Beijing opera review

After reading a work, I believe that everyone's vision must be broadened a lot. Let's write a review and write down our own harvest feelings. Presumably, many people are worried about how to write a good review. The following is my collection of Beijing opera reviews, welcome to share.

On the evening of May 9th, the large-scale anti-corruption modern Peking Opera Footprints was grandly staged in Baiyi Theatre. School leaders Han Tongyin, Li Shijie, Guo Hongbo and Yuan Hongchang, as well as all middle-level cadres, members of the Commission for Discipline Inspection, members of grass-roots party organizations, supervisors of building a clean and honest party style, secretaries of grass-roots party branches, representatives of some government officials, representatives of students majoring in drama, film and television literature in the College of Liberal Arts, and students from Honghu Drama Club attended the performance.

Footprints, a Beijing opera, is based on the true story of "the first major anti-corruption case in new China", and tells the story of Liu Jingshan, a big embezzler, being executed before and after the founding of People's Republic of China (PRC). As an anti-corruption theme, the drama does not directly describe the misdeeds of corrupt people, and abandons the common loud education. Instead, it takes a different approach and focuses on depicting the great pain and long-term suffering brought by corrupt people to their families and relatives. The whole plot festival revolves around the fate of Liu Jingshan's wife Fan Huilan, shaping the characters in the play from the perspective of human nature and artistically reappearing history. The story is tear-jerking, touching and arousing the audience's deep thought. After thinking, touch and alert those who will be corrupt in behavior and thought, and save their lives.

The performance climaxed and the atmosphere was warm. The ups and downs of the plot, mellow music singing, exquisite and vivid makeup decoration have deeply infected every audience. The whole play comprehensively uses a variety of stage art techniques to reveal the protagonist's mental journey from confusion, depression and entanglement to firm belief and sincere dedication, which is thought-provoking and has far-reaching warning significance.

As an important part of the normalization and institutionalization of "two * one doing" in our school, this observation activity is organized by the school discipline inspection commission and is an innovative propaganda carrier for the school discipline inspection commission to promote teaching practice activities. The aim is to educate party member cadres about party spirit, party style and party discipline, and at the same time, to further strengthen the awareness of honesty and self-discipline of leading cadres in party member, and to vigorously promote the comprehensive and strict management of the Party.

As a well-known story, The Legend of the White Snake has been adapted into several versions. In addition to the well-known movies and TV series, almost all kinds of dramas have been adapted, including puppet shows and shadow play. The Peking Opera version is the most distinctive and very popular with the audience.

I was very fortunate to watch the Peking Opera "The Legend of the White Snake" performed by young actors in Beijing Peking Opera Theatre at Beijing Chang 'an Grand Theatre. The superb acting skills of the actors are not lost to their predecessors, and there has been a trend of talented people for hundreds of years. Actors not only have high external conditions, but also have excellent internal skills. They are down-to-earth, slow and steady, comfortable on the stage, both rigid and flexible, and their roles are very vivid and aura.

Among them, I really appreciate Zhang Miao, the actor of Xiaoqing. Her performances are meticulous and varied from beginning to end, showing Xiaoqing's agility and emotional fluctuation very delicately, and her solid foundation is outstanding in the water war, which has aroused enthusiastic response from the audience.

After two and a half hours of performance, the actors showed no signs of fatigue, kept in a state at all times, devoted themselves wholeheartedly, and played the role as flesh and blood, which was very educational.

After the performance, I went backstage to eavesdrop on the actors' conversations, discuss the shortcomings and areas that need improvement in the performance, reflect on myself, and listen to others' opinions with an open mind, which made me feel awe.

The lyrics say, "I love the West Lake in March, and I will send a cruise ship with oblique wind and drizzle. Ten generations came to cross the boat with me, and the last generation of sleeping pillows. " "After the rain clears, the lakes and mountains are washed, and the spring breeze warms my clothes." "There are countless merits in accumulating good roots, so be kind to all beings. Have pity on me. I'm going to have a baby in July. Please have mercy and give me back my Xu Lang. Every sentence is classic and touching, even foreign friends can't help applauding.

The Beijing Opera version of The Legend of the White Snake has smooth and beautiful lyrics, as well as some opera stunts such as double swords, dancing and fighting, which make people see things in a blur, which not only makes the audience feel moved by traditional myths and stories, but also makes everyone know more about the skills of Beijing Opera.

