Traditional Culture Encyclopedia - Traditional culture - The difference between line drawing and line drawing
The difference between line drawing and line drawing
Line drawing, also known as "line drawing", uses a single ink color and draws lessons from calligraphy techniques to achieve "keeping shape with lines", distinguish texture, expand space and express emotions. The original line painting is only used as a draft in painting. Even though some profound skills of the Tang Dynasty were retained, some creative line-drawing works, which were "proud without painting, moving without moving", also improved the specifications of line drawing.
What is line drawing?
One of the traditional techniques of China's painting is to draw objects with ink lines. There is also a little light ink rendering. It can be used as an independent work or as a manuscript of a meticulous figure. Drawing lessons from calligraphy skills, we can achieve "keeping shape with lines", and the line drawing method is mostly used to draw characters. This can be divided into two schools, one is called iron line painting by Li Longmian, a great painter in the Northern Song Dynasty, and the other is called orchid leaf painting by Wu Daozi, a great painter in the Tang Dynasty.
What is line drawing?
Line drawing, also known as line drawing, is the main modeling method of traditional painting in China. There are also line drawings in western paintings, which mostly appear in craft paintings and early art forms. Oriental line drawing pays attention to conveying the expression of the object and the aesthetic feeling of the line itself, while western line drawing pays attention to expressing the physical characteristics of the object. Oriental lines are more than changes, while western lines are more than simplicity. The line drawing in Write Slowly requires the combination of the above two, that is, the beauty of the line itself and the "truth" of the objective object.
The "beauty of lines" in line drawing requires lines to express the proportion, space and structure of objects, and at the same time, lines themselves should have aesthetic feeling. Line is the most basic form of expression in China traditional painting, so the application and research of line has a long history in China. China's calligraphy itself is the art of lines, from seal, official, line and grass to Europe, Liu, Yan and Zhao, every stroke and stroke in calligraphy is the embodiment of high beauty and strength. The lines of traditional Chinese painting pay attention to the vigorous Gu Zhuo, which twists and turns and runs through the back of the paper. It is as flat as a cone, as round as a broken hairpin, as leaky as a house and as heavy as a falling stone. It can be seen that Chinese painting has high requirements for lines. The experience summarized by predecessors can inspire us to use the diversity and creativity of lines, but it can't be regarded as formulas and frames. We should add our own feelings according to the specific characteristics of the object, absorb the experience of predecessors, and create lines with strong flavor of the times and distinctive personality.
Lines are also widely used in western painting, such as Raphael's smooth lines, Engel's rigorous and neat lines, Matisse's chic, Schiller's simplicity, Luo's unrestrained, beautiful geometric lines, and Siguelos' powerful lines. We should absorb the expressive skills of line drawing through observation and research.
It is not easy to combine "shape accuracy" with "line beauty", which requires learners not only to do a lot of sketch training, but also to explore and practice boldly. Only brave practitioners can achieve the perfect combination of the two.
If you insist on distinguishing,
Sketch, a drawing method of Chinese painting, is somewhat similar to that of western painting, but it is not so simple. Sketch also has considerable artistic value in Chinese painting. It is one of the main modeling means and essence of China's painting and the foundation of Chinese painting.
In western painting, there is also the saying of line drawing, but there are more subjective things, which appear in craft painting and early art forms. Oriental line drawing pays attention to conveying the expression of the object and the aesthetic feeling of the line itself, while western line drawing pays attention to expressing the physical characteristics of the object. Oriental lines are more than changes, while western lines are more than simplicity. The line drawing in Write Slowly requires the combination of the above two, that is, the beauty of the line itself and the "truth" of the objective object.
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