How can our traditional opera get rid of the predicament and pass it on better?

In short: in traditional Chinese opera, we need to pay attention to performance, expand clothing capacity, keep the content close to the masses, cultivate new audiences, popularize traditional Chinese opera knowledge and explain appreciation methods. Audience: Support traditional art, listen carefully to the content, take the initiative to understand opera, understand the music system, know how to appreciate, and do not exclude opera culture. On the national side: increase publicity, reduce state intervention and give full play to the role of the market. In detail, then we must first know what is wrong with the opera, so that we can prescribe the right medicine. Let me analyze it briefly. I think we should look at it from the internal and external causes. First of all, the internal factors: the costumes of Chinese opera are unique and complicated in dress. These clothes are difficult to use when they represent modern things. But if they are all abandoned, the opera will lose some charm. Beijing opera is an art form that integrates art, music and performance, and its comprehensiveness is unimaginable. Without his old suitcase, his art was greatly reduced. Therefore, the limitations of traditional Chinese opera in performing modern drama are too great to be fully demonstrated. However, the whole costume drama is obviously divorced from the times, and it is difficult for modern audiences to accept it for a long time, so the clothing problem is an aspect that urgently needs reform. In addition, the current opera pays more attention to music than drama (fortunately, this problem has been recognized and is being adjusted). Opera Opera, first drama, then music, music without drama is not opera, but drama without music is still opera. Therefore, we must pay attention to the problems in the performance of the drama, rely on songs to express our feelings, and let the drama exert its greatest charm. What about external factors? The first thing I want to talk about is the cultural revolution, which dealt a great blow to all kinds of literature and art in the country. It directly leads to the problem of actor dating, and more importantly, the problem of audience dating. No audience, no market, no market is death. Therefore, we can't ignore the blow of the Cultural Revolution to Beijing Opera. Another external cause is the impact of the sudden reform and opening up and the introduction of a large number of foreign cultures on the capital culture. It might have been better without the Cultural Revolution, but the sudden introduction of foreign culture robbed the audience of a part of the market when they were dating. This makes the survival of China traditional opera more difficult. In addition, actors also need to find reasons. Degang Guo, a phonologist, studied the development of crosstalk between audience and actors, and found that there was something wrong with actors: being divorced from the masses. The rural market is very broad and worth exploring. What about the city? If you want to develop in the city, you must return to the theater, which is also a small theater and needs long-term persistence. This is unique to the small theater culture in China. China's culture is all grass-roots culture, so we should base ourselves on the masses and be closest to them. The development supported by the masses will exceed the support of the state. As long as there is the support of the masses, he will live forever and continue to play. It has also been mentioned that the fast pace of modern life and the slowness of opera singing are hard for ordinary people to accept. I think this is wrong. If the opera is really slow, you can listen to Xipi Liushui and Xipi Allegro in Beijing Opera, Ba 'er and Ba 'er Lianban in Henan Opera, Duality and Small Flowing Water in Qin Opera, Er 'er and Liu's Bantou in Qin Opera and so on. I believe they can't keep up with some nunchakus. Another thing I have to say is the dialect of local operas. Most local operas are suitable for their own dialects, which makes it easy for some audiences to understand the lyrics, and it is not difficult to understand why fewer and fewer people like them.