Urgent need: 1500 word research study paper on the relationship between national costumes and geographical environment in China.

China has a vast territory, complex terrain and many ethnic groups. Due to the great differences in geographical environment, people of all ethnic groups living in different environmental areas wear a variety of colorful national costumes, which reflect the characteristics of geographical environment and national customs. Generally speaking, it can be summarized as long in the north and short in the south, wide and narrow in the north, thick in the north and thin in the south. At the same time, the cultural differences between different nationalities, different periods and different regions are reflected in different connotations and extensions in the emotional language and culture of national costumes, but they all reflect the centralized unity of practical culture and aesthetic culture and the symbolic cultural choice of their respective nationalities. On the Qinghai-Tibet Plateau, the main population is Tibetans. They live in a place with high altitude and low temperature. Winter is long and summer is short. So they wear robes all year round, leather clothes in winter and cotton robes in summer, with loose sleeves. They are clothes during the day and quilts at night. For the convenience of life, both men and women show their right shoulders and wear sleeves around their waists. Every festival, there are songs and sleeve dances in the sky. "My family lives on a high loess slope, and the wind has blown." This is a true portrayal of the Loess Plateau. Due to this harsh geographical environment and harsh climatic conditions, people's costumes on the yellow land have another scene. In winter, people wear old sheepskin jackets and white sheepskin handkerchiefs. In summer, white cloth and sweat, blue cloth and black are typical national costumes in this area. The costumes of Uygur, Kazak, Kirgiz, Tajik, Russian and other ethnic brothers living in the north and south of Tianshan Mountain in Xinjiang obviously have the characteristics of West Asian countries and Russia, which is obviously formed due to geographical factors. For example, the traditional national costume of Uighurs is a man's embroidered shirt with an oblique collar and a button-less "Yu", which is knee-length and is tied with a belt outside. Because of the cold weather in northern Xinjiang, coats often have buttons, while women like to wear colorful dresses and often wear embroidered vests outside. Both men and women like to wear embroidered hats and boots. Uighurs like to choose pure wool, cotton, silk and leather as the materials of this kind of clothes, while women like brightly colored clothes and decorate them with earrings, rings, bracelets, necklaces and other accessories. Hand embroidery is a traditional craft of Uyghur, and the embroidered patterns on shirts, vests and small round hats are very beautiful. The costumes of Miao, Buyi, Dong, Yao, Shui and Yi people living in Yunnan-Guizhou Plateau are also related to their geographical environment and traditional cultural habits. The most distinctive is the Dong nationality, whose batik is famous in the world and has become a beautiful amorous feelings line in Guizhou. Due to the complex geological structure, deep mountain canyons, dense forests, caves and rivers are all over this area. For a long time, they have been isolated from the world and have inconvenient transportation. In order to survive, they weave, process and dye. This kind of cloth made by traditional handicrafts is thick, beautiful and durable, and can be worn, worn and lifted. It has not only practical value, but also ornamental value, and has become one of the tourism development projects in recent years. As an important ethnic group, the traditional clothing of the Dai people, men mostly wear double-breasted or large-breasted collarless tops and fat pants, and a few people wear dark tubular skirts with white, blue, light blue and light yellow cloth heads. Due to different regions, there are obvious differences in women's clothing. Women in Xishuangbanna wear white, scarlet or light green tight-fitting narrow-sleeved tops, all kinds of ankle-length skirts and silver belts. They like to wear long hair in a bun and insert combs or flowers, which is elegant and generous. There are also large cloth towels wrapped around their heads. Dehong and Gengma's women, wearing waist-high coats and colorful skirts, have their hair tied behind their heads and the rest dragged behind their backs. The material used to be homespun, but now it is mostly silk and plain cloth, which shows the graceful figure of Dai women. "There is heaven above and Suzhou and Hangzhou below." This is a description and yearning for Jiangnan area for thousands of years. Rivers are densely covered, lakes and seas are connected, with abundant rainfall, humid climate, flat terrain and lush plants. Compatriots of all ethnic groups living in this geographical environment, their costumes are integrated with nature, born of the environment, elegant and chic, small and exquisite, and are known for being thin, short, light, soft and gorgeous. The Dai, Yi, Bai, Hani and other ethnic minorities in southern Cai Yun live in the southwest frontier of the motherland, where the climate is pleasant, the mountains and rivers are beautiful, the sky is blue and the water is blue, and the scenery is picturesque. Their costumes are colorful, soft and elegant, and women's skirts include skirts, long skirts and pleated skirts. Especially the tube skirts worn by Dai women are colorful and beautiful like proud as a peacock. They are not only beautiful, but also fit and applicable. Because it is located in the border, it used to be closed and backward, with conservative ideas and few short skirts. Wa women's skirts are also tube skirts, but they are not as long as Dai tube skirts, and their colors are mainly black and red, which is related to their geographical environment. The vast plains and hilly areas in China are important agricultural areas and densely populated areas. The vast majority of compatriots living here are mainly Han people, and their costumes are between the plateau and the water town. Compared with the national costumes of other regions, the costumes of fishermen living in the southeast coastal areas are the simplest. Fishermen live in warm and humid water for many years, fish and salvage, and wear simple, light and easy-to-dry clothes, which is entirely due to the geographical environment. Women in southeastern Guizhou have integrated various totem worship images, with buffalo horns, sheep whiskers, shrimp whiskers, snake bodies and fish tails as "temple dragons" and embroidered them on clothes and aprons to express their national beliefs. These visual information symbols not only decorate and beautify the clothing, but also make the clothing present various artistic effects. More importantly, they recorded the evolution of national social ideology and national emotional world with visual creative language, which provided evidence with great historical value for the study of national costume art. At the same time, these information symbols also reflected the extraordinary artistic generalization and bold pursuit of decorative arts by hardworking and intelligent Miao people. Ethnic groups in northern China like to embroider some folk patterns such as Yuanyang playing in water, magpie climbing plum blossom, phoenix wearing peony, rich and white head, butterfly lotus, lotus branch, iris and Pisces on the insole and belly pocket of dowry. In the form of metaphor, the pure love of growing old together is injected into the visual language, which embodies the simple and pure concept of folk marriage and gives the rhythm of pattern modeling life. Fang Sheng, Ruyi Wen, Leng Pan and other modeling symbols and patterns reflect the persistent pursuit and sincere expectation of the broad masses of working people for a happy and beautiful life, and express simple and pure aesthetic taste. As can be seen from the above, clothing is actually a symbol of a nation and also represents the image of a region. Its function is to ward off the wind and cold, and the other is to decorate beautifully. However, due to the influence of geographical environment and emotion, it is different and ever-changing, and it is branded with this region. Therefore, in a sense, it is the geographical environment and emotions that have created national costumes.