Landscape painting techniques (2: the rhythm of local elements)

Pointed round tail, pointed tail, square head and square tail, square head and pointed tail, etc.

Pointed round tail

Jianwei

Square head and square tail

Square head and pointed tail

Second, the gathering rhythm between each group of points.

Gong Xian's manuscript part

Teacher Zhang's demonstration part

We use Gong Xian's class draft and Teacher Zhang's demonstration to analyze this problem. Rhythm can only be formed by gathering. The ancients said, save three and gather five.

Third, grouping into groups and cumulative arrangement between groups.

Gonghuaxian

Mei Qing's painting

Jianjiang painting

Ni Zan's painting

Huang's paintings

Shi Taohua

Lu painting

Fourth, the dragon and snake in the painting.

Huang said: There are dragons and snakes in the painting. In a group of points, there are both the requirements of large groups of Chinese and foreign contours and the requirements of arrangement trend. It is likely to be a combination of diamonds, semicircles, etc. , that is, the S-shaped combination in the ancient Taiji diagram.

Maximum/maximum limit diagram

Select a part of the combination (in the box) to arrange it.

This is the distribution trajectory of some points.

Pay attention to the rhythm, fusion, and start from the encirclement. The vivid breath of yin, yang, black and white in landscape painting is not only the technique, but also the accomplishment of painting learners.

(Teacher Zhang dictation demonstration, students finishing)