Thinking about Peking Opera 3 Before going to the National Cultural Palace, I was puzzled by a lot of adjectives listed before the biography of the new White Snake: What is visually symphonic Peking Opera? What kind of new words are these? Beijing opera is Beijing opera. Why is it called visual symphony Beijing Opera? Suspected of speculation.

However, I really enjoyed it after reading it. After using high-tech means to show the background, there is a transition between multiple scenes. This can't be photographed with a camera, but can only be felt on the spot. In addition to the traditional singing and fighting, The Legend of the New White Snake is bold and innovative, introducing modern dance and acrobatics, giving people a refreshing feeling.

The first meeting between Xu Xian and Bai Niangzi reminds me of the feeling of love. In the background music, everyone sings "It's raining, it's raining", which is very romantic. They fell in love at first sight with umbrellas by the drizzling West Lake ... It was a wonderful feeling ~ ~ The white lady's costume was beautiful and she changed several sets. What I like best is her white color. Elegant as a fairy.

In fact, my musical enlightenment is drama. When I was a child, I liked the costumes in Beijing Opera or Yue Opera. The headdress and costumes were very beautiful. At that time, I dreamed that I could study drama in the future.

acrobatics

Due to the form of drama, they developed rapidly from acquaintance to marriage. It seems that the scene of flash marriage made me very happy ~ ~ I didn't expect Xu Xian and Bai Niangzi to be quite avant-garde ~ ~ Looking at this red happy word, I am really happy for them: all shall be well, jack shall have Jill.

Modern song and dance. Appeared before they first met.

When Fahai invited the heavenly soldiers to capture the White Snake Empress and put her under the Leifeng Tower, I almost shed tears when I saw the two lovers separated.

Xu Xian, who misses his wife, wandered alone by the West Lake. When the music started, it was Xu Xian who made a lifelong vow: "If you swim fish, I would like to be a river ..."

At this moment, I want to cross over to their times, change their destiny, rescue the White Snake Empress from under the Leifeng Pagoda and reunite her with Xu Xian. ...

Reflections on Peking Opera 4 The drama Farewell My Concubine directed by the Central Academy of Traditional Chinese Opera is very short, only about 50 minutes. It is said that this drama won the Outstanding Works Award of the Asian University Drama Festival.

This is the second Beijing opera I have seen. Like the first Peking Opera "America laguna", I watched it in the front row of Star Opera Village. After watching these two dramas, I found that China's traditional opera culture really has a different kind of beauty. The actors' exquisite makeup, the dancing posture when waving sleeves, the beautiful timbre of pipa and other musical instruments in the music, and the drumming after the actors didn't finish singing a line all added more movement to them. Ba is more energetic than Pour over the Country, so it looks more joyful. The rhythm of "America laguna" is a bit too slow. After the performance, the actor invited the director to take the stage. The most surprising thing is that the director is sitting on my right. I knew the director should be an undergraduate, but I didn't expect that I was so close to the director. I saw her taking pictures during the performance. I don't think you can take pictures while watching the play. I take pictures when someone takes pictures. In retrospect, it was the director who took pictures of his actors! She said that this was their first Beijing Opera class, and they were all senior three students. Although these senior three students are only performing Beijing opera, they are still full of movement. The four actors who play soldiers jump up and down on the stage and jump in the air. Even if they want to convey a tragic story, the overall feeling is a comedy story. In the play, two huge white cloths are used as the curtain, and the dancing of the river also gives the stage a different sense of movement. In a word, this Peking Opera gives a different color to traditional Peking Opera.

The ending was a bit hasty. I thought that after Yu Ji died, her story was over. But after her death, she reappeared in front of Xiang Yu. I don't understand that Xiang Yu looked up at Yu Ji standing on the high platform, conveying that Yu Ji was a dream and they were separated from each other. Finally, Xiang Yu's death was narrated by narrator, and I think this ending is a bit hasty.

The performers of Xiang Yu and Yu Ji are a little stiff. Although people can't see the change of expression with heavy makeup, they can see whether the extension is sharp and uncertain. After all, they are just students, and it is good to be able to do such an idea.

Reflections on Peking Opera 5 Last Friday, the school held the activity of "Peking Opera Entering the Campus". This is a good activity for me, who is an art-blind.

When I first saw Beijing Opera, I was very excited. At first, an old man gave a speech on the stage. I know a little about Peking Opera, the quintessence of Chinese culture, but after listening to his speech, I was almost an eye-opener, so I took notes carefully while listening.

