Which theaters in the world have original designs?

Speaking of special, the Wagner Festival Theatre in Bayreuth should be affordable, even affordable, no matter what it looks like or what it means. Wagner not only personally participated in the design of the theater, but also the spirit he carried out and conveyed in the design had an important influence on philosophy, linguistics and later media theory. The uniqueness of its design is mainly reflected in the following aspects: facade: the exterior wall of the theater adopts traditional brick-red imitation wood structure, which is almost simple compared with the baroque gorgeous appearance of most opera houses. So when it was built, it was also called "warehouse" contemptuously. According to Wagner, this is precisely to make the theater present a "popular" impression. Double foreground: the orchestra pit is completely hidden between the auditorium and the main stage (similar to the drawer mentioned by the previous classmates), which makes the stage far away from the audience, forming a "double foreground" effect and forming a unique visual impression. The orchestra pit is blocked by the outer arc and the top outer ring respectively, so that the light source in the orchestra pit cannot be seen by the audience, and the audience's attention is completely focused on the stage; The sound made by the band is also reflected on the stage, effectively isolating the noise of the audience and further enhancing the illusion of the stage. This part is also called "Mysterious Abugrande" by Wagner: due to the design of double front desk, the depth of the whole theater reaches 100 meters, the top height is 36.4 meters, and the stage depth is 13 meters. The building materials used in the walls make the reverberation effect particularly good, and the sound of the band is everywhere in the space, which makes the audience in a surreal fantasy state.

High curtain: Because the stage is very high as a whole, the curtain is divided into left and right sides, and the middle section is pulled up to both sides at a certain angle, which has an effect similar to the lens aperture and is called "Wagner curtain". The early Wagner Festival Theatre used taupe curtains. String transposition: Due to the reflective design of the stage, the sound of the band is not directly conveyed to the audience, but first conveyed to the singer. Wagner noticed this, so he adjusted the seats of the string band. Generally, the chief violin who used to sit on the left has been changed to the right, and the exchange of the position of the string band often confuses the conductor. In Wagner's design concept, the stage of the theater should provide a continuous illusion mechanism to separate the audience from the real area, and the whole viewing experience will not be disturbed or interrupted. These characteristics of Wagner Festival Theatre make his operas perform very well here, so Wagner doesn't allow some of his plays to be performed in other theaters. It is precisely because of the implementation of the "concept" that the "design" of Wagner Festival Theatre has attracted the attention of sociologists and literary theorists. Adorno pointed out that Wagner's attempt to realize an illusion control mechanism that "the appearance of products covers the production process" also indicates the industrialization tendency of "culture" and the degeneration of illusion by capitalist thought in the later period. This kind of "covering and deifying the manufacturing process" is also of great significance in the aesthetic theory of19th century. Generalized writing in Derrida's deconstructive linguistics comes down in one continuous line: (writing) is not abrupt, precisely because it is not expressed at will, but read (consciously). Writing in a broad sense here not only refers to words, but also covers various artistic styles, which is actually a form of expression. In the media theory, Wagner Festival Theater, a unique design principle, completely abandons the reality outside the theater from the illusion on the stage through the "mysterious abyss". Daguerre, the predecessor of photography, was used in perspective painting (stereoscopic perspective painting) and later stage setting technology. The appearance of movies in the 20th century relied on media technology to turn Wagner's ideas into reality. Music and painting are integrated, all irrelevant interference is shielded, the audience's attention is completely focused on the luminous screen, and the cinema has become a real illusion mechanism of dreaming.

?