Analysis of Hungarian Dance Music Form

1. Introduction to Hungarian Dance Music II. What's the difference between Hungarian dance music and morning music? Brief introduction of Hungarian dance music Childas is a Hungarian folk dance music.

Childas dance originated from gypsy folk dance, which was widely popular in Hungary, and became the main genre of folk instrumental music in Hungary in the 1950s and 1960s. It adopts the rhythm of two beats and consists of two parts in music structure. The first part is called "lassau", which means quiet overflow, slow speed and full of singing. This is the music when the male solo appeared; The second part is called "friss", which means jump, and it is the main part. Most of them are fast and often use syncopated rhythm. This dance music is lively in rhythm, fast in speed and warm in atmosphere. It is used to accompany a duet for men and women.

Now, some composers apply children's dance music to different musical forms, such as Liszt's hungarian rhapsody II, thus developing Hungarian dance music.

What's the difference between "Hungarian Dance" and "Morning Music"? Hungarian dance: The rhythm of Hungarian dance is relatively free, and it also contains complex cross-rhythms. The melody is dotted with various decorations, which shows the wildness of gypsies well. At the same time, it also gives violin skills a chance to show their main points. Morning song is Hungarian dance music sung in the morning; Morning music.

There are 265,438+0 Hungarian dance music by Brahms, which is rich in the characteristics of Hungarian national music and gypsy music. Brahms originally wrote a version for two pianos, and later the composer himself changed it into an orchestra. Because the violin is often used to interpret gypsy music, it can be said that it is one of the traditional musical instruments of gypsies, so Joachim, a Hungarian violinist and composer, adapted Brahms' 2 1 Hungarian Dance Music from the original piano to the violin version.

Hungarian Dance Brahms's Hungarian Dance Music is a four-handed piano composition consisting of 265,438+0 piano ditties. Although the melody and style of each piece are different, they all combine the characteristics of Hungarian national music and gypsy national music: the rhythm is free, the melody is modified in various ways, the speed changes dramatically, and it has certain improvisation; Although there is no uniform regulation in form, the three-part style is the most. It was later arranged as an orchestra. It has also been adapted as a solo for piano, violin and other instruments. Brahms's Hungarian dance music can all be classified as world famous songs, especially the top ten are most favored by the world.

Hungarian Dance No.1 in G minor

Written about 1869 years ago, it is the first of Hungarian dance music for 2 1 piano quartet. Later, it was adapted into an orchestra by the author. It has also been adapted as a solo for piano, violin and other instruments. The piano solo adaptation of this work was once one of the important concert tracks of German female pianist clara schumann (18 19- 1896). 2 1 Hungarian dance, woo 1

At the beginning, the first theme of the first film was presented, written in a symmetrical and flat rhythm, with a touch of sadness in soft lyric. When you move up eight degrees repeatedly, your mood becomes more lingering. Then, the second theme appeared, which has an active rhythm and a fast paragraph style similar to Hungarian Childash dance, which is in sharp contrast with the first theme. Then the music entered the middle part and played an emotional theme, which showed the passionate national character of the Hungarian people. The second half of the middle part is slow and fast with rich expressions, which reflects the improvisation of Hungarian gypsy music. Finally, the music reproduces the first part and ends in a warm and cheerful atmosphere.

Hungarian Dance No.5 in F sharp minor

This is the most well-known music among all Brahms' works. It is not only played everywhere, but also adapted into various forms of instrumental music. Brahms began to compose this series of music from 1852. At that time, he was very interested in the gypsy music in Vienna, so he wrote many melodies of gypsy music. 1869 began to publish "Hungarian Dance Music Collection", in fact, most of them borrowed the melody of gypsy music and edited it. 2 1 Hungarian dance, woo 1

Hungarian Dance No.5 in F minor is the most popular among all Brahms' works, and its rough and bold melody has obvious Hungarian "Childash Dance" characteristics, which left a deep impression on every listener. What is chosen here is an adapted version of orchestral music, which can better highlight the majestic momentum required by the original music. The structure of music is very strict. The first paragraph is in F minor, which has a style of national dance, and the freedom of speed change reflects different tastes. The middle part of the music turns to bright F major, and the speed change is still free. Simple melody and harmony show cheerful mood. The third paragraph of this piece of music is a strict reproduction of the first paragraph.

[Edit this paragraph] Table of Contents and its Orchestral Adapter List

1.No. 1 (orch. Brahms) at three o'clock

No. 1, Brahms Orchestra

2. Second place (orch. twenty eight past two

Second place, Harlan Orchestra

No.3.3 (orch. Brahms) 2: 16

Third, Brahms Orchestra.

4. Fourth place (orch. June) 4: 32.

Song 4, Euan orchestration

5. Fifth place (orch. Schmeling) 2: 17

The fifth song, Schmoelling orchestration.

No.6.6 (orch. Schmeling) 3:2 1

Sixth place, Hungarian dance music by Schmoelling.

No.7.7 (orch. Schmeling) 1:33

Seventh place, Schmoelling Orchestra.

No.8.8 (orch. Gal) 2:54

Song 8, Gaelic orchestration

No.9.9 (orch. Gal) 1:25

Song 9, Gaelic orchestration

10.No. 10 (orch. Brahms) 1:43

Song 10, Brahms Orchestra

1 1.No. 1 1 (orch. Parlow) 3: 17

Palo alto 1 1

12.No. 12 (orch. twenty past two

No. 12, arranged by Palo

13.No. 13 (orch. Parlow) 1:42

Palo Alto 13

14.No. 14 (orch. Parlow) 1:32

No. 14, arranged by Palo

15.No. 15 (orch. At 2: 04.

No. 15, arranged by Palo

16.No. 16 (orch. twenty nine past two

No. 16, arranged by Palo

17.No. 17 (orch. Dvorak) 3:02.

Song 17, dvorak Orchestra

18.No. 18 (orch. Dvorák) 1:23

No. 18, dvorak Orchestrator

19.No. 19 (orch. Dvorák) 1:57

No. 19, dvorak Orchestrator

No.20.20 (orch. Dvorak) 2: 35.

No.20, dvorak Orchestra.

2 1. No.21(orch. Dvorák) 1:2 1

No.2 1, dvorak Orchestrator