20 19 best movies in China, Japan, Korea and Europe

The best movies in China, Japan, South Korea and Europe in 20 19 are China's Nezha, Japan's Thief's Home, South Korea's Burning, Green Book in Europe and America, South Korea's Parasite and so on.

China Nezha 1

This film refreshes the Chinese people's understanding of domestic animated films, integrates China traditional fairy tales with modern perspectives with brand-new perspectives and concepts, and shows the charm and depth of China culture. Through the growth process of the protagonist Nezha, he conveyed the important values of friendship, affection and love to the audience, and also expressed his profound thoughts on fate and self-worth.

2. Japan's "thief family"

This film shows the bottom ecology of Japanese society, and shows the helplessness and cruelty in social reality to the audience through the daily life of a family who lives by stealing. At the same time, the warmth and love of the family in the film also makes people feel the brilliance of human nature, which profoundly reflects the diversity and complexity of Japanese society.

3. Burning in Korea

This film explores the class differences and interpersonal relationships in modern Korean society with realistic plots and excellent actors' performances. At the same time, the music and images in the film also fully show the artistry and exquisiteness of Korean films. Through this film, the audience can deeply understand the realistic problems and cultural background of Korean society.

4. European and American green papers.

Green Book tells the profound friendship between two completely different people under the apartheid system with the real historical events as the background. The excellent actor performance and delicate emotional description in the film show the kindness and tolerance of human nature.

5. "Parasites" in Korea

Parasite is a film that profoundly reveals the solidification of social class. Through a poor parasitic family accidentally entering the life of a rich family, it shows the difference of social class and the distortion of human nature. Both of these films deeply reflect the realistic problems and cultural background of Korean society, which is worth pondering by the audience.