Degang Guo's Traditional Crosstalk Skills

In recent years, Degang Guo's "skill" in phonology has spread to the sky. Besides cross talk, he is proficient in Beijing Opera, Pingju Opera and Bangzi Drum. Regardless of the level of his version of Peking Opera, Pingju Opera and drum set, one of the "skills" that has been widely circulated for a long time makes the author feel ridiculous. This mythical legend is that "Degang Guo knows more than 600 pieces of traditional cross talk", and of course, there is even more cruel "Degang Guo created more than 600 pieces of folk art".

Degang Guo once said that he knew more than 600 crosstalk shows, and Degang Guo also said that he knew more than 600 crosstalk shows, which was questioned by some crosstalk veterans. Su, a famous crosstalk performer, thinks his speech is a bit watery, because he said that traditional crosstalk has more than 300 paragraphs. According to the statistics of Deyun's fans, from 2002 to 20 14, Yi * * performed 294 cross talks, 232 stand-up cross talks, 59 group cross talks, 226 operas, 65 ditties 165 songs, 46 drum books, 46 Taiping lyrics and 65,438 chorus songs.

I don't know how you feel after reading such data. There is nothing wrong with the number exceeding 600 paragraphs, but what is more important is the effort behind the numbers. What Mr. Su said is also true. Traditional crosstalk can be circulated for more than 300 segments. Many of the 600 paragraphs mentioned by Degang Guo were created by themselves.

A person's success is not a simple matter, and there is a very important reason behind it, that is, giving. The reason why crosstalk has had a very low ebb is not only related to the external market, but also related to the inability of crosstalk practitioners to break through the cocoon. Crosstalk is a traditional art that attaches great importance to the inheritance of teachers. There is nothing wrong with the teacher's inheritance, and it will ensure that good things will be passed down. But in the process of inheritance, there should be something of one's own generation, not only inheritance, but also development. This inheritance can be stronger from generation to generation.

Degang Guo responded to the question and confronted it. At that time, Degang Guo explained that he knew 600 paragraphs, not only crosstalk, but also traditional Taiping lyrics, Beijing Rhyme Drum and various minor folk arts, adding up to more than 600 paragraphs.

But even this explanation was rejected by crosstalk colleagues. At this time, the fans of Deyun Society stood up and counted Degang Guo's jokes one after another-from 2002 to 14, the data are as follows: 294 pieces of counterpart, 232 pieces of stand-up mouth, 59 pieces of group mouth, 226 pieces of opera, 46 pieces of ditty 165 pieces of drums, 46 pieces of Taiping lyrics, Many people in the phonograph world are like this. If they can't do it, they will also be thought that others can't do it, but they don't know the sweat that others pay behind their backs.

Why not list the tracks? Deyun Society became popular only in 2006, and the Internet in China began to be widely used after 2002, so there are still early performances without statistics. The above statistics are the crosstalk performed by Degang Guo from 2002 to 20 14, so there is no doubt that Degang Guo's crosstalk has already exceeded 600 paragraphs. Seeing this data, I believe that people who question it should have no doubt!

Some people say why not list the tracks, but it is not necessary at all. Who can I show it to? Disciples and tightrope walkers are convinced of Degang Guo. When they are tired, they will not look at it, but they will question it. Besides, Degang Guo doesn't care. The songs performed by oneself can be used as internal materials for apprentices to learn. Why pay attention to these forms?