A few minutes later, with the introduction of the host, the first program-face/off appeared. After a big man in a black cloak appeared on the stage, the performance began and the music began. I saw the big man wandering on the wide stage empty-handed. Just when we were bored, he slowly walked to the center of the stage, swished, and suddenly turned into another face, pulling us out of the dull eyes. As if this were not enough, he walked slowly towards us, as if to. ......

After FACE/OFF, you should admire the program Congratulations to the Golden Monkey. One of the five monkeys, only eight years old, has to admire us. Although he is young, his acting talent is not worse than other monkeys. What impressed me most was the last somersault. I counted and made more than twenty! ! Think about a child under ten years old, who has done so many somersaults and stunts, and how much effort and sweat he has paid off the stage! ! It can be described as "stepping down for one minute, stepping down for ten years"!

Peking Opera is one of the four famous dramas in China and the quintessence of our country. After watching this performance, I can't forget it. This is the happiest day of my life.

In the sixth issue of Peking Opera Review, I was lucky enough to see a Peking Opera at the National Grand Theatre. There were two performances: one was Sanchakou and the other was The Prince and the Dancer, which was performed by Beijing Peking Opera Theatre.

These two plays have been watched for a long time in the past, but they are performed by outstanding young people today, which of course attracts great attention. These two plays, the former is a martial arts play, the latter is a singing play, a martial arts play and a sketch, are properly matched and complement each other. Whether it is martial arts or singing, the performance is quite wonderful.

I'm particularly interested in the "fork in the road". The story goes like this: In the Northern Song Dynasty, the general Jiao Zan killed the traitor Xie Jinwu and was sent to Salmon Island. Marshal Yang loves him like a son, and he is afraid of mistakes on the way, so he is secretly protected. Go to Sanchakou and stay at Liu Lihua Store. When you arrive, stay at the store. The shopkeepers, Mr. and Mrs. Liu Lihua, are both heroes in the Jianghu. Because Liu Heren didn't know each other, they were suspicious of each other and mistakenly thought that the other side was going to harm. At midnight, they had a fight in the dark. This play focuses on the fighting skills and techniques of two actors. The performance was originally scheduled to be played by Ren, a gold medal winner of the CCTV TV Competition and a graduate student of the Young Peking Opera Graduate Class, and played by Li Dan. Because Zhan was ill, it was played by an excellent young actor in Mei Lanfang Peking Opera Theatre. Although the main actors have changed, the performance quality is still good. The actor's superb performance, serious performance and excellent kung fu won the applause of the audience and everyone was amazed.

Beijing opera is the quintessence of our country. This drama is one of the most classic traditional martial arts dramas in Beijing Opera. There is only a table and a chair on the stage, and there are only two people on the stage. There is no dialogue or aria, it's all real kung fu performances. This is Wu's housekeeping play. After watching this drama, I admire Yang Jiajiang who has been loyal to his country from generation to generation. Yang's family is a loyal minister to defend the country from generation to generation, and has produced generations of loyal ministers such as Yang, She Taijun, Yang's seven brothers and eight sisters, Mu and so on. Although he was repeatedly framed by treacherous court officials, his loyalty to the country remained unchanged and he was brave enough to protect loyalty. The story of Sanchakou is an example.

After watching this play, I felt a lot. I shouted four words of praise: one should learn from Yang Jiajiang and be loyal to the country and pass it on from generation to generation. Beware of treacherous court officials playing tricks and loving loyalty and protecting the country.

17 On Thursday, April 7th, 2007, we came to Xuhui District Youth Activity Center and watched the large-scale original modern children's Peking Opera "Young Chinese Dream". The touching and interesting stories in the play benefited us a lot.

After watching this drama, we know that during the Sino-Japanese War in Songhu, the naughty and poor newsboy "Little Northeast" got to know the people's educator Tao Xingzhi, which not only gave him the opportunity to study and write in the "Shanhai Engineering Group" founded by Tao Xingzhi, but also was infected by the feeling of "loving the whole world" and grew into a brave and upright teenager. This drama makes us understand the greatness of the people's educator Mr. Tao Xingzhi and the living environment of children during the Sino-Japanese War in Songhu.

What impressed us the most in this drama was that when Mr. Tao Xingzhi taught the word "Zhong" to be a word "Japan", the word "Zhong" lay down and became a word "Japan", and both hands and feet were broken, which was terrible and encouraged us not to live up to our expectations.

Yes, I recall that during the war, children couldn't read, so they had to sell newspapers on the street and had a hard time. Unlike us now, every student can read and write in a clean and bright classroom and live a carefree life.

