How old is Ma Xiaojuan?

Post-80s painter. 1987 was born in Xinyi, Jiangsu, and grew up in Zhengzhou, Henan. My father is a carpenter. Influenced by his father, he liked carving and painting since he was a child, and he painted quickly. In 2006, he was admitted to the Department of Chinese Painting of Tianjin Academy of Fine Arts, where he studied under Professor Zhao. Graduated from 20 10 with a bachelor's degree. Planning of Contemporary Art, editor-in-chief of Classic Chinese Painting magazine, and professional painter.

Chinese name: Ma Xiaojuan.

Nationality: China.

Ethnic group: Han nationality

Place of birth: Xinyi, Jiangsu

Date of birth: 1987

Occupation: painter

Graduate school: Tianjin Academy of Fine Arts

Representative works: I would like to meet you on Qingyun Road.

Native place: Zhengzhou, Henan Province

Studio: the studio of "I believe in horses and reins"

general situation

(1987 February 28th-)

1987 was born in Xinyi, Jiangsu, and grew up in Zhengzhou, Henan. My father is a carpenter. Influenced by his father, he liked carving and painting since he was a child, and he painted quickly. In 2006, he was admitted to the Department of Chinese Painting of Tianjin Academy of Fine Arts, where he studied under Professor Zhao. Graduated from 20 10 with a bachelor's degree. Planning of Contemporary Art, editor-in-chief of Classic Chinese Painting magazine, and professional painter.

I like China culture since I was a child, and I draw quickly. In 2006, he was admitted to the Chinese Painting Department of Tianjin Academy of Fine Arts to study Chinese painting. Learn from Professor Huo Chunyang. After entering the school, I showed excellent painting talent. Under the guidance of Professor Huo Chunyang, I became more and more mature in painting, and gradually formed my own unique painting style and method. At school, I created a series of works such as I would like to meet you on Qingyun Road, Tea, Remembering My Children and Remembering a Single Love.

20 10 graduated from Tianjin Academy of Fine Arts with a bachelor's degree.

When I graduated, painting had its own unique natural charm. At this time, I pay more attention to the lyricism and expression of literati.

After that, he painted many pictures. Representative literati ink paintings include 9 pairs of Yi Qing Series, Qingyun Lu Yu Jun Yuan, Mohe, Zhu Qing, Wild Mushroom and so on. With more and more mature technology, he has become the leader of the younger generation.

Art yearbook

June 20 13 The work "Flowers Bloom with Wealth" was published in the magazine "Ink Painting is Youth".

20 1 1 10 The work Mo Yun was published in Peking Man magazine in June.

20 1 1 year, nine works, including Yi Qing series and Mei, were collected by some collectors in Beijing.

20 10 12 works "Qingyun Road" participated in the Guardian International Four Seasons 24 University Times Special Auction.

20 10 graduation works such as Mohe, Bamboo and Wild Mushroom were collected by collectors such as Tianjin.

May 20 10 The works "Taste of Tea" and "Remembering Children" participated in Tianjin Double Top Ten Youth Art Exhibition.

In June, 2009, 5438+February, the work "Wish to Meet the King on Qingyun Road" won the first "Creativity-Creating the Future" of Tianjin Sixth Hospital and the Excellence Award of Chinese Painting of Tianjin's Most Potential Young Artists in 2009.

Young painters after 1980s.

In this era when China's art market suddenly ushered in capitalization operation and the turnover showed a blowout, "investing in primitive stocks"-the predatory development and possession of young artists-is a speculative behavior that almost every operator has participated in, and the goal of grabbing has also extended from "post-70s" and "post-80s" to the youthful "post-80s".

Every young artist will have an epiphany, because the lifestyle and thinking are completely different from ours. Three years is a generation. But few people can keep their creative motivation and talent.

As a young painter born in 1980s, Ma believes that "the art of young people is not exactly the same as that of young people". Ma 20 10 After graduating from Tianjin Academy of Fine Arts, he worked as a teacher in Sijiqing, set up a stall in Tiantongyuan, lived in the basement of Kandanqiao, and was cheated to the iron lion grave. But no matter how life tests her, she has not worn away her persistence and desire for art. Art is poor, and art is priceless, but it is also priceless. Few artists can persist, and more are defeated by the cruel life of reality. Ask the horse: "Why are you so persistent? Do you want to dedicate your life to art? " Ma calmly replied, "Art dedicated itself to me. I must cherish her and love her for life. "

In recent years, contemporary art in China is surging, experiencing the profundity of metaphor in the boring, ruffian and gaudy art of the new generation, and also welcoming the diversity and proliferation of installation, behavior and video art, and even more unpredictable the popularity and fashion of Kaman art after 1980s. As a painter in China, Ma is constantly improving his works. The works of "post-80s" artists have completed the growth process from seed to bud. Their works can better reflect the living conditions of the public, better grasp the development pulse of contemporary art, and be understood, accepted and even supported by more groups.

Of course, it is an indisputable fact that artists belong to the times in artistic analysis, and no matter how individual artists are, they can't escape the life track of artists. However, in this fierce battle circle, it is only an extravagant hope that "post-80 s" painters can stand here and survive. The children outside are waiting quietly. Their eyes full of curiosity and expectation can only visit the ups and downs of contemporary art in China through a narrow gap space.

However, it is in such a narrow gap that not only new forces are constantly injected, but also a unique art group is formed. They are rebellious, free from ideological burdens and full of passion, especially able to adapt to the fierce market environment. Their "sudden emergence" won the praise of "elders", but "Enemy at the Gates" also made them a little worried. Because they have the ability to make waves in the market.

In recent years, their works have frequently appeared in major auction occasions, and all of them have produced unexpected high prices. Suddenly, it became the hottest topic in the art world. Why are their works popular? Why did their value soar? There are doubts in the society, and some people even question that it was speculated by art speculators.

As a new force in the art world, post-80s painters are full of young and fresh creativity, and will undoubtedly become the mainstay of contemporary painting in the future. Their works, with keen artistic perception and strong sense of innovation, are full of concern for reality and bold exploration of artistic forms, which can give people a unique and refreshing artistic feeling.