Window Writings" and "Sweeping Flowers".

Heirloom works are Kangxi thirty-five years (1696) made "imitation of high Fangshan Yunshan" axis, forty-two years (1703) made "imitation of Huang Gongwang landscape" axis, is now hidden in the Shanghai Museum; thirty-nine years (1700) made "summer mountains" axis hidden in the Guangdong Provincial Museum; forty years (1701) made the "Zijiu paintings" axis, forty-four years (1705) made the "Qingxi around the house" axis hidden in the Nanjing Museum; forty-four years (1705) made the "clear stream around the house" axis hidden in the Nanjing Museum; forty-four years (1701) made "Zijiu paintings" axis hidden in the Nanjing Museum; forty-four years (1701) made "clear stream around the house" axis. Nanjing museum; forty-four years (1709) made the summer of the landscape scroll hidden in the United States Gao Ju Han Jing Yuan Zhai; forty-eight years (1709) made the autumn forest stacked □ Figure axis hidden in the Palace Museum; forty-nine years (1709) made the Xiling Yunxia Figure scroll hidden in Liaoning provincial museum; fifty-three years (1714) made the clear window autumn colors scroll hidden in Hong Kong Liu Junliang false white Zhai; Imitation Mei Daoren autumn mountain painting axis, Jiangxiang spring dawn scroll hidden in the Suzhou museum; Imitation Ju Ran landscapes scroll hidden in Suzhou city Museum; Imitation of Ju Ran landscape scroll hidden in the Shenyang Palace Museum. He is the author of "rain window strokes", "fomentation collection", "Fomentation", "Lutai title painting manuscript" and so on.