In our impression, Peking Opera is full of blue-faced Dou Erdun stealing jade and horses, red-faced Guan Gong fighting Changsha, yellow-faced Dian Wei, white-faced Cao Cao and black-faced Zhang Fei chirping ... but this drama is completely different. It vividly interprets interesting stories, and in the process of interpretation, some elements of Beijing opera will be added to complement each other.

When we are under the stage, we are sincerely envious of the handsome somersaults of Beijing opera actors, because there is a saying: "One minute on the stage takes ten years off the stage." Beijing opera actors must train very hard at ordinary times. It's really amazing!

The Beijing Opera we watched this time really changed our original concept of Beijing Opera and broke through the tradition. We all like this Beijing opera very much!

Reflections on Beijing Opera Beijing Opera began to develop into an art 20xx years ago. The characters in life, beautiful, pure and ugly, make men, women and children look interesting.

I was deeply impressed by the performance of this Peking Opera: The Goddess Scattered Flowers and Shajiabang.

I started to get excited before the movie Scattered Flowers started, and almost every nerve became active. Fairy scattered flowers, as the name implies, must be beautiful Tsing Yi dancing among the flowers.

The performance began, and an elder sister in pink came out from behind the scenes. The pink dress is dotted with several small flower balls, and the pink and blue small flower balls match each other. Big sister is dancing with a long ribbon. The ribbon fluttered. At first glance, alas, there is more than one color of ribbon, and there are three colors of blue, white and pink arranged regularly. Ribbon and dancing big sister cooperate tacitly, and three colors of ribbon are dancing on her body, as if she were among thousands of flowers. Suddenly, the dancing ribbon turned into a pattern. Whenever the ribbon is thrown in front of her, it will cross before landing, as if to tell everyone that there are new tricks to be carried out below. Please wait and see. Big sister's light pace, accompanied by beautiful music, won warm applause from everyone.

In the selection of Shajiabang, I like Grandma Sha best. She has many advantages. All the soldiers she took praised her: "Granny Sha sewed and mended every day, and washed her pulp to make up for her worries. She has shrimp and fish for three meals every day, and she likes to eat them every day ... "But Grandma Sha feels that eating shrimp and fish every day is good for healing, sewing and washing, and it is natural for the country and the people. Grandma Sha asked the soldiers to make Shajiabang their home. This shows that Grandma Sha is selfless and dedicated to the people.

This Beijing opera performance shows beautiful ribbon dances. We also learned the spirit of serving the people from Grandma Sha and realized the wonderful essence of our country. In the future, we should study hard and carry forward the national culture.

Comments on Peking Opera 9 1 65438+1October1In the afternoon, our school organized all the sixth-grade teachers and students to experience an ingenious visual feast, auditory baptism-Peking Opera performance.

Before the official performance, an "old student" actor introduced us to the origin, development, trade and mode of Beijing opera, which gave us a preliminary understanding of Beijing opera. In the narration, an actress interspersed some classic dance steps and simple accents in Beijing Opera performance, and the students experienced the fun of Beijing Opera.

Why hasn't the performance started yet? The students are getting impatient. At this time, a rush of beating gongs and drums excited more than 300 spectators present. A powerful "wow!" With a vigorous cartwheel, it firmly attracted people's attention. The Beijing opera "Sanchakou" began. Although the fork in the road is short, its essence is embodied in its "emptiness" The two actors can vividly show the feeling of dark war on the brightly lit stage with only one red table and two broadswords, and the difficulty can be imagined. However, during the whole performance, we didn't feel anything unusual. This is because Beijing opera originated from life, and after artistic exaggeration, it turned into virtual reality. To borrow a famous saying, "It is both unexpected and reasonable." At the same time, "Sanchakou" is accompanied by gongs and drums, and the atmosphere in the performance is tense, which enhances the tension at the beginning of the fight and attracts our attention tightly, and blends into the plot with the rhythm of gongs and drums.

The fork in the road is over, and the students are still wanting more. Then, the second "selling water" began again. On the whole, the rhythm of Beijing Opera "Selling Water" is much slower, and the cheerful and lively performance has reached the extreme, with Mei Ying as the protagonist, which mainly shows her kindness and intelligence. Especially in the "Flower Show", singing and dancing, smart eyes, with the performance of fans and handkerchiefs, the innocent and lovely image of the little girl is vividly displayed.

After the performance, Mei Ying's voice like an oriole still lingers in my ears. Beijing Opera, I love you!