Traditional Culture Encyclopedia - Traditional culture - Appreciation of regular script and Fang script works

Appreciation of regular script and Fang script works

Doufang calligraphy is one of the writing forms of traditional calligraphy. With the development of modern home life and public space, the demand for bucket houses is increasing. How to write aggressive calligraphy in regular script? The following are regular script and Fang script works for everyone. I hope you like them.

Appreciate regular script and regular script calligraphy works. Pictures of regular script and regular script calligraphy works 1

Figure2 of Battle Calligraphy Works in Regular Script

Figure 3 of regular script combat calligraphy works

Regular script fighting calligraphy works Figure 4

Regular script fighting calligraphy works Figure 5

Writing skills of regular script

In the long-term development, China's calligraphy has formed a set of extremely rich brushwork skills, and each stroke has its own special terms and connotations. There are many ways to write regular script, such as grabbing pen, grabbing pen, squatting pen, frustrating pen, rolling pen, folding pen, turning pen, turning pen, twisting pen, walking pen, standing pen and so on.

Grabbing pen: refers to a preparatory action before writing. In this action, the pen tip should not fall off the paper before writing.

Stroke: refers to the elastic pen falling vertically under the pressure of the nib, reaching a certain depth, and laying on the paper without interruption after forming a stroke. The strength of the pen should be appropriate. If it is too heavy, it will be fat if you spread it too much with a pen for a long time.

Squatting pen: Holding a pen is like holding a pen, but the strength is lighter than holding a pen, and holding a pen is faster than holding a pen on time.

Writing: refers to lifting the pen slightly after stopping writing, so that the pen tip rotates slightly away from the stop. Mostly used at stroke turning points.

Pen: the nib goes away and goes back.

Folding pen: refers to the pen tip up or down, or left or right. The folded front can be square or round. The square edge appears in the square fold, and the round fold does not show the front and becomes a round fold.

Turn the pen: refers to the swing of the pen tip. When turning, the Tibetan front does not show edges and corners, and it does not show strokes.

Flip pen: refers to turning the pen tip to the second pen, from horizontal painting to vertical painting, before the first pen is finished.

Wrinkle: refers to the distortion of the nib.

Line pen: a pen that points forward.

Stay in the pen: don't mention it, don't turn it, don't move it, put the pen on the paper and stop to gain momentum.

Regular script is written in ink.

Vivid charm is based on brushwork, but it is based on ink. The lightness of the pen can not only change the rhythm, but also change the use of ink. But this change is very little for regular script, especially small script, which is not as strong and shocking as cursive script.

Generally speaking, the ink used for lowercase letters should be thicker, but not too light, which will damage the impression. Let's see that the ancients used small letters and thick ink, especially in the Tang Dynasty, when they wrote scriptures, the ink was as bright as paint. Although it has been hundreds of years, it is still like getting rid of it.

The method of thick ink is not suitable for ink. When taking fine oil fume and ink, lightly press it on the inkstone and grind it clockwise. It is also inappropriate to pour too much water into the inkstone at once and grind it while injecting. The ink color is dark and not prolonged, so it is greedy to grind ink, so the inkstone should be deep enough to store ink, and the ink color should be fine, so the inkstone surface should be fine. The natural essence is knotted, the ink overflows and the ink color is brilliant. Although Zhan is like a child's eyes, the color of ink has not changed for hundreds of years. This method of using ink is difficult to appreciate unless you look at the original works of the ancients. After writing, the inkstone should be cleaned and used tomorrow. It is best not to use Su Mo.

Hard pen is suitable for writing small letters. For example, the four virtues of a healthy, neat, sharp and round pen, such as red hairy red beans, or little white cloud with moderate hardness, such as seven purple and three sheep, are always better.

When writing small print, the pen should be completely opened and the new pen should be opened. First of all, soak the pen in warm water to make it open naturally, and wash off the glue containing nanometers. Then, hang it on waste rice paper, let it dry in the shade, and you can use it the next day. When in use, first soak the pen in clean water, then rotate the pen holder on the waste paper, wipe it around, and then dip it in ink to make a book.

When writing small print, the ink should be dry, not too thick, especially when writing on health promotion. If the ink is rich, you can wipe it a little on the waste publicity, and the ink will be mixed evenly. If it is full, it is difficult to control because the pen is long and soft. One way to make up for it is to soak it in ink first and let it be natural. However, ink is stuck on the bristles at the waist and the root of the pen, so writing is natural and healthy. You can also take a new pen without completely opening it to get the elasticity of its nib. However, this method has a disadvantage, that is, it is only partially opened and there is little ink in it. If you write once or twice, you must dip in ink, which will inevitably affect the fluency and writing speed of the brush gesture.

When writing small print with a pen dipped in ink, it is not allowed to immerse the pen deeply in the ink. When the pen tip dips into the inkstone pool, the ink will dip into the ink, and then the pen will be quickly pulled to the surface of the pool, such as some water, and it will stick as soon as it sticks. This so-called pen must be deep and shallow, but the ink is not three points. If the penetration is deep, the ink is easy to seep out, the mouth is blurred, and the pen force is difficult to control. Light brushwork is heavy, stippling is clear and bright, and ink color is changeable.

When writing small characters, it is advisable to wet them with ink, not too boring. If they are boring, the words will be lifeless. As far as brushwork is concerned, the so-called embellisher is round, and as far as brushwork is concerned, it is plump and moist, and the fine print is inked. Although the ink color has not changed, it is also the time to drink ink, that is, spit black when it is full. Chen Jieqi's "Learning Chinese Characters" says: Small pen is not big enough to write small, but large pen can be used as the focus, and strong ink is used. An abbot who can show fine print must like fine print. ? Yao's Memories of Chinese Characters also says:? It is necessary to write with a large sum of money. ? Of course, I don't want you to use big letters in small print and big letters in small print, so the pen is mine, the ink color is natural and moist, and the brush gesture is naturally developed.

When writing lowercase letters, the ink should also have shadows and dry changes. This change is mainly manifested in the change of pen rhythm. When writing small letters, the ink is light and light, but heavy is black and thick. When writing small letters, the ink is less and dry, and the promise is rich. When squatting, the water converges. When you get it, the water will converge. When you get it, the water will be full. These changes can only be felt.

There is also a very advanced realm in the use of lower case ink, that is, the ink method with strong dry and moist dry. According to legend, Yan Zhenqing and Dong Qichang are the best at this method. This kind of brushwork, when based on the center, based on brushwork, backed by momentum, when the brushwork is full, coupled with speed, the friction between the vice and the paper, as well as the performance of the paper and the calm and frustrated style, has a comprehensive effect, that is, dryness.

In short, the method of using ink should be based on pen, and the ink is prominent and penetrates the back of the paper, which is excellent for calligraphers.