Traditional Culture Encyclopedia - Traditional culture - How can I practice double stops in guitar tablature?
How can I practice double stops in guitar tablature?
Double-tonguing is also called hooking.
Right hand hooking exercises:
The right hand is shaped correctly, with the side of the P finger resting gently on the sixth string above the sound hole, the i finger, m finger, and a finger standing on the third, second, and first strings, respectively, and the ch finger naturally resting on the a finger. The left hand "floats" on the strings according to the correct hand shape. i finger contracts towards the palm of the hand, and bends naturally after playing the third string, then follows this method to play the second and first strings with the m and a fingers respectively.
Right hand p-finger string leaning exercise:
Right hand do the right hand shape, wrist slightly protrudes to the front, p-finger side gently leaning on the sixth string above the sound hole, and the sixth string is diagonal cross shape, p-finger from top to bottom to sound the sixth string after leaning on the five strings, and then according to the same way to play the five leaning on the four, four leaning on the three ...... Until the first string, the movement of the fingers is basically an arc, and the right hand naturally drops after playing the first string.
Expanded:
Guitar chord practice tips
1, play any chord, you must follow the correct posture, the correct fingering to practice, this is the most basic principle, but also an obvious but easy to be ignored know-how.
2, before practicing chords should practice scales and arpeggios. Scales and arpeggios are the basis of chords, chords should be practiced from the beginning of the foundation, can not put the cart before the horse, not to give up the scales and arpeggios straight to practice chords.
3, practice chords must be related to the arpeggio. Scale arpeggios and chords are naturally linked, can be practiced separately, but they can not be completely separated.
4, good at the chord in its original position, the first inversion, the second inversion, the third inversion, etc., in order to recognize and remember a specific chord.
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