Knowledge about Peking Opera?

1, Peking Opera Introduction:

Peking Opera, once known as Ping Opera, one of China's five major operatic genres, the scene layout focus on writing, the cadence to the Xipi, Erhuang-based, accompanied by huqin and gongs and drums and other accompaniment, is regarded as China's national treasure, the Chinese Opera, the three Tripods, "the first". Huizhou Opera is the predecessor of Beijing Opera. Since the 55th year of Emperor Qianlong's reign in the Qing Dynasty (1790), the original performances in the south of the three celebrations, the four joys, the spring stage, and the spring, the four Huizhou Opera Classes entered Beijing one after another. The four Anhui classes entered Beijing one after another,

they cooperated with the Han tune artists from Hubei, and at the same time accepted part of the repertoire, tunes and performance methods of Kunqu and Qinqiang, absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and fusion. After the formation of Peking Opera, it began to develop rapidly in the court of the Qing Dynasty until the Republic of China gained unprecedented prosperity.

Peking Opera has traveled all over the world, with its distribution centered in Beijing and spreading throughout China, becoming an important medium for introducing and spreading traditional Chinese art and culture. On November 16, 2010, Peking Opera was inscribed on the Representative List of the World Intangible Cultural Heritage.

2. Artistic characteristics of Peking Opera:

The stage art of Peking Opera consists of a set of mutually restraining and mutually complementary metrical and standardized programs through the long-term stage practice of countless artists in the areas of literature, performance, music, singing, gongs and drums, make-up and face painting. As an artistic means of creating stage images, it is very rich, and its usage is very strict. If you can't master these programs, you can't complete the creation of Peking Opera stage art.

Because the Peking Opera entered the court at the beginning of its formation, its development and growth were different from that of the local theater. It is required to express a wider field of life, to portray more types of characters, and to be more demanding in terms of the comprehensiveness and completeness of its skills, as well as in terms of the aesthetics of the stage image it creates. Of course, at the same time, it also correspondingly makes its folk local flavor weakened, pure and simple, rough style features relatively thin.

Therefore, its performing art tends to combine the real and the imaginary to maximize the limitations of the stage space and time, in order to achieve the artistic realm of "passing on the god in the form, and the god in the form". Performance requirements for delicate and delicate, everywhere into the theater; singing requirements for melodious and gentle, voice and emotion; martial arts theater is not to win the fiery and fierce, but to "martial arts theater text singing" see good.

Expanded:

Introduction of Peking Opera's line classification:

Peking Opera's line division, in addition to the character's natural attributes (gender, age) and social attributes (status, occupation), mainly according to the character's personality traits to classify. In the old days, there were seven lines and seven disciplines in Peking Opera: seven lines, i.e., Sheng line, Dan line (also known as Cham line), Jingsheng line, Chou line, Miscellaneous line, Wushang line, and Pop line.

Everything on the stage of Peking Opera is not according to the original appearance of life. The roles on the stage of Peking Opera are not in accordance with the original appearance of life, but according to the gender, character, age, occupation and social status of the role played in the make-up, clothing and other aspects of a number of artistic exaggeration, so that the roles on the stage are divided into the four types of raw, dan, jing, and chou.

These four types of special terms in Peking Opera are called "line".

1, Sheng

In addition to the flower face, as well as clowns in addition to the male frontal role of the collective name, divided into the Lao Sheng (also divided into the singing of the An Gong Lao Sheng, heavy do the decline of the old school Lao Sheng, heavy martial arts rely on the Lao Sheng), Wu Sheng (divided into a long rely on the Wu Sheng, Wu Sheng, and should be working on the Monkey's Opera), the small Sheng (divided into the fan Sheng, Pheasant's Tail Sheng, the poor Sheng, the martial arts small Sheng), the Red Sheng, the dolls Sheng.

2, Dan

Female frontal role of the collective name, divided into the Qingyi (Dan), Hua Dan, the lady's Dan, knife and horse Dan, Wu Dan, color Dan.

3, net

Commonly known as the flower face, most of them play the character, quality or appearance of some special male characters, make-up with a face, tone of voice, rough style. "Pure" is also divided into singing-based big flower face, divided into positive net (heavy singing, called copper hammer, black head), frame flower (heavy frame), Wu Erhua, wrestling flower, oil flower (a called Mao Jing).

4, ugly

Playing comedy roles, because of a small piece of white powder on the bridge of the nose, commonly known as small flower face. It is divided into Wen Chou (square scarf chou, robe and belt chou, Lao Chou, Rong Clothes Chou, and also plays the colorful Dan, mother-in-law), Wu Chou (also known as the opening jump), etc. Each line has its own set of performances. Each line has a set of performance program, in the singing and reading and playing skills have their own characteristics.

Baidu Encyclopedia - Peking Opera (Chinese dramatic art (a typical representative of the national essence))