Traditional Culture Encyclopedia - Traditional culture - Shenyang big rice-planting song

Shenyang big rice-planting song

Shenyang big rice-planting song, is the Ming and Qing dynasties in the inheritance of the traditional characteristics of the Northeast since the Tang dynasty big rice-planting song and the formation of local vernacular art. At the beginning, it was a small number of idle folk artists performing on the streets to earn a living, and gradually became an entertainment during festivals or temple fairs.

By the early Republic of China, Shenyang rice-planting song art further development. According to documents, at that time, "most of the former lead wear leather jacket, diagonally draped string of bells, holding a long whip, walking forward to open the way. After the latter for a military officer, boots shoes and robes, satchel knife. After the sand gentleman, Chinese dress literati, holding a folding fan. He was followed by Old Fei, who was hunchbacked and held a staff. He is followed by Old Rugged, who wears red peppers in his ears and holds a fan in his hand. Following is the ugly Dan phase matched, or dozens of plaster sellers temple behind, rows and columns ring-shaped, intricate songs and dances, between the section Chenbai, drums and plucking, or drums and blowing.

The current Shenyang rice-planting songs, in addition to inheriting the original traditional art forms and styles of the Northeast rice-planting songs, has been integrated with the art of stilts in Liaonan, Liaosi, and formed a unique bold, bold, hot, warm, joyful, strong and free of artistic characteristics and the spirit of the times. For example, in the dance posture, it is beautiful and free, warm and unrestrained, and can be improvised without the constraints of the footwork; the performers can flexibly use the twisting of the waist and hips and the change of the pace, and adopt the ways of walking, shaking, trembling, jumping, prancing, moving, trembling, flashing, etc., as well as the artistic techniques of twisting, teasing, waving, playfulness and comedy, etc., and the performances are free and lively, and they are full of fun, which can not only express the characters of the traditional stories, but also reflect the spirit of the times. At the same time, there are also many folk juggling skills integrated into the performance, such as stilt rice-planting songs, both high, low, cultural, martial arts, running, jumping, etc., and there are "over the street", "inverted climbing city", "Fushui inverted", "the crowd", "the crowd", "the crowd", "the crowd", "the crowd", "the crowd", "the crowd", "the crowd", and so on. ", "stars cupping the moon", "firm cliff winding" and other difficult actions.