What are the famous cellists in history Chinese cellist ranking

What are the famous cellists in China,

What are the famous cellists in history?

Famous Cello Players in China

Detailed introduction of several female cello players.

Emergency: China's 10 most famous musicians

China's famous cello players have those,

a, Zhao Jing

December 31, 2008, by the Ozawa Seiji baton conductor of China's 2008 New Year's Eve Concert in the newly inaugurated National Centre for the Performing Arts was grandly staged. The international conductor appointed several internationally recognized Chinese performers as soloists in the concert. Zhao Jing impressed the audience with her performance of Dvorak's "Silent Forest".

Second, Li Wei

Li Wei national second-class performer, the Central Conservatory of Music cello graduate degree, young cello player, the Air Force Civilian Workers Corps cello player. 2010 was awarded the Peking University School of the Arts Arts Master of Fine Arts; 2015 by the Central Conservatory of Music orchestral department of the master's degree in cello.

Li Bo

Li Bo is one of China's new generation of cello players. Born in Wuhan, he was first admitted to the Shanghai Conservatory of Music, and before he graduated, he won the first Chinese Cello Competition in Beijing, and then the 9th Tchaikovsky International Competition.

Fourth, Li Cheng

Li Cheng, the National Symphony Orchestra of China's young cellist, was born in Beijing in 1985, graduated from the Central Conservatory of Music Orchestra Department in 2008; in 2015, he went to Munich, Germany, as a visiting scholar on an official mission; in 2016, he received a master's degree.

V. Zhu Mu

Zhu Mu, male. Outstanding young cello player, associate professor of cello at the Central Conservatory of Music, China's highest musical institution, the Central Conservatory of Music attached to the cello teaching and research department of the subject director . He is the recipient of the highest academic degree in German music - the degree of virtuoso (doctorate).

Who are the most famous cellists of all time?

David Popper (1843 - 1843) was the first cellist to play the violoncello in Germany. David Popper (1843-1913) (King of the cello in the 19th century, founder of the modern cello technique) was a Czech composer and cellist. Popper wrote four cello concertos, a Requiem for three cellos and piano, and a large number of popular cello miniatures. His Dance of the Elves is a frequent addition to the repertoire. His 48 Cello Etudes have been described as an important tutorial comparable to Chopin's piano Etudes.

Paolo Casals (1876-1974) was a Spanish cellist, conductor, and composer, considered the greatest cellist of the last century.

Paul Casals (1876-1974), a Spanish cellist, conductor and composer, is considered the greatest cellist of the last century.

Eisenberg (1902-1972) was an American cellist.

Feldman (1902-1942), Austrian cellist.

Piatigorsky (1903-1976), Russian-American cellist.

Piatigorsky (1903-1976) was a Russian-American cellist.

Fournier (1906-1986) was a French cellist, one of the most outstanding cellists of the century.

Knutsevitsky (1908-1963) was a Soviet cellist.

Hideo Saito (1902-1974) was a Japanese cellist.

Tortelli (1914-1990 ) French cellist and conductor.

Navarra (1911-1988) one of the four great French masters, the Lalo and Elgar concertos are his masterpieces.

Smetana (SMETANA) Czech cellist.

BANDA is a Hungarian cellist and educator.

Jean Delon GENDON (1920-1991) One of the four great French artists.

Starkel (1924- ) Hungarian cellist.

SHAVRON (1923-1997) Outstanding cellist of the former Soviet Union.

Rostropovich (1927-2007) American cellist, pianist, conductor of the Soviet Union, the most famous performer of the century.

Dupré (1945-1987), an American cellist, is a woman, but her playing is not limited to details, and she is free and unrestrained. She is one of the world's leading female cellists.

Yo-Yo Ma (1955- ) is one of the most prestigious Chinese-American cellists in the world today. Born in Paris, his family moved to New York when he was seven. His status as a superstar has been rock-solid and highly regarded, with violin virtuoso Stern calling Yo-Yo Ma "one of today's rare wonders," and citing Seiji Ozawa, Yo-Yo Ma, and Lin Chiu-liang ("the most accomplished, popular, and youngest violinist" in Taiwan, 1960- ), as "the best of the best," and "the most popular, and youngest violinist" in the world. He also called Seiji Ozawa and Yo-Yo Ma together with Lin Zhao-liang (the "most accomplished, popular and youngest violinist" from Taiwan, 1960- ) "the three Orientals who have reached a certain level of greatness on the world music scene today".

Hanoy (1965- ), an Israeli cellist, plays with a delicate, elegant and elastic tone. Critics have described her as "born for the cello" and she is a virtuoso with a great future.

HARRELL One of the most popular American cellists today.

Nina KODOVA (1959-) Model cellist of Russian descent.

MAISKY (1948-) Russian cellist, one of the most popular of today's cellists, and one of the most popular of today's cellists.

HERMERWITZ (1970-) Young American cellist who studied with the famous cellists Roth (USA) (1911-1984) and Yo-Yo Ma.

Wang Jian (1968-) is one of China's most accomplished cellists today.

Qin Liwei (1976-) won second prize at the Tchaikovsky Competition.

The famous cello players are those

1. Wang Jian, is a famous cellist in the international music world, he graduated from Yale University School of Music and Juilliard School of Music successively, and studied with cellist Aldo Pariseau and other famous masters. Over the years, Wang has traveled throughout Europe, North America, and Asia, working with such renowned conductors and performers as Abbado, Ricardo Chailly, Dituva, and Maxim Vengerov

2. Yo-Yo Ma, the top international cellist of Chinese descent in the U.S. Yo-Yo Ma (Yo-Yo Ma), is not difficult to understand, from his wide-ranging and diversified musical career, the way he continually seeks to engage in dialogue with and listen to the different ways and His attitude towards his personal artistic growth is one of innovation and change. Whether it's playing new or familiar pieces, performing chamber music with friends, engaging with young musicians and audiences, or exploring cultures and musical genres outside of the Western classical tradition, Yo-Yo Ma strives to find the elements that inspire his imagination.

A few female cellists are profiled.

Jacqueline du Pré (1945-1987)

Jacqueline du Pré was born in 1945 into a musical family in England. When she was four years old, she heard the cello on the radio and asked for that instrument, and from then on, Dupré's love affair with the cello began. At the age of five, she began lessons at Herbert Walenn's London School. In 1956, at the age of eleven, she won the Suggia Award, the most coveted recitalist in England, with Sir John Barbirolli as one of the judges.

In 1965, Dupré played cello and Sir John Barbirolli conducted the London Symphony Orchestra in a performance of E. Elgar's Cello Concerto in E minor, op.85. This recording was very important for Dupré. This recording was very important to Dupré because it established Dupré's position on the concert stage. The pianist Gould once said that Dupré's Elgar Concerto presented infinite throb and passion. Later, when she heard that recording with Barbirolli for the first time, she remarked astonishingly, "That's not what I wanted to say!" Unfortunately, she couldn't have recorded a better Elgar, so what did she want to say? We'll never know.

No one will miss Dupré's Elgar, and many people enjoy listening to her recordings of the concerto, where she is fully engaged in the orchestral setting, full of vitality and feminine subtlety, but not completely unrestrained in her emotional performance, and where the sound of the piano coming out of her fingertips is completely infected by her enthusiasm and musical interpretation. Dupré's interpretation of Elgar's E minor concerto is unrivaled, and until now, only Yo-Yo Ma's performances have been said to have reached her level, but there is still a considerable gap.

It is said that the Hungarian cellist Stark once rode in the car, heard the radio was playing cello music, and asked who was playing. The man said it was Dupré. Stark said: "Play like this, she certainly do not live long." What an awesome Stark, what a prophecy! Perhaps only top artists can understand the caliber of their top peers, and Stark could hear that Dupré was playing with her life, and would do anything for the perfection of the instrument. Dupré. Dupré has always been a sigh of relief in the hearts of many classical music fans.

In 1967, she married the Israeli pianist Daniel Barenboim in Jerusalem (Barenboim was the conductor of the Orchestre of Paris in 1975). Dupré and Barenboim **** made a love affair that has left a lasting legacy in the classical music world. They were the best of companions, both in life and in music.

They performed together, and many critics said they made a wonderful couple. Dupré and her husband, Barenboim, also performed Elgar's Cello Concerto on several occasions. The version they worked on together is a 1970 recording of a performance by the Philadelphia Orchestra conducted by Barenboim. This recording, made in 1967 with her husband Barenboim, is one of the most frequently listened to and talked about of the many recordings they made together. The main reason for this is the difference in style and approach to Romantic music from the rigor of Brahms' music, where Dupré was free to break free from the restrictions of Brahms' music that gave the role of the cello to the piano (which was given a higher place in the music), and where she took every opportunity to show off her charisma, with Barenboim's considerate and loving support.

Unfortunately, in 1970, her multiple sclerosis forced her to take a break from performing, and in 1971 she officially stopped performing and completed her last recording, the Chopin and Franck cello sonatas. In 1973, at the age of 28, she made her last public appearance in London, playing the Chopin and Franck Sonata under the baton of Zubin Mehta. In 1973, at the age of 28, she made her last public appearance in London, under the baton of Zubin Mehta, performing the Elgar Cello Concerto, a work with which she was most closely associated, and from which she took her leave of the stage after a brief illness. During her life, Dupré owned three masterpieces, one by a modern maker and two by Stradivarius, of which the Davidoff is now owned by Yo-Yo Ma. Yo-Yo Ma once said: "This Davidoff (1712 Davidoff Stradivari) is, for me, the best instrument I have ever played, and I really believe that it has a soul and an imagination.

In the movie Jackie and Hilary, Dupré and Barenboim have a conversation.

"If I never play the piano again, will you still love me?"

"It wouldn't be you if you couldn't play the violin." Her husband said.

In the end, all that remained of Dupré's life was the physician, the nurse, and a few old friends... Barenboim first came to visit her every once in a while, which lasted until Barenboim had a new home in Paris after starting another family, and the chances of coming back were even less... Leaving her to die a slow and lonely death.

It has been written that Barenboim betrayed Dupré, and to this day the British have not forgiven him. If Barenboim was not a genius, without ideals and ambitions, perhaps he could have concentrated on his sick wife and stayed by her side until she left this world!

Things are not always as they should be, God gave Dupré the most perfect musical talent, and only gave her ten years of scenery on the stage years, like a comet as short. Fortunately, she matured quickly, and the musical records she left behind during these ten years, and the musical achievements she reached, have been enough to immortalize her, and all the music masters with whom she has collaborated have praised her. Dupré's music has an irresistible magic, full of substance, and inspires the potential of those who perform with her, and Stephen Kovacevich has gone so far as to say that since Dupré's retirement from the stage, he has not worked with any other cellist, because he "can no longer feel the magic of the stage, nor can he play music that is as dynamic as he did at the time. I couldn't play the music with the same vigor."

We recommend that Dupré lovers read the book written by her sister and brother and the movie based on it. A genius whose life was distorted by music, a genius who couldn't live without it. Although the book and the movie have been criticized, some musicians have refuted, Dupré's lifelong friends Rostropovich, Menuhin, Perlman, Zuckerman and other music celebrities during the premiere of the film publicly published a statement in the British newspaper The Tympanic, saying: "Jackie (Dupré's nickname) in the film is not the Dupré that we know! ". After the director Nupen (Christopher Nupen) produced the documentary "Who Was Jacquline du Pre?", again depicting her life.

Clarence Fu on cellist Dupré:

I've known Dupré since she was 16! I was close friends with both Dupré and Barenboim, and Dupré was introduced to Barenboim by me at my house! And I love Duprè's playing, she's the best! She had such a strong personality that anyone could easily recognize her voice. The Davidoff Stradivari she uses is very good. The instrument that Yo-Yo Ma is playing now was left behind by Dupré, but Dupré's playing and Yo-Yo Ma's playing are two completely different things! How can Yo-Yo Ma compare to Dupré back then!

I saw the so-called biopic "Hilary And Jackie" in the UK, and it was so fake it made me angry! At least the Dupree I know is nothing like the movie! In the UK there is another movie about Duprè, which is much better and more factual.

From Baidu Encyclopedia

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Urgent: China's 10 most famous musicians

Famous musicians from abroad

The father of music - Bach (Germany)

Musical prodigy - Mozart (Germany)

The father of music - Bach (Germany)

The father of music - Bach (Germany)

The father of music - Bach (Germany)

The father of music - Mozart (Germany)

Beethoven (Germany)

King of Songs - Schubert (Germany)

Music God. -Handel (Germany)

King of Conductors - Karajan (Germany)

King of Opera - Verdi (Italy)

King of Music - Scarlatti (Italy)

King of Music - Scarlatti (Italy)

King of the World. -Scarlatti (Italy)

King of the violin - Paganini (Italy)

King of the march - Sousa (USA)

King of the pop song - Foster (UK)

Father of the Garden Dance - Johann Strauss Sr. (Austria)

King of the Round Dance - Johann Strauss Jr. Austria )

Poet of Symphony - Berlioz (France)

Master of Impressionism - Debussy (France)

King of Light Opera - Offenbach (France)

Master of Orchestral Color (France)

Master of orchestral color - Ravel (France)

Poet of the piano - Chopin (Poland)

King of the piano - Liszt (Hungary)

Master of dance music - Tchaikovsky (Russia)

Chinese musicians

Bo Ya: a qin master in the Spring and Autumn period. In Xunzi: Advice to Learning, it is said that "Bo Ya drummed the zither, and six horses were fed"

, which shows that his zither skills are very high. It is rumored that his representative works include "Narcissus Exercise" and "High Mountains and Flowing Water".

Shi Kuang was a musician in the state of Jin during the Spring and Autumn Period. He was blind, but he had a keen sense of hearing and was very accurate in recognizing music

. His representative works include "White Snow" and "Xuanmo".

Li Yannian: a court musician of the Han Dynasty. He served as the Concertmaster of the Ministry of Music. His representative works include 28 new tunes based on Mo Ke Du Le brought back by Zhang Qian from the Western Regions, which were used as military music for ceremonies.

Jikang: the Three Kingdoms period of the end of the Wei zither, writer, thinker. He was very learned, good at writing poems and fugitives, passionate

love of music, good at playing the zither, known for playing "Guangling San". His representative works include The Theory of Sound and Music and The Qin Fugue, which are detailed and vivid descriptions of music and the playing method and expressive power of the qin.

Su Lobo: a court musician in the North and South Dynasties. She was good at playing the Hu Pipa, and her family had passed down the Guzi musical system of "five Dan and seven voices" to the palace

tuning system. Its music theory, a powerful contribution to the establishment and development of China's ancient Gong tune system.

Wan Baochang: Sui Dynasty musician, good at playing a variety of instruments. His representative works include "Music Score".

Li Longji:Tang Dynasty musician, he was also the first emperor musician in ancient China. He was good at playing capricorn drums and

transverse flute, and created and adapted the "Midnight Music", "Small Broken Formation Music", "Neishang Yuyi Song" and so on.

He also established the Tang dynasty's musical institutions, the Yufang and the Liyuan.

Li Guinian: a Tang dynasty musician who played