The Development Course of Textile Art Design

Textile art has a long history. Decorative patterns appeared on China's silk as early as Shang Dynasty, such as children's songs unearthed in Anyang, Henan Province and jade knives in the Palace Museum, all of which were wrapped in twill diamond geometric patterns. The original textile patterns are just simple continuous regular patterns. By the Spring and Autumn Period and the Warring States Period, the geometric patterns of silk were more abundant. The Han Dynasty is the prosperous period of China's textile art, with the emergence of four-fold brocade and gold clip technology, and the printing technology of dyeing valerian is relatively complete. The fabrics unearthed from Mawangdui No.1 Han Tomb in Changsha tend to be lively, unrestrained and vivid, and irregular patterns replace and enrich geometric figures. Vivid moire, moire and water ripple interweave with other patterns (including auspicious words), which is a major feature of textile art design in Han Dynasty. During the Three Kingdoms period, the improvement of the loom promoted the development of silk patterns, and then the composition of continuous geometry, steady and fresh, staggered flowers and spiral flowers appeared, and in the form of the combination of honeysuckle and deformed flowers, rich multi-level and rich patterns such as curly leaves and precious flowers were formed. The Tang Dynasty is another highly developed period of textile art in China feudal society, with rich patterns and a large number of continuous radial patterns. Flowers, flowers, birds and ribs are magnificent and have their own advantages. Dou, an official of Taiwan Province in Yizhou, created many patterns, which are called "Lingyang Tribute". Silk patterns in Song Dynasty generally inherited the tradition of Tang Dynasty, and at the same time, they also made great achievements in sketching patterns. Silk reeling and brocade are very popular. "Zhuanglihua" in the Northern Song Dynasty and "Yao Ban cloth" in the Southern Song Dynasty (similar to the later blue printed cloth) are also popular in the north and south of the country. The silk fabrics in Yuan Dynasty mostly used gold clip technology, which was elegant and luxurious. Due to the development of cotton production at that time, there appeared a broken-branch woven quilt cover with the words "wrong yarn color matching, synthetic velvet flower" in Songjiang. The patterns of brocade in the Ming Dynasty mostly changed in the layout of parallel rows, and the colors were mostly white, yellow, gold and silver lines between positive colors, or a variety of colors. The former is lively, while the latter is beautiful and lively. "Swinging lady" is a common theme. There are many kinds of brocade in Qing dynasty, and the patterns are popular, such as scattered points, T-chain method and rollover method. There are many ethnic minorities in China, and textile art also has its own national characteristics, which enriches the treasure house of pattern art in China.

In the middle ages of ancient Egypt (about 3000 BC), red, blue and green patterns of lotus flowers and birds were woven on linen tapestries. At that time, Phoenicia on the Mediterranean coast was called the country of purple for producing dyed cloth. According to Homer's epic "Odyssey", the textile patterns in ancient Greece took animals and scattered flowers as the main themes. Women painted on the ancient Iranian Tao Pan wore striped and patterned fabrics. In the late Bossasan dynasty (226 ~ 65 1), lions, flowers, birds and figures were embedded in various continuous beaded patterns, and the Persian patterns gradually formed later were mainly plant patterns, with meticulous composition and free and delicate changes, which greatly influenced the patterns of later generations. India's silk industry has developed for a long time, with famous varieties such as Dhaka tulle and multiple brocade woven by gold and silver thread. The pattern is obviously influenced by the Islamic decorative art style, with distinct outline and symmetrical stability. Silk products in Sicily have been very famous since the 9th century. /kloc-after the 0/3rd century, Italian fabrics rose, and the patterns of leaves and flowers of sawtooth flowers (thistle grass) or glass patterns close to Persia. The main pattern of Florence brocade is thistle grass pattern. The velvet of flowers is decorated with red or blue flower rings on a dark yellow and gold background, and flowers gather on pointed leaves. /kloc-Around the 0/5th century, the center of European silk weaving moved to France, and the typical pattern was a symmetrical composition lace style. In the period of Louis XVI, the emphasis of patterns turned to line drawing and harmonious colors, pastoral and love themes gradually appeared, and the patterns of trees, pigeons, gardening tools, shepherds, garlands and musical instruments flourished. The costumes of French nobles are embroidered with small flowers, which has a great influence on later generations. In addition, most of the linen produced in Flanders (featuring heraldic patterns), luxury tapestries specially produced by Alas and Brussels for popes and churches, and Gobelin-style woolen goods use geometric patterns. The fabric patterns of eastern countries such as Viet Nam and Korea are mostly influenced by China, and Thailand has long produced tapestries with triangle as the skeleton pattern. In the early days, Japanese-dyed fabrics had diverse and elegant patterns, and some used China patterns (called "Tang patterns" and "Tang grass"), such as plum, orchid, bamboo, chrysanthemum, phoenix, eight treasures and eight immortals. Some of them have the characteristics of ethnic sketch changes, such as "Ping An Sakura" and "Second-order Dai Li", which show the sketch patterns of shrines.