The twenty-four filial piety chart in what etc are the name of filial piety story

What in the Twenty-four Filial Piety Pictures is the name of the filial piety story, such as Zi Lu Negative Rice, Dun Ju Burying Children, and Lao Cai Entertaining Parents.

The Twenty-Four Pictures of Filial Piety are from Lu Xun's collection of reminiscent essays, Chaohua Xiushu . "Filial piety is the core of Confucian ethical thinking, and has been the moral code for maintaining family relationships in Chinese society for thousands of years, making it a traditional virtue of the Chinese nation.

In the Yuan Dynasty, Guo Jujing compiled the stories of 24 filial sons in ancient times into the Twenty-Four Filial Exemplars. Subsequent printings were accompanied by drawings, commonly known as the "Twenty-four Pictures of Filial Piety", which became a popular reading material to promote filial piety. "Filial piety is a masterpiece of traditional Chinese culture.

On the other hand, Lu Xun believed that the main purpose of the Twenty-Four Pictures of Filial Piety was to promote feudal filial piety. Starting from his own experience of reading the Twenty-Four Pictures of Filial Piety when he was a child, Lu Xun focuses on his own strong resentment when reading the stories of "Lao Lai Entertaining His Family" and "Guo Ju Burying His Children".

This article starts from the children's books at that time, recalls the feelings of reading the Twenty-four Pictures of Filial Piety when he was a child, and reveals the hypocrisy and cruelty of feudal filial piety. The work analyzes the stories of filial piety, such as "Seeking Carp by Lying on Ice", "Entertaining the Family by Lao Lei", and "Burying a Child by Guo Ju", and denounces this kind of feudal filial piety as disregarding children's lives and treating "carnality as fun". The work criticized such feudal filial piety as disregarding children's lives, treating "carnality as fun", and "taking unkindness for discipline, slandering the ancients, and teaching the descendants bad things". The work is a sharp attack on the tendency to oppose the vernacular language and advocate retrofitting at that time.

About the Author

Lu Xun (1881~1936) was the founder of modern Chinese literature. Originally known as Zhou Zhangshou, later renamed Zhou Shuren, with the characters Yushan and Yuting, and later renamed Yucai, he was a native of Shaoxing, Zhejiang Province, and in May 1918, for the first time, he published his first novel in vernacular language, Diary of a Madman, under the pseudonym "Lu Xun". His writings are mainly novels, essays and prose.

Masterpieces include the novels Scream, Indecision, and New Series of Stories; the essay collection Asahi Yuzhi; the literary treatise A Brief History of the Chinese Novel; the collection of prose poems Wild Grass; and the collection of miscellaneous essays Grave, Hot Winds, and Huagai, among 18 other works. Chairman Mao Zedong evaluated him as a great proletarian literary scholar, thinker and revolutionary, the main general of China's cultural revolution, also known as the national soul.