Hangzhou opera

Traditional dramas in Hangzhou include Hangzhou Xiaore Fan, Hangzhou Pinghua, Hangzhou Tanchun, Wulin Tune, Hangzhou Drama and Wu Drama.

1, Hangzhou has a slight fever.

Hangzhou Xiaore faint is a kind of banter form in traditional Quyi, which is widely popular in Jiangsu, Zhejiang and Shanghai. Also known as "Xiao Gong Shu", commonly known as "selling pear paste sugar", it is a kind of rap art of Wu dialect, which began in Guangxu period of Qing Dynasty and prevailed in 1920s and 1930s.

2. Hangzhou Pinghua

Hangzhou Pinghua originated in the Southern Song Dynasty and has a history of 800 years. It is the most local traditional folk art with the characteristics of Hangzhou, Zhejiang. It has been included in the provincial and municipal intangible cultural heritage, and many Hangzhou citizens grew up listening to Hangzhou Pinghua.

3. The spreading spring in Hangzhou

Hangzhou Tanchun is a kind of China Quyi popular in Suzhou, Shanghai, Hangzhou and Ningbo.

4. Wulin tune

Wulin tune, also known as "Hangqu", is a folk art singing method popular in Hangzhou, Zhejiang and its surrounding areas. Wulin tune evolved from folk treasure volumes and was formed in the late Qing Dynasty. The performance form of Wulin tune is mainly sitting singing, combined with narration and singing. One person plays multiple roles, simulating the body and shaping the characters, which is popular, vivid and fascinating. Most of them perform in teahouses, bookstores and entertainment stages.

5. Hangzhou Drama

Hangbang Opera is a local traditional opera in Hangzhou. Once popular in Hangzhou, Jiaxing, Huzhou, southern Jiangsu and other places. Originated in Hangzhou Quyi Xuanjuan, it only lasted for half a century from birth to decline. 1923 was officially put on the stage and spread widely in Hangzhou, Jiaxing, Huzhou and southern Jiangsu.

6. Wu Opera

Wu Opera is a multi-voice opera with a long history. It has six voices: Gaoqiang, Kunqiang, Luantan, Huizhou Opera and Shidiao. Singing is simple, passionate and tragic; Feel depressed. Its high notes are considered to be the legacy of Una's reconciliation of the four tones in Ming Dynasty. There are three tenors in Wu's plays: Xi 'an, Xi 'wu and Hou Yang.

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