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Couplets began in the Five Dynasties and flourished in the Ming and Qing Dynasties, with a history of more than 1000 years. In fact, as early as before the Qin and Han dynasties, some parts of China had the custom of hanging peach symbols for the New Year. The appearance of Spring Festival couplets developed slowly on the basis of Fu Tao. Fu Tao will write the names of the legendary gods "Shencha" and "Lei Yu" on two mahogany boards and hang them on the left and right doors to exorcise ghosts and suppress evil souls. This custom lasted for more than 1000 years, until the Five Dynasties, when people began to write couplets on mahogany boards. According to the History of Song Dynasty. Shu Jia "in addition to the bachelor's degree every year, the title, around the bedroom door." At the end of the year (AD 964), the bachelor was lucky enough to write a poem by Yin Xun, claiming that he had no job. He wrote a poem saying,' When you come to Qing Yu in the New Year, the number of holidays is Changchun.' It can be said that "Qing Yu in the New Year and Changchun in the First Festival" is the earliest Spring Festival couplets in China. After the Song Dynasty, this custom of hanging Spring Festival couplets has become quite common among the people. For example, Wang Anshi's poem "Thousands of households always change new peaches for old ones" is a true portrayal of the grand occasion at that time.

In the Ming Dynasty, under the vigorous advocacy of Zhu Yuanzhang, the founder of the Ming Dynasty, people began to use red paper instead of red boards, and the Spring Festival couplets that we see today appeared. It is said that after Zhu Yuanzhang made Jinling his capital, before New Year's Eve, he ordered ...