What are the dying folk arts of China's intangible cultural heritage?

The dying folk arts of China's intangible cultural heritage include wall paintings, shadow plays, Tantou New Year's paintings, Jiangyong women's books, Nanjing cloud brocade, Songjiang Gu embroidery, Tang three-color paintings, Zisha pots, woodblock prints, paper-cutting art, and Yangliuqing New Year's paintings.

Jiangyong Women's Script

Jiangyong Women's Script is now the only gender-specific script in the world ----, and its development, inheritance and the cultural information it carries as symbols constitute the women's script custom.

The language recorded in the women's book is the Yongming dialect, which is popular and distinctive in women's book.

Women's script is in the shape of a long diamond, with fine and even strokes, resembling mosquitoes and ants, which is called the long-footed ant character or ant character in the folklore, and is called "women's script" in the academic world because it is specially designed for the use of women.

Tantou New Year's Paintings

Tantou New Year's Paintings is one of the Han Chinese folk crafts in Tantou Town, Longhui, Baoqing (now Shaoyang City), Hunan Province. It is a genre of painting unique to the Han Chinese and a popular art form among the rural Chinese.

The types of Tantou New Year's Paintings amounted to more than 60 kinds in the peak period. Due to historical reasons, there are more than twenty kinds of them in existence. Tantou New Year's paintings are mostly based on the ancient folk custom of blessing the New Year with good harvest and exempting from calamities, reflecting people's good wishes and spiritual hopes for life. In terms of the content and varieties of themes, they can be divided into three main categories: gods (the god of the door, the god of wealth and the god of the stove), good luck, and stories (plays, ladies' dolls).

Yangliuqing New Year's Paintings, known as Yangliuqing Woodblock New Year's Paintings, are woodblock prints and are one of the most famous Han Chinese folk woodblock prints, along with Suzhou's Taohuayu New Year's Paintings, known as "Southern Peach and Northern Willow".

Yangliuqing New Year Painting

Yangliuqing New Year Painting was created in the Chongzhen period of the Ming Dynasty in China, inheriting the tradition of Song and Yuan paintings, absorbing the forms of woodblock prints, arts and crafts, and theatrical stages of the Ming Dynasty, and adopting the method of combining woodblock overprinting and hand-painting to create a unique style that is distinctive, lively, joyful and auspicious, and rich in touching themes.

Yangliuqing New Year Painting is one of the first batch of national non-non-national folk woodblock prints approved by the State Council in May 20th, 2006. On May 20, 2006, this heritage was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

Yangliuqing New Year Paintings are marketed in the north, northeast, Inner Mongolia and Xinjiang. It has a certain influence on Hebei Wuqiang Nianhua, Dongfengtai Nianhua, and Nianhua of Weixian and Gaomi in Shandong and Fengxiang in Shaanxi.

Songjiang Gu Embroidery

Gu Embroidery, also known as "Lu Xiang Yuan Gu Embroidery", is one of the traditional Han embroidery crafts. Gu Embroidery is a magnificent and marvelous craft in the Shanghai area. It originated from the Gu family in Shanghai's Old City Hall in the Ming Dynasty (1368-1644 AD). Gu embroidery was named after the Gu Mingshi family in Shanghai during the Ming Dynasty. Gu Mingshi had built a garden in the present day Huangpu District LuXiangYuan Road, through the pool to get a stone, there is ZhaoWenMin hand seal "LuXiangPond" three words, because of the name of the garden (present day LuXiangYuan Road, that is, to commemorate the name of this garden) so the world called his family embroidery, for "LuXiangYuan Gu embroidery" or "Gu's Luhiangyuan Embroidery" or simply "Luhiangyuan Embroidery" or "Gu Embroidery". It is a "painting embroidery" based on famous paintings and is famous for its exquisite technique, elegant form and high artistry.

In June 2006, the State Council announced the first batch of national intangible cultural heritage list.

Nanjing brocade

Nanjing brocade, is a traditional Chinese silk crafts, "brocade inch gold" reputation, its historical origins can be traced back to 417 years (Jin YiXi thirteen years), the crown of the south in the Qinhuai River, "brocade department", and weaving gold brocade (gold, silver and silver), the gold brocade (gold, silver and silver), and the gold brocade (gold, silver and silver), and the gold brocade (gold, silver and silver). And weaving gold brocade (gold and silver thin) in Jinling began to weave and "cloud brocade" in the written record of the emergence of a, at least 1,500 years of history.

Nanjing brocade because of its colorful, brilliant as the characteristics of the clouds and named, ranked first of the four famous brocades in China, today only the cloud brocade to maintain the traditional characteristics and unique technology, still retains the traditional old-fashioned jacquard wooden machine weaving method. At present, this traditional manual weaving method, which relies on human memory to weave, still cannot be replaced by modern machines. Nanjing brocade is regarded as the last milestone in the history of ancient Chinese brocade weaving craft, recognized as the "Oriental treasure", "China's best".

Nanjing brocade collection of successive generations of silk weaving art of art, and the integration of other silk weaving process of valuable experience, representing the highest achievement of Chinese silk weaving technology. Through the Yuan, Ming and Qing dynasties are the royal products and tribute, the material is exquisite, fine weaving, exquisite patterns, brocade pattern colorful, for the concentration of the essence of China's silk weaving techniques, the brilliant crystallization of Chinese silk culture, but also the Chinese nation and the world's precious historical and cultural heritage.

Nanjing brocade wooden machine makeup flower handloom weaving technology is China's ancient brocade weaving skills at the highest level of representation, in 2006, included in the first batch of national intangible cultural heritage list, in August 2009, "geographical indications products," the national standard of brocade, Nanjing, through the national expert review, the same year, in September, was successfully selected as the United Nations "Representative List of the Intangible Cultural Heritage of mankind," Nanjing Institute of brocade. Approved by the State General Administration of Quality Supervision, Inspection and Quarantine for the first batch of geographical indications use of enterprises, as well as the Ministry of Culture approved the national intangible cultural heritage production and protection of demonstration